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Report on the Explore Archives event at the Marx Memorial Library

Lucy Stagg26 November 2020

Report written by Marco Humbel

The Marx Memorial Library (MML) and UCLDH/DIS regularly collaborate for facilitating research projects, student seminars and work placements. On the 16th October 2020 the MML held the online event ‘Explore Archives: Marking the centenary of the foundation of the Communist Party’. ‘Explore Archives’ was funded and co-organized by the Society for the Study of Labour History. The event’s objectives were to map archival resources on the Communist Party, spark interest for further areas of inquiry, and to develop archival research skills of attendees.

Professor Mary Davis (Royal Holloway, University of London/MML) introduced the field of historical research on the Communist Party in the first session. Davis reflected for this purpose on the research process on the new book ‘A centenary for Socialism: Britain’s Communist Party 1920-2020’, which she edited. The publication provides an extensive overview on the history of the party from political, economical and ideological perspectives. Yet, numerous areas have the potential to be investigated further, such as the history of women, trade unionism, or international solidarity.

The following panel discussion included contributions from Simon Sheppard (People’s History Museum), Lesley Ruthven (Goldsmiths, University of London), and Meirian Jump (MML). The session was chaired by Janette Martin (John Rylands Library). Each of the archives has its own focal point and unique resources. Particular strength of the People’s History Museum is for instance the minutes of the Communist Party’s central bodies like the Executive Committee, the national congresses, or the Women’s Department. The museum is also custodian of personal papers of prominent party members, like James Klugmann or the historian Dona Torr. The personal papers of another party’s historian – Noreen Branson – can be found in the MML. The Marx library also holds the papers of London branches of the Communist Party, including Bethnal Green and Hornsey, as well as collections that document international campaigns, such as the Aid Spain Movement. As a specialized collection for performing arts and social sciences, the Archives of Goldsmith’s University of London holds various song books from the labour movement, and among others the personal papers of drama scholar and party member Margot Heinemann.

The final session was titled ‘Access To Digital Resources Workshop’. Marco Humbel (UCL/MML) started the presentation with outlining the MML’s rational for its digitization activities, and the criteria for selecting collection items for digitization. The main part of the workshop aimed to map the digital resources available on the Communist Party online, including the photograph collection of the Daily Worker/Morning Star, the Aid Spain Banners and the poster collection. The session closed with an overview on the UK Archives Hub, and the Social History Portal. Both platforms facilitate to search across multiple archival repositories. Thus, they can be the starting point for exploring other archives specialized on the labour movement like the library of Trade Union Congress, or Working Class Movement Library.

New Digital Humanities Undergraduate Module

uczcrym9 October 2020

For UCL undergraduate students interested in Digital Humanities or the ways digital technology is changing the field, we are delighted to announce that the third year undergraduate “Introduction to Digital Methods in the Humanities” (INST0006) is being offered for the first time in Term 2 (2020) and is available as an optional choice for students selecting their course of study.

The Edison Multipolar Dynamo

The module will introduce students to the many ways in which digital methods can be applied to research in the humanities. This will include case studies using different disciplinary approaches, as well as a chance to build practical skills. The module is aimed at students from across the arts, humanities, and historical disciplines who want to learn about new modes of answering research questions in their core disciplines. Students should have some experience in arts, humanities, or social sciences, but no prior technical experience is required.

Informal queries can be directed to Dr. Adam Crymble (a.crymble@ucl.ac.uk)

Welcome Adam Crymble

Simon Mahony29 May 2020

We are delighted to announce that Dr Adam Crymble will be joining us in July 2020. Adam will be the new Lecturer in Digital Humanities, and part of our programme team, here in the Department of Information Studies.

Dr Adam Crymble

Dr Adam Crymble

Adam has a background as a digital historian and digital humanist and will make a great addition to our team.

Welcome to UCL, to DIS, and to UCLDH.

Centre for Editing Lives and Letters wins RSA’s Digital Innovation Award

Lucy Stagg14 February 2020

The Renaissance Society of America’s Digital Innovation Award recognises excellence in digital projects that support the study of the Renaissance. This year the award is split between The Archaeology of Reading in Early Modern Europe (AOR) and A Digital Anthology of Early Modern English Drama (EMED).

The early modern bookwheel, from Le diverse et artificiose machine del capitano Agostino Ramelli (1588)

The early modern bookwheel, from Le diverse et artificiose machine del capitano Agostino Ramelli (1588)

The Centre for Editing Lives and Letters, in partnership with the Johns Hopkins University’s Sheridan Libraries and the Princeton University Library, were awarded a grant from the Andrew W. Mellon Foundation to implement The Archaeology of Reading in Early Modern Europe.

