After intensive discussions at MSU and pulling of the rope, we ended in the Krajiška street 29 in the former apartment of Tomislav Gotovac. Welcomed by Darko Šimičić, co-founder of the Institute and secretary of the artist’s archive, along with Zora Gotovac and daughter Sarah, we could follow Gotovac’s fascinating journey from experimental films, photostories towards performance art.
In the authentic settings of the artist’s apartment and the studio we were able to understand the birth of a visual artist using expanded media in the unique situation of Croatia since the 1960s. Gotovac’s case is one of the examples of artistic trajectories behind the Iron Curtain, influenced by politics, social change and personal standings. He was a key member of the Yugoslav neo-avant-garde and exhibited in 1976 for the first time after 15 years of continuous work. He created series of photographs, collages, a number of experimental films and famous performances. The visit of the artist’s kitchen was an experience of its own – Gotovac’s Yugoslav Merzbau is an original and very personal collage in the space. And when Darko Šimičić pulled out of one of the closets Gotovac’s batman suite made by Zora Gotovac from underwear, we were hooked.