X Close

Special Collections, Archives and Records

Home

Menu

Slade Small Press Project, 9-11 March

TabithaTuckett8 March 2018

This Friday, Saturday and Sunday, the Slade Small Press Project is opening its work to the public, alongside an exhibition on Friday afternoon from UCL Library Special Collections’ Small Press Collections. Events will take place at the Slade Research Centre, top floor, 16 Woburn Square, WC1H 0AB.

Staff and students from the Slade School of Fine Art, alongside invited artists, have created works on the theme of sound inspired by the material from Special Collections, as part of a term-long research project supporting UCL’s Connected Curriculum.

Participants in the project have seen and heard material from UCL’s collections by experimental and avant-garde writers, poets, artists, photographers, dancers and composers. These include graphic musical scores (to learn more about these, see for example this blogpost), and works by John Cage, Cornelius Cardew, Henri Chopin and performance poets. On Friday you might even pick up a specially-pressed vinyl record of the students’ work made in response to our collections.

Recordings from the avant-garde poet and musician, Henri Chopin UCL SMALL PRESS COLLECTIONS

Friday 9 March, 2-4.30pm, includes not only the library exhibition and listening booths, but talks from an artist, a poet, a film-maker and an art critic, discussing lullabies, the connection or not between grime music and concrete poetry, Daphne Oram (co-founder of the pioneering BBC Radiophonic Workshop), and dance notations by Jennifer Pike (held in Special Collections). 4.30pm till late will see the launch of an exhibition of work created during the Project, the launch of the students’ specially pressed vinyl record, and a specially editioned print in honour of the late Mark E Smith and his inspiration, Blast (copies of which are held in Special Collections). The evening programme also includes a series of live performances by Slade staff and students and invited artists. The Project exhibition and listening booths continue on Saturday 10 March, 1-5pm and Sunday 11 March, 1-4pm, with a further programme of live performances on the Saturday.

Events are free and open to the public. Full details in the Project brochure below or here.

Read more about the Subject Liaison Librarian Liz Lawes’ experience of running the project in Tabitha Tuckett and Elizabeth Lawes, ‘Object literacy at University College London Library Services’ in Art Libraries Journal vol.42 issue 2 (April 2017) pp.99-106.

UCL SMALL PRESS COLLECTIONS

********************************

The Small Press Project 2018
Slade Research Centre, Woburn Square
Friday 9th March

The Small Press Collections held by UCL Library Services Special Collections are a globally significant collection of Little Magazines, literary pamphlets, and counter-cultural newspapers produced as a result of the independent publishing scene of the mid 20th century to the present.

From the late 1950s experimental poets and visual artists took advantage of newly accessible printing techniques to self-publish, and distribute their work outside of mainstream literary journals or established gallery spaces. The collections focus on experimental text and image, visual and concrete poetry, the documentation of performance and sound poetry, and text works by artists.

The theme of Sound is in evidence throughout the collections in various manifestations: actual sound recordings, the visual scores of experimental composers, sound and performance poets, poetry and other texts to be read aloud. This year’s Small Press Project seeks to illuminate all these aspects.

The Small Press Project Event, also includes an exhibition of works and recordings made by the staff and students at the Slade School of Fine Art.

Schedule

2.10        Hannah Dargavel-Leafe

Introductions and welcome

2.15      Aura Satz

Aura Satz’ practice encompasses film, sound, performance and sculpture. She has made a body of works that look at key female figures largely excluded from mainstream historical discourse, in an ongoing engagement with the question of women’s contributions to labour, technology, scientific knowledge and electronic music. In her presentation she will give an overview of 3 projects made about women composers, including ‘Oramics’, an artist’s film made in homage to Daphne Oram.

2.45       Holly Pester

Holly Pester will present ‘A short talk on the process of recording lullabies and composing lines from an archive of efforts.’ As well as the talk (and possibly short reading of one of the poems), she will play extracts from her record Common Rest.

3.15 – 3.30     Tea & Coffee

3.30      Holly Antrum

For her presentation, Holly Antrum will introduce an artistic interest in the original items and materials that went into Computer Dances by artist Jennifer Pike (1919 – 2016), as a subsequent tool for inter-generational collaboration and intervention. Jennifer Pike produced the ‘Computer Dances’ and other works within and around a productive, shared domestic studio, printing and publishing space wherein she was the oft-collaborator, and also marriage partner of Bob Cobbing (1920-2002). Computer Dances compiles Pike’s abstract notations for dance and performance: they were made in her 70’s, and she created them stepping into digital working, through scans and digital drawing using a simple early Sketch-Up programme. Holly will explore how arriving at these drawings occurred through being in Pike’s home and studio and how this sonically entered her 16mm/HD film, titled Catalogue (2012-14). Excerpts will screened from the film (19 minutes).