The Archaeology of Reading in Early Modern Europe (AOR) uses digital technologies to enable the systematic exploration of the historical reading practices of Renaissance scholars nearly 450 years ago. This is possible through AOR’s corpus of thirty-six fully digitized and searchable versions of early printed books filled with tens of thousands of handwritten notes, left by two of the most dedicated readers of the early modern period: John Dee and Gabriel Harvey.

Congratulations to the whole project team for this well-earned award!

Digital Humanities and Education at Guangdong

Simon Mahony4 January 2020

It was my very great pleasure to be invited to speak at a conference at the School of Information Management at Sun Yat-sen University in Guangzhou.

Mandatory conference group photo at the School of Information Management, Sun Yat-sen

Mandatory conference group photo at the School of Information Management, Sun Yat-sen

Being in Guangdong it was an opportunity to escape from the cold of London to the warm sunshine and visit a part of China that is new to me, other than for a very brief visit to Shenzhen. The event, Digital Humanities Research and Teaching in the Information Discipline, brought together scholars and practitioners from across China as well as South Korea to enjoy rich discussion, exchange of ideas, conversation and the generous hospitality of this institution, which is also, like DIS, an iSchool. My talk was on pushing the boundaries of digital humanities research beyond the traditional limits of textual scholarship.

Conference discussion at Sun Yat-sen

Conference discussion at Sun Yat-sen

It was also the occasion of the inauguration of their new and very impressive VR + Culture Lab with demonstrations for the guests.

Inauguration of the VR + Culture Lab at Sun Yat-sen

Inauguration of the VR + Culture Lab at Sun Yat-sen

A visit to Guangzhou would not be complete without a trip to the top of the Canton Tower (604 meters high and know by the locals as ‘Slim Waist’ because of its shape) and a ride in the Bubble Tram.

The close proximity also allowed a visit to the Beijing Normal Zhuhai campus to hold a series of meetings there to discuss their plans for a Digital Publishing and Digital Humanities Centre. Digital Humanities is thriving in this leading region of economic growth, the Greater Bay Area of Guangdong-Hong Kong-Macao.

Meeting with the Dean of the Department of Publishing and the President of Beijing Normal Zhuhai campus

Meeting with the Dean of the Department of Publishing and the President of Beijing Normal Zhuhai campus

As always, the hospitality at both universities was great and if you get the opportunity to visit, (subject to other commitments) always say yes.

Digital Publishing Conference at Wuhan

Simon Mahony24 November 2019

In November, I was back at the University of Wuhan as an invited guest speaker for the 6th International Conference on Publishing Industry and Publishing Education in the Digital Age (spot me in the group photo). I was presenting in the strand for Open Access Publishing which gave me the opportunity to speak to Open Publishing and the Open Science Agenda, showcasing the EU Digital Agenda, UCL Press and particularly the new UCL Megajournal. ORCID is an important part of the latter initiative to allow disambiguation and ensure correct attribution; this is starting to see some uptake in China although still limited. One of the other presenters particularly focused on the specific need for ORCID to identify individual Chinese scholars who may share very similar, if not identical names.

Image of Simon T Wuhan Conference on Publishing in the Digital Age

Wuhan Conference on Publishing in the Digital Age

The School of Information Management at Wuhan is the top-ranking iSchool in China and, just as our iSchool – the Department of Information Studies, it is celebrating its centenary in 2020.

Wuhan University centenary in 2020

iSchool centenary in 2020

The University of Wuhan is generally acknowledged as being the most beautiful campus in China. It is a tourist attraction in the Summer with its extensive displays of blossoms. Autumn is another good time to visit with the changing colours of the leaves on the trees. The campus is on a sprawling hill, full of a wide variety of trees (each part of the campus is named after the trees there) and with a castle (now library and accommodation) at the very top.

 

University Wuhan Castle

University Wuhan Castle

Sino-French Forum, Cultural Heritage and Digital Humanities

Simon Mahony17 November 2019

Just for a change, in October I was invited to speak at an event in Paris. This was organised by the University of Wuhan (as part of their International Sino-French Week) and I’École Nationale des Chartes and hosted at I’Université Paris Diderot: 4e Session de la Semaine Académique à l’étranger de l’Université de Wuhan .

I’École Nationale des Chartes

I’École Nationale des Chartes

There were several events on different days and in different locations. Ours was ‘Cultural Heritage and Digital Humanities: A comparative approach through research projects’. This was a truly international event with speakers there from Wuhan University,  I’École Nationale des Chartes, other Chinese and Paris institutions, the British Library and UCL. The theme allowed me to showcase some of the high-profile and innovative cultural heritage imaging conducted by UCLDH both in our digitisation suite and beyond: ‘Non-invasive and Non-destructive Computational Imaging of Cultural Heritage’.

Conference group photo

Mandatory conference group photo

The session was spread over two days, featuring imaging applied to bamboo slips, Dunhuang Mural Images, Watermarks in Medieval and Modern Western paper, digital recordkeeping, astronomic documents and much more. It was particularly pleasing to see the work of some of the French PhD students showcased; mapping, geolocation, cinema and historic Paris featured highly.

