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Confrontations: Sessions in East European Art History

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Deterritorialising Modernity

editorial3 March 2020

Asja Mandić

After the group seminar and thought-provoking presentations in Museum Sztuki/MS 1, the group headed to the newest museum branch, MS 2 for a guided tour with Joanna Sokolowska who showed us the museum collection through the Atlas of Modernity exhibition.

The venue, located inside Manufactura, the former 19th century factory complex, now the city’s main touristic hub, associates the museum to the world of spectacle, entertainment and leisure culture of the post-industrial consumer society. Enveloped in the redbrick, it does retain the image of the mill factory, nevertheless the interior gallery spaces are somewhat conscious of the modern white cube. Atlas of Modernity reflects a similar mode. Modernity, the ideas about it and the experience of modernity in the 20th century art as well as its traces in recent artistic practices, as the main conceptual framework of this show, directs presentation of national as well as international pieces from the collection. Rather than providing an historical overview of modern art in Poland, the exhibition pinpoints several themes, like the points in an atlas or a map, among which are machine, progress, capital, revolution, emancipation, but also autonomy and the self. Arranged in a manner to correspond to this web of ideas or fragments of modernity, the works from various media, time periods as well as stylistic features, make very interesting juxtapositions.

This inspiring museum visit brought us back to some questions addressed in our previous discussions, such as relationship between socialism and modernisation, issues of socialist modernity… as well as to the notion that “socialism and modernity do coexist”. (Tomáš Pospiszyl)