By Daniel Miller, on 14 June 2021
I am currently writing a second book about Cuan, my fieldsite in Ireland. This will allow me to spend much more time presenting evidence for inequality, focusing on an area of social housing located in the middle of Cuan, that remains quite apart from most of this quite affluent middle-class town. Detailed study, however, reveals many nuances to any simple or dualistic presentation that just opposes these different segments of the same town. The overall rise in income and possibilities in Irish society over the last 50 years have impacted upon most of the population, though not all. Bob would never have expected to be able to live outside of social housing, having worked first as a butcher’s assistant and retired finally as a school caretaker, low paid work that precludes the ability to purchase a property. Yet in retirement, he found his true vocation as a poet and today is as comfortable at the opera as he in the betting shop.
The term class is quite a crude categorisation. I would argue that Ireland has a much stronger egalitarian ideology than here in England, laid across still evident inequalities. Many of the oral histories of individuals I recorded talk of the extreme poverty of their origins but alongside the love of literature and the arts. I didn’t feel that this film represented class mobility or a change in class identity, or even that actually Bob sees things in such terms. It seemed there was both something Irish about Bob and also much that was simply individual. This is an additional point. Bob doesn’t have to be typical of anything or anyone, but for the anthropologist, it is hugely important to acknowledge that he exists and that abstract discussions of class and inequality need to balanced by meeting people as individuals, in this case as Bob.
The film is included in the recent book I wrote with Pauline Garvey, Ageing with Smartphones in Ireland.