4.00    Jonathan P Watts

Jonathan P Watts will present ‘g, g, g, grime & kon kon kon konkrete poetry’

There is no actual relation between concrete poetry and grime, but the mix and blend might open up affinities. For example, by concentrating on the physical substance of language, concrete poetry can, to echo Bob Cobbing, help us consider how the microphone and the tape recorder extends the human voice, teaching the human new tricks of rhythm and tone, power and subtlety’. Grime, the Lewisham MC Novelist recently explained, is ‘an unorthodox, rebellious sound that represents madness from the hood, the streets’. Concrete poetry is now mostly in the academies, but it was unorthodox in its time. As grime has formalised into a mainstream genre so, arguably, its unorthodox, experimental beginnings have been forgotten. Wiley, writing in his recent autobiography, Eskiboy, reminds us: ‘I’ve got a lot of songs that I’ve never released which are just trying different things with the mic, very experimental kind of stuff. I’ve had ideas for whole songs just using the mic, my voice and nothing else.’ From Flirta D’s ‘splatterisms’ to Flow Dan’s New Age Synchronised Avengers, D Double E’s ‘blukuuus’ to God’s Gift’s rhyming gunshots, this talk will not place grime in the service of concrete poetry.

4.30 – 8.00     Private View for the Small Press Project Exhibition

The evening will feature live performances, curated by Hannah Dargavel-Leafe, Honorary Research Associate, by invited artists and students and staff from Slade School of Fine Art. We will also launch a special edition and a 10” vinyl publication produced by students as part of the project.

Biographies

Holly Antrum (b. London 1983) is an artist filmmaker based in London, and a current participant of the Acme Fire Station Work-Live residency in Bow. She works with 16mm, paper and digital mediums, and often in collaborative processes and study of practice with other artists and writers. She is interested in the moment of our accustomisation to celluloid-as-digital-material, and in a material moment of being at once archived and removed from the original and native aesthetic. Through her films she utilises the poetics of layered film processes, presence, communication and templates of speech, memory and in-situ sound. Recent projects include EIDOLON(2017) a film commissioned by International Literature Showcase with poetry by Sandeep Parmar. The new work was screened alongside artist-selected archival works within the Cinenova collection at The Showroom (February 2018). Solo gallery installations include Catalogue at Edinburgh Sculpture Workshop, Edinburgh (2016) and A Diffuse Citizen at Grand Union, Birmingham (2014). Her work has also been screened in galleries internationally. Holly Antrum earned her Masters in Printmaking at the Royal College of Art, London (2011), and her BA Fine Art Painting at Wimbledon School of Art, London (2005). A copy of Computer Dances (first published by Writer’s Forum in 1995) is also held in the UCL Special Collections.

Jonathan P. Watts is a contemporary art critic and occasional curator. He is a visiting lecturer in Critical and Historical Studies at the Royal College of Art, London. Writing by Jonathan has appeared in frieze, Art Monthly and Artforum. His review of Wiley’s recent autobiography Eskiboy appeared in the Times Literary Supplement this week. As ‘helter helter’, he makes performances that respond to aspects of instrumental grime music.

Holly Pester is a poet and Lecturer in Poetry and Performance at University of Essex. Her work has been situated as recordings, print, sound installation and live readings at international venues and esoteric spaces. Her most recent work, Common Rest was an album of collaborative Sound Poetry and accompanying poetry pamphlet. More info can be found at hollypester.com 

Aura Satz has performed, exhibited and screened her work nationally and internationally, including Tate Modern, Tate Britain, the Hayward Gallery, Barbican Art Gallery, ICA, the Wellcome Collection, BFI Southbank, Whitechapel Gallery, (London); Oberhausen Short Film Festival (Oberhausen); the Rotterdam Film Festival (Rotterdam); the New York Film Festival (NY); Anthology Film Archives (NY); Gertrude Contemporary (Melbourne); De Appel Art Centre (Amsterdam); AV festival (Newcastle); Baltic Centre for Contemporary Art (Gateshead); Irish Museum of Modern Art (Dublin); InterCommunication Centre (Tokyo); Lentos Museum (Linz); and The Sydney Biennale (Sydney). Recent solo shows include John Hansard Gallery (Southampton); Dallas Contemporary (Texas); Gallery 44 (Toronto); Tyneside Cinema Gallery (Newcastle); George Eastman House (Rochester NY); Fridman Gallery (NY). In 2012, she was shortlisted for the Samsung Art+ Award and the Jarman Award. She is a Reader and Tutor at the Royal College of Art, London. www.iamanagram.com

Hannah Dargavel-Leafe (born 1987, London) graduated with an MA from the Slade School of Fine Art in 2016 and Manchester School of Art with a BA in 2010. She has exhibited at The International 3 in Manchester, Bluecoat in Liverpool, and at ICA London. In 2016 she was in residence at the East Tower at Television Centre, White City and worked collaboratively with the artist Jack West. She was a featured artist in Ambit Magazine.
Dargavel-Leafe runs The Loop, an ongoing research project through symposiums, exhibitions and publishing. She is an associate artist with The International 3.

