UCL Social Networking Sites & Social Science Research Project
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    The ‘timeline’ as narrative?

    By Jolynna Sinanan, on 25 March 2013

    Image courtesy of Alec Couros, Flickr Creative Commons

    Image courtesy of Alec Couros, Flickr Creative Commons

    Last January, Facebook replaced the ‘wall’ and introduced the ‘timeline’, ‘a new kind of profile that lets you highlight the photos, posts and life events that help you tell your story… Timeline gives you an easy way to rediscover the things you shared, and collect your most important moments’ (McDonald, 2012). Over a year, on, I was sitting with one of my informants, Charlie, in front of her open Facebook page, enjoying a typical past time: macoing other people’s pages (maco: Trinidadian colloquial for looking into other people’s business. One of the most common things that has come up in conversation is that people don’t like it when others maco their profile, even though everybody is looking at everybody’s profiles and profiles of their friends. I actually regret not putting the question, “Do you maco other people’s profile on Facebook?” into our general questionnaire on SNS usage.) Charlie showed me one of her friends from work who recently had a baby. We scrolled through the page and she said “What was I doing last year when she when she got engaged, then got married, then was pregnant and then had this child? All that happened in a year?! Wow, Facebook.” Each life event that had taken place for her friend in the last year had been captured on screen, in pictures, statuses, albums and comments.

    The timeline is a curious thing. It’s not quite a blog, which has aspects of different categories of personal documents: they are ‘part life history, part diary, part letter, part guerilla journalism, part and “literature of fact” (Graham et al. 2010: 284). The timeline has elements of a blog, it can support a collection of different media, like text, photos and videos, but it’s not quite diary keeping, history or faction. Facebook clearly encourages the use of the timeline as a quick entry diary or scrapbook that becomes a collection of moments that reflect the important things in a person’s life, but after speaking with over 100 people now about how they use the timeline, the more common use is for sharing of memes, music videos, and ‘clippings’, links to other things that are made by other people.

    Are people constructing their narratives by speaking through the digital artifacts of other people? Are they even constructing narratives at all? What is somebody revealing about themselves by sharing Grumpy Cat memes? Am I taking Grumpy Cat too seriously?

    Having oodles of data in the form of timelines, I’ve been toying methodologically with how to tackle understanding the timeline while doing this ethnography. If the timeline is a form of narrative, perhaps a revisiting of narrative in ethnography might be a starting point. How do people talk about the timeline? What is it exactly to them? Krizek, for example privileges story telling in ethnographic methodologies and culture and communication, “with a specific focus on meanings and identities as revealed in personal narratives” (2003: 143). Krizek’s research interest is non-routine public events; social occasions, performance and enactment. To an extent, the timeline is an event, it appears, it passes, it can be recollected, here in digital form. Personal narratives are part of a larger context, in the case of the Facebook timeline, this is two-fold: the narrative of the timeline in the wider context of Facebook to the person, and the narrative of the individual (about Facebook or themselves) in the larger context of their lived experience. Krizek, quoting Rosenwald and Ochenberg (1992: 1) agrees that “Personal stories are not merely a way of telling someone (or oneself about one’s life; they are a means by which identities are fashioned” (2003: 142).

    These two levels, the narrative of the timeline in the context of facebook usage and the narrative of the person in the context of their lived experience seems worth investigating. It just feels a little too post-post-modern at the moment, though.

    References:

    Graham, Connor, Satchell, Christine and Rouncefield, Mark, (2010), ‘MoBlogs, Sharing Situations and Lived Life, Computer Supported Cooperative Work, Springer, pp 269-289

    Krizek, Robert L. (2003) ‘Chapter 12: Ethnography as the Excavation of Personal Narrative’, in Carr, Robin Patric, Expressions of Ethnography: Novel Approaches to Qualitative Methods, State University of New York Press, Albany

    McDonald, Paul, (2012) ‘Timeline: Now Available Worldwide’, http://ja-jp.facebook.com/blog/blog.php?post=10150408488962131, accessed March 24, 2013

    Something we take for granted in the digital age

    By Xin Yuan Wang, on 14 December 2012

    Photo: Enkhtuvshin’s 5DmkII (Creative Commons)

    The other day I was talking with my friend via Skype, whilst at the same time using my smartphone to check some information. I couldn’t find it anywhere. At last, I had to hang up the call and return to the library to find my phone, before suddenly realising that I was, in fact, holding my phone, talking to it when I was trying to find it. This anecdote provoked much laughter from my friends. However it may be more than a joke. Why didn’t I notice the phone? Obviously the mediation of technology in this communication has been ignored, which would be regarded as another example of the humility of things - “the more effective the digital technology, the more we tend to lose our consciousness of the digital as a material and mechanical process” (Horst & Miller 2012: 25). As such, it is no surprise speed at which people now have taken the digital for granted in the digital age.