Greeted by the Dean of School of Information Management, Wuhan University

Greeted by the Dean of the School of Information Management, Wuhan University

Alumna Visiting UCLDH Under Erasmus+

Simon Mahony21 September 2019

It was my great pleasure to welcome Vera Motyckova, a student from my very first class here (2010), back to UCL under the Erasmus+ scheme. We had extensive discussions about Digital Humanities teaching and research as well as course administration and other academic activities within the area of Digital Humanities. Working on H2020 herself, she was very interested to meet with DH colleagues also working on H2020. Vera was also keen to see the changes since she was here last and we visited our Digitisation Suite, the new Student Centre and other rebuilt parts of the College. It was also a good opportunity for Vera to resurrect her UCL email account and search out assignments and feedback.

Vera with Simon 2019

Vera with Simon 2019

Vera at Graduation 2011

Vera at Graduation 2011

It was great to be back at UCL DIS almost a decade later after I graduated and got my MA in Electronic Communication and Publishing in 2010. After leaving UCL I went to work for the BBC to commission online educational content. I returned back to the Czech Republic in 2016 and have now had the opportunity to visit UCL from the Department of Information Technologies at the Czech University of Life Sciences Prague (CULS) through the Erasmus+ Staff Mobility programme. The visit was very useful and productive, we shared best practice and explored opportunities for further collaboration, and I am very much looking forward to this cooperation. I would like to thank Simon for organising an excellent programme for me at UCL and for all his help during my stay.

Vera Motyckova

Book publishing and the Beijing Book Fair

Simon Mahony11 September 2019

Another trip to Beijing and another experience. This time the invitation was from Beijing Normal University (BNU) to be guest speak at their international academic symposium: “The Belt and Road” Academic Publishing symposium: Bridging East and West. This was organised jointly by the School of Journalism and Communication of BNU and the Oxford International Centre for Publishing at Oxford Brooks University.

Beijing Normal University

Beijing Normal University

One thing that I found particularly interesting was from the Chinese scholars and their emphasis on the importance of the study of Chinese ‘classics’ and particularly of old rare manuscripts (a view that I share when it comes to our own culture). This was in the context of the origins of the print industry with firstly the invention of Publishing Material ‘paper’ followed by Publishing Technology ‘printing’ and, of course, its export to the rest of the world pushing forward the ‘world civilisation’ through what they termed as the ‘Chinese Book Road’ as part of the wider ‘Belt and Road’ strategy.

School of Journalism and Communication of BNU

The School of Journalism and Communication of BNU

There were other talks about the state and future of international cooperation in academic publishing. The symposium acknowledged the language barrier in academic publishing and the symposium was also the launch event of two edited volumes of academic publishing articles translated from English to Chinese – they sit in my office alongside many other publications that I, for want of language skills, am not able to read.

My talk featured UCL Press and the Open Agenda covering, albeit briefly, Access, Publishing, Education and Data.

Simon's talk at Beijing Normal University

Simon’s talk at Beijing Normal University Publishing Symposium

As always, I was very well looked after by my hosts with an extremely able student on the Master’s Publishing programme at BNU, making sure that I did not get lost. I was unfortunately not able to stay to attend the Beijing Book Fair which followed due to work commitments, but I did manage to round off the trip with a visit to the really excellent and highly recommended, China Printing Museum.

The Printing Museum, Beijing

The China Printing Museum, Beijing

Facilitating digital art for UCL Raw Materials: Plastics, using 3D modelling and photogrammetry

Lucy Stagg9 September 2019

UCLDH Deputy Director, Prof Tim Weyrich, has been providing technological support to facilitate an artist residency programme, part of the UCL Raw Materials: Plastics Knowledge Exchange project led by PI Katherine Curran, funded through UCL Innovation & Enterprise. The project is a collaboration with Bow Arts Trust in east London, the Institute of Making, the Slade School of Fine Art and the UCL Department of Art History.

The artist in residence, Frances Scott, uses digital and analogue film processes to create her artworks. This summer, her work has been part of an exhibition at Bow Arts and an extensive programme of community projects in East London around Raw Materials: Plastics.

Furthermore, Frances’ film PHX [X is for Xylonite] has been selected to be screened at the 57th New York Film Festival on 6th October 2019.

Frances Scott explores the history and usage of plastic in this imaginative essay film. Using three-dimensional animations, distorted vocal recordings, and the words of Roland Barthes, she connects the founding of the first plastics factory in 1866 and the development of cellulose nitrate, a key element in the creation of film stock.

The film includes animated 3D models of objects from UCL Institute for Sustainable Heritage’s Historic Plastic Reference Collection, made using photogrammetry and laser scanning techniques, and hand-processed 16mm film footage of data collected from ISH laboratory equipment.