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The Power of Print

By Vicky A Price, on 19 February 2020

The Outreach team at UCL Special Collections have spent a great six weeks delivering an after school club to Year 7, 8 and 9 pupils at William Ellis School. Pupils attended in their free time to explore how written texts have been produced through the ages and to learn about some of the ways printing has influenced western society.

Each session involved a hands on art or craft activity, producing manuscripts complete with calligraphy and gold leaf, block prints of historiated initials and lino cut illustrations. We are proud to share the end results of this final task with you – pupils were asked to choose a poem from a selection and to create an image they felt represented the poem in a lino print.

A black and white lino cut depicting a cactus, a hand reaching towards it and a porcupine looking on.

Porcupines

By Marilyn Singer

Hugging you takes some practice.

So I’ll start out with a cactus.

(Poem taken from the Poetry Foundation)

A black and white lino cut depicting a personified cactus with feet and a geometric criss-cross pattern across its body.

Trees
By Joyce Kilmer

Two black and white lino cut prints, side to side, depicting the same close-up pattern of wood grain.

I think that I shall never see
A poem lovely as a tree.

A tree whose hungry mouth is prest
Against the earth’s sweet flowing breast;

A tree that looks at God all day,
And lifts her leafy arms to pray;

A tree that may in Summer wear
A nest of robins in her hair;

Upon whose bosom snow has lain;
Who intimately lives with rain.

Poems are made by fools like me,
But only God can make a tree.

(Poem taken from the Poetry Foundation)

 

Extract from The Cloud
By Percy Bysshe Shelley

A black and white lino cut of a personified cloud (with a smiley face), distributing rain.

I bring fresh showers for the thirsting flowers,
From the seas and the streams;
I bear light shade for the leaves when laid
In their noonday dreams.
From my wings are shaken the dews that waken
The sweet buds every one,
When rocked to rest on their mother’s breast,
As she dances about the sun.
I wield the flail of the lashing hail,
And whiten the green plains under,
And then again I dissolve it in rain,
And laugh as I pass in thunder.

(Poem taken from The Poetry Foundation)

 

To Catch a Fish
By Eloise Greenfield

It takes more than a wish
to catch a fish
you take the hook
you add the baitA black and white lino cut print showing a fish swimming towards a fishing hook on a rod.
you concentrate
and then you wait
you wait you wait
but not a bite
the fish don’t have
an appetite
so tell them what
good bait you’ve got
and how your bait
can hit the spot
this works a whole
lot better than
a wish
if you really
want to catch
a fish

(Poem taken from The Poetry Foundation)

 

A black and white lino cut print of the profile of an eagle, standing a the edge of its nest.

The Eagle
By Alfred, Lord Tennyson

He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ring’d with the azure world, he stands.

The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.

(Poem taken from The Poetry Foundation)

Ten Lords A-leaping

By Vicky A Price, on 19 December 2018

We can go one better than the traditional ‘ten Lords’ and offer you ‘one royal’…

We’re not going to lie to you, this one is a bit tenuous. But we couldn’t resist the opportunity to share one of our most successful outreach projects to date.

Thousands of children have been involved in an immersive First World War education programme that UCL Special Collections have played a key role in delivering. This was part of the Shrouds of the Somme project, one of the major centrepieces of Armistice commemorations that took place at the Queen Elizabeth Olympic Park from Thursday 8 to Sunday 18th November this year.

The Shrouds of Somme project is the brainchild of Artist Rob Heard, who has spent the past five years making more than 72,000 small shrouded figures, each one representing one of the men killed and never recovered from the battled field at the Battle of the Somme. On Thursday 8 November, each of the shrouds were laid out as a graphic reminder of the scale of sacrifice they made in the Great War. The installation welcomed just under 3000 school pupils as well as around 85,000 members of the public.

Photographs of the Shrouds of the Somme installation and artist Rob Heard, courtesy of the Shrouds of the Somme.

UCL Special Collections teamed up with the Commonwealth War Graves Commission and UCL Institute of Education’s First World War Centenary Battlefields Tour Programme to create free online teacher resources, worksheets for visiting schools and a programme of workshops for schools in the neighbouring Olympic Park boroughs (Tower Hamlets, Hackney, Waltham Forest and Newham). Special Collection’s Education Coordinator, Vicky Price, delivered 33 workshops, visiting 12 schools and reaching almost 1000 pupils.

Pupils at Randal Cremer Primary School in a workshop delivered by UCL Special Collections.

Resource packs for Shrouds of the Somme workshops.

The workshops combined historical enquiry with creative writing and used primary resources from UCL‘s College archive. Through exploring archival items like Rosenberg’s student record and a publication of perhaps his most famous poem, Break of Day in the Trenches (in Poetry: a magazine of verse. Vol. IX (3), December 1916 [reprint edition, 1966], STORE Little Magazines), pupils learnt of the poet Isaac Rosenberg, who had been a student at the Slade School of Fine Art. He grew up in a Jewish working class family in Mile End and went to art school to become a painter. When war broke out, he volunteered to fight, sending poetry back to the UK from the trenches. He was killed in France in 1918.

But where does the royalty come in? (I hear you say). Well, we were honoured to be invited to attend a visit by The Princess Royal at the installation site. Vicky Price (UCL Special Collections Education Coordinator) shook the Princess’ hand and explained the work we had done alongside pupils and the Head Teacher from the Bobby Moore Academy.

The Princess Royal meets Vicky Price from UCL Special Collections, alonside pupils and Head Teacher Dr Foley from Bobby Moore Academy at the Shrouds of the Somme installation.

Dante display and other events

By Christopher J Fripp, on 15 May 2018

Last week saw the launch of a new UCL Special Collections display outside the Donaldson Reading Room entrance on the 1st floor of the Main Library. Dante’s Divine Comedy: Modern Visual Representations features a selection of printed materials inspired by the great medieval Italian poet’s literary masterpiece. Produced over 700 years ago, the Divine Comedy is still celebrated today for its incredible imagery of the afterlife. The twentieth-century publications chosen for the display contain their own distinctive illustrative depictions of Hell, Purgatory, and Paradise, but are united in the way they seek to capture elements of Dante’s extraordinary imagination. The display is scheduled to run until Tuesday 26th June.

Detail from Gyabo Szebó Belá’s untitled woodcut, in La divina commedia: XX stampe in legno – xilogravuri – fametszet – Holzschnitte [Bucharest?]: Dacia, 1976. UCL Special Collections, DANTE FOLIOS DD95 SZA

Running alongside this display and throughout the summer term are two public programmes dedicated to Dante. Weekly readings of the Divine Comedy take place on Monday evenings at the Warburg Institute, Woburn Square (6:00 – 7:30 pm), while talks about Dante, his life and works take place on alternate Tuesday evenings at the Italian Cultural Institute, Belgrave Square (7:00-8:30 pm). Both programmes are free and open to all. On Tuesday 29th May, UCL Special Collections will be at the Italian Cultural Institute to present a selection of highlights from the Dante Collection from 18:00-19:15 pm. In addition, Tabitha Tuckett (Rare-Books Librarian) will be providing expert insights on the Collection in a public talk at 18:30 pm. We hope to see you there.

If you wish to consult materials held by UCL Special Collections, please send enquiries to the following email address: spec.coll@ucl.ac.uk