Small Press Project is organised by:

Liz Lawes, Subject Liaison Librarian for Fine Art, UCL Library Services

Lesley Sharpe, Holding Page & Teaching Fellow, Slade School of Fine Art;

Hannah Dargavel-Leafe, Honorary Research Associate, Slade School of Fine Art;

Sarah Pickering, artist & Teaching Fellow, Slade School of Fine Art

The Small Press Project is generously supported by the Teaching Initiatve Fund, IAS and the Dean’s Strategic Award.

**********************

International Women’s Day: the women on our shelves

HelenBiggs8 March 2018

Women are by no means absent from UCL Special Collections’ archives, records, manuscripts and rare books, but it is not unfair or exaggerated to say that overall our collections are heavily dominated by men – by and large they were first collected by men, containing works created by men, that were quite often produced for men, too.

For International Women’s Day this year, we’ve been tweeting about some of the women featured in our collections. A complete guide to all the women who sit on our shelves is a pipe dream for the moment, but we can at least celebrate some of the women whose lives and works have captured our attention!

Today’s highlights were:

  • Crystallographer Kathleen Lonsdale, the first woman tenured professor at UCL.
  • The behind the scenes influence women have had on our collections, such as Helga Sharpe Hacker, whose donations to UCL included an important Byron manuscript.
  • The National Union of Women Teacher‘s (NUWT) archive, a rich source of information on equality in teaching and a host of political campaigns in the first half of the 20th Century.
  • Virginia Woolf, who with other women of the Bloomsbury group, makes a few brief but valuable appearances among our collections.

  • Agnes Kate Foxwell, a UCL graduate whose book Munition Lasses describes some of the dangerous but vital factory work undertaken by women during the First World War.

Our work promoting the women on our shelves, and celebrating women’s suffrage, doesn’t stop at a few social media posts. Next term, we’re excited to be welcoming a visit from the Girls’ Network, and hope to be once again working with Newham Libraries to create a touring exhibition for the centenary of the Representation of the People Act. There’s our own ongoing exhibition, Dangers and Delusions, just one of the many Vote 100 events happening around UCL. We’re also more than a little curious to explore the many exhibitions and activities created and hosted by our colleagues at other organisations – like the National Trust’s Suffragette City, which just opened today.

Treasures Day 2017: Warhol, convicts, and Beethoven’s fish

HelenBiggs9 June 2017

Despite the weather doing its very best to soak visitors, staff, and precious manuscripts, this year’s Treasures Day, Treasures of the Written Word, was a complete success. After shedding their dripping coats, brollies and bags, guests were treated to a range of delights, with 20 different displays on show throughout the afternoon, as well as a live demonstration of SCAR’s conservation work.

IMG_20170606_162222

The conservators’ table included some rather familiar looking building plans

Visitors came from as far afield as Newcastle, and as close as the security desk at the front of the Roberts Building. Some popped in as they passed us on their way to another Festival of Culture event and some came back repeatedly to make sure they got a chance to see everything on display. One guest even brought with him his own 17th Century German astronomical manuscript, for which he received an expert opinion from a Warburg professor who also happened to be visiting our event at the time.

Popular exhibits included a 16th Century Italian Mahzor from our Hebrew and Jewish Collections, and the 1966 issue of the multimedia magazine Aspen edited by none other than Andy Warhol, held in our Little Magazines collection. But given that a live reading of 1984 was running concurrently at Senate House, it’s probably not surprising that the most in-demand item was George Orwell’s notebook containing manuscript notes for the novel Nineteen Eighty-Four.

Our collections may be largely historical, but that doesn’t mean we didn’t have anything new on show. Dr Tim Causer, Senior Research Associate at the Bentham Project in UCL’s Faculty of Laws, has just had his first book launched by UCL Press. His edition of Memorandoms by James Martin, drawn from manuscripts held in the Bentham collection, challenges the myths and fictions around the earliest Australian convict narrative. For Treasures Day, Tim joined us to show his own opus next to the original manuscripts he used in his work.

Memorandoms_of_James_Martin

Memorandoms by James Martin is now available at UCL Press as a paperback, hardback, or free Open Access pdf download.

As a member of SCAR I, of course, don’t have any favourites among our collections, but I was immediately enamoured with the brief note from the great composer Ludwig Beethoven we had on display. It doesn’t offer great insight into his compositions, but does give some insight into his taste in fish, as he instructs his “Kitchen Procurator” that “decent pike … alone is to be preferred to all the rest” before asking about the price of the local farm butter.

A huge thanks to everyone who braved the storm to come and see us, to all the UCL staff who helped us run the event, and especially to Tabitha Tuckett, Rare Books Librarian: Academic Support and Events, for the amazing job she did in organising and delivering another successful Treasures Day.