    Despite the popularity and saturation of digital technologies in many places, no generation of human beings has yet lived their whole life span in this digital age. Many of the earlier writings concerned the digital media (the Internet, cyberspace) as a “virtual” place. As the opposite of the “real”, “virtual” seems less real, and thus less valid to represent the authenticity of humanity. Then why bother to study a “virtual” place? It is safe to say that human kind have never just lives in a tangible world since the very beginning of human culture. ‘Virtuality’ is neither new, nor specific, to the digital world. We all live in a culturally and spiritually structured world which involves a huge amount of imaginative aspects: the legend of the tribe, the memory of the ancestors, or forms of art, etc. Culture, as shared systems of imagination and practice, shapes people’s idea of kinship, identity, community, and society – in sum, the very deepest assumptions about being a human being in the world. In this regard, the digital world ontologically does not differ from any other worlds at all.

    Nevertheless there is something unique about the digital. Digital has created an ‘always-on’ lifestyle (see boyd 2011:72), in which the boundary between online and offline has become blurred. Being ‘always-on’ does not literally mean always-on the Internet, but rather always having the capacity of being connected. Also being ‘always-on’ does not necessarily means being always accessible. You can leave the phone unanswered or ignore the messages on IM (instant message), and individuals have quickly developed a sophisticated strategy for communication with a whole palette of possible digital communicative channels (see the idea of polymedia). The primary concern of media choice has shifted from an emphasis on the affordances of media to an emphasis upon the social and emotional consequences which as been articulated by the media choice: one medium may be good for arguing or avoiding arguments; one may be suitable for flirting or communicating secrets, so on and so forth. ‘Always-on’ and ‘polymedia’ would mean different things in different social milieu, but one thing is for sure: we can no longer just examine the binary opposition of online or offline; or concentrate on one single medium to analyze people’s communication in the digital age.

    References

    boyd, danah. 2011. “Participating in the Always-On Lifestyle”, in Graham Meike & Sherman Young (eds) Media Convergence. Pp. 71-76.

    Horst, Heather A. & Daniel Miller. 2012. Digital Anthropology. London: Berg.

    Why do eight comparative ethnographies?

    By Daniel Miller, on 8 December 2012

    Photo: Ed Schipul (Creative Commons)

    I suspect that the initial response of most anthropologists to this kind of comparative study will be negative. Our model of work is incredibly specific, insisting upon the integrity, even the holism, of a fieldsite. It is almost as though we try to deny the often almost arbitrary nature of that particular village or town as our selected place of study, by the sheer devotion we have to the integrity of this place – which can become an account of ‘how my people do things’. It’s a bit like marriage, where, in truth there are thousands of people we might have married, but once we are married we create a relationship that is as though it is impossible to imagine that it could have ever been anyone but the beloved spouse. The idea of a comparative anthropological study can also feel like a betrayal of anthropology itself, and of our relationship to ethnography.

    So it is important to assert that we intend to confront this prejudice. That we do not intend simply to do eight ethnographies that are just eight times a single piece of work. That would be a betrayal of a different kind. It means that we would be failing to recognise that it is almost unheard of to get the kind of funding that allows for eight simulteneous ethnographies. If this is a most unusual opportunity then we have responsibility to understand what kind of opportunity this in fact is. Elisa in an earlier blog post talks about the excitment of sharing discussion at this early stage. Here I want to refer rather to the potential for analysis at the later stage.

    So let’s start from the other end. What can an eight-fold ethnography do that a single ethnography cannot? A blog is not the space to unfold this in any detail but let’s try one example. We will all be studying social network sites, and a core question anyone engaged in such studies must ask themselves, is to what degree the particular usage we observe is a product of the nature of the fieldsite where they work, or the social network site that they also observe. Is this because it is Brazil or because it is Facebook? The problem is that a single ethnography can only surmise on the basis of the evidence of that site which is always a conflation of these two (and of course many more) facets.

    By contrast, when eight sites are being studied simulteneously, the indiviudal who is working in Brazil knows far more than just what a Brazilian is doing on Twitter. At pretty much exactly the same time they will know that people in give other place are doing pretty much the exact same thing on Twitter. Or they will know that people in five other places are doing someting rather different on Twitter. Now we are hopefully too sophisticated to simply draw mechanical conclusion. It is possible there is another fator: a common sense of modernity say that all sites share, which prevents us from merely assuming that commonality means we look for a more technological foundation for this behaviour. Nevertheless the way in which our evidence is cited comparatively means that the level of disussion and analysis can start from a significantly higher level than if we were an isolated study with no idea of how our work related to similar investigations in other places.

    Furthermore, this situation precisely fits the difference between our project and most traditional projects in that our core focus is on something that, in its infrastructure, does not vary other than the contrast between QQ in China and Facebook which conveniently gives us another way of trying to decide what is because of Facebook itself and what from other factors. So a study that looks at this simulteneously in eight sites works particularly for something that has been introduced across the whole world within a very short time period. All this would at least suggest that a comparative study can actually deepen rather than take away from each individual ethnography. You are not betraying your fieldsite you are actually giving it a much greater significance than it otherwise might have had. At least that’s the idea…