UCL Social Networking Sites & Social Science Research Project
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    Archive for the 'Impact of cultural difference on social networking' Category

    Who Am I? – The Case of Caste Related Profiles on Facebook

    By Shriram Venkatraman, on 11 April 2014

     

    Identity FBThe above cartoon says it all. There are quite a few cases here in my field site as well as in the villages closer to it where this sort of double existence on Social Networking Sites (SNS) seems natural and required. The thinking being that this was the right thing to do in order to avert caste problems or issues of any sort. While this sounds like a great strategy to follow, when seen superficially, this actually indicates identity confusion. This seems specific to the rapidly transforming (urbanizing), rural areas especially closer to bigger cities. Given that my field site is one such peri urban area, I encountered such an identity crisis in my informants quite often.

    This identity crisis of a person of a rural background (specifically young men/women) suddenly finding himself/herself in the midst of a rapid urbanization, manifests itself on social networking sites, where you have one caste based SNS profile and another more secular one. The idea is to not really mix these two as you tend to now live both the lives at the same time. However, my informants feel that it sometimes becomes confusing on who they really are and what ideology they really subscribe to. So when I asked Rajeev (the person in the cartoon), which profile would thrive for a longer time and which profile is a true reflection of himself; he said he really didn’t know. But, he was quick to add that it might be the one which is secular, since he thought that he might move away from the village looking out for a job sometime soon and secular was the way to go. However, once again, he reverted to saying that he might still have both the profiles separate without anyone (except for a handful of friends) from either of these profiles knowing that the other one exists, since he didn’t want anyone from his village to be offended. I asked him if he liked his caste based kin and his activity on the caste based profile; he replied that he loved it, as it was what had made him what he is today. But, he thought the secular profile from his college days was also important since it was the one which gave him his friends’ network,  a great worldview and a politically correct picture of him.

    After multiple interviews with such informants, it became rather clear that they were in a way struggling to understand and see who they really were and what was the image they were trying to project to the world. It was like they were being pulled on both sides by two opposite ideological forces at the same time. Escaping the geographical boundaries of the village seemed to be a solution to end both the social control and enabling the merging of identities. However, the emotional attachment to one’s caste and kin made them to hesitate to leave the caste based boundaries. Maybe, their identity itself was about existing in both the worlds at the same time and this is what is very clearly reflected on their SNS profiles.

    Visibly invisible: you can always see me

    By Xin Yuan Wang, on 24 March 2014

    The Little Prince is probably the novel which I have read the most times. Each time I read it, I am warmly touched. Amid field work, I am reading it again. My favorite part is the conversation between the fox and the little prince, when the fox tells the little prince that meaning of ‘to tame’ is to ‘establish ties’.

    “Just that,” said the fox. “To me, you are still nothing more than a little boy who is just like a hundred thousand other little boys. And I have no need of you. And you, on your part, have no need of me. To you, I am nothing more than a fox like a hundred thousand other foxes. But if you tame me, then we shall need each other. To me, you will be unique in all the world. To you, I shall be unique in all the world…”

    “My life is very monotonous,” the fox said. “I hunt chickens; men hunt me. All the chickens are just alike, and all the men are just alike. And, in consequence, I am a little bored. But if you tame me, it will be as if the sun came to shine on my life. I shall know the sound of a step that will be different from all the others. Other steps send me hurrying back underneath the ground. Yours will call me, like music, out of my burrow. And then look: you see the grain-fields down yonder? I do not eat bread. Wheat is of no use to me. The wheat fields have nothing to say to me. And that is sad. But you have hair that is the color of gold. Think how wonderful that will be when you have tamed me! The grain, which is also golden, will bring me back the thought of you. And I shall love to listen to the wind in the wheat…”

    I have to quote the whole lot what the fox said,  not only because it is beautifully written, but also it reminders me of a recent talk between myself and  my informant LX about QQ (social media) permission settings.

    LX is a sweet factory girl who is 19-year-old. One day she complained that I was always ‘invisible’ (my QQ status) online, which is true. My QQ default setting is ‘invisible’ which means I can get QQ messages but my QQ contacts don’t know I am online when I log in. To be ‘invisible’ means I won’t be disturbed by other online contacts and it has become an accepted/applied strategy among my informants who have hundreds of QQ contacts to log in as ‘invisible’.

    There are six online status of QQ (see the screenshot below): I am online; Q me (chat with me); Away; Busy; Do not disturb; and Invisible.  For most people (90%) as long as they are online, the status is either ‘online’, or ‘invisible’, or ‘away’ with auto-response. The reason for being ‘invisible’ varies– the main reason is that people do not want to be disturbed or get involved in a conversation, however still want to view others’ Qzone (online profiles) and don’t want to miss any important message. ‘Do not disturb’ as a status is rarely used since people think that is rude.

    QQ status

    I thought there were only six alternatives one can choose until LX taught me that actually there were some other ‘hidden’ options in the advanced permission setting. Right click any QQ contact’s avatar, on the pop-up select box (see screenshot below) there are a few options which enact different operations upon the certain contact, for instance: send instant message, send an Email (QQ offers email service which is the dominant email service my informant used), view chat log (one can check the local chat log, which is the chats that occurred on the current digital device or roaming chat log, which refers to all the chats under the same account occurring on different digital devices), put this contact on top of the contact list, edit the name (QQ names, in most cases, are not real names, as I mentioned in my previous report. As a result users will usually note the real-name if they know it), group the contact, delete the contact, report the contact (for online  harassment), create a desktop shortcut, enter his/her Qzone, check his/her Tencent weibo (twitter-like service QQ offers) etc. and permission setting (see the screen shot below, blue highlighted). In the permission setting, there is one option that says “yin shen dui qi ke jian” (make visible to him/her in invisible status) which means the selected contact can always ‘see’ you even when you are in ‘invisible’ status.

    QQ advanced permission setting

    I felt honored to realize that I am the second person who can ‘see’ LX when she is ‘invisible’ to others on QQ (the first one is her boyfriend).

    It is like you can always see me, and I am always there waiting for you, you know, very close and exclusive.

    LX further explained the significance of ‘visible invisibility’. In return, I set her as the first contact that can ‘see’ me when I am ‘invisible’, which made her very happy. Such mutual advanced permission setting reinforced our relationship.

    ‘To see’ is different from ‘to look.’ The latter happens all the time, however in many cases does not necessarily lead to the former. A senior manager of a local factory told me that the logic of assembly line is that humankind is a part of the machine. I asked him whether he personally knew any of the factory workers. Rather than answer ‘no’, he told me “it’s not necessary”. True, he only needs to know the machine. I am probably the first one (the weird one) who visited the factory workshop and paid more attention to the workers rather than the product, the building, and the machine.

    “All the rural migrants are just alike” as some of my local informants put it. In this small town, in factory workshops, monotonousness on a daily basis is the grand narrative, eclipsing individuality.  Most of the time, my rural migrant friends are ‘invisible’ to most people, even though they certainly did not ‘set’ themselves as ‘invisible’.  Unfortunately unlike on QQ, the default ‘social’ setting of ‘invisible’ cannot easily be changed in their offline life. To live against such daily ‘invisibility’, LX’s skillful usage of QQ allows herself some ‘privileged’ visibility, and in consequence,  an ordinary factory girl who is just like a hundred thousand other rural-to-urban migrant girls shall be unique in all the world, at least in the ‘virtual world’ created by social media.

    The ‘too much information’ paradox

    By Nell Haynes, on 22 March 2014

    Photo by Nell Haynes

    Photo by Nell Haynes

    Here in Northern Chile, Facebook still reigns among social networking sites. Particularly for people over 25, programs like Instagram, Snapchat, and Twitter are rarely used. And through interviews and surveys, as well as actually observing what people here do online, I’m finding that people feel far more comfortable ‘liking’ and commenting on posts rather than creating their own new content.

    During an interview just last night, a man in his late 20s who I will call Sebastian told me he thinks sometimes people post too much information. “I see everything but I don’t write anything… If my friend writes ‘I’m angry’ I just don’t see the point. Why tell everyone? For me I like reading what my friends post, but I hardly ever post anything.” He then made fun of his sister-in-law who was also present for sometimes writing ‘Goodmorning’ or ‘Goodnight’ on Facebook. “It’s just silly. Why do you have to tell everyone something so basic? And sometimes—not you Celia, but others, it’s just annoying when my Facebook is filled with all these pointless posts and I can’t see the interesting things posted about films I want to see or friends in Argentina.” This sentiment has been echoed many times by both men and women from their early 20s to late 60s. In fact, when looking closely at around 50 different Facebook profiles from Northern Chileans, the average person only created a new status message 4 or 5 times in 2 weeks.

    Yet this is not because they are absent from Facebook. The number of comments and likes on status messages and shared links are often in the dozens. So while many people may not ‘see the point’ as Sebastian said, they are still commenting and liking these posts. Why? As Sebastian explained later, “I want my friends to know that I’m paying attention. Some live far away and I don’t call or write them. But I click like on their post and they know I’m here.” I found similar reasoning—appearing to be paying attention—for sharing memes about politics, as I wrote about here.

    But even this explanation leaves a paradox: If everyone is content to simply comment or like posts, who is creating content that they are commenting upon? In my research I have met two of these people who count themselves in the ‘very small percentage’ of people who post regularly, and admittedly, sometimes ‘too much information’. When I asked Alex, a man in his 30s, if most of his friends post as much as him, he told me, “Only about 20%. The others only post what is necessary, and many more only look and hit ‘like’.”

    A few days later he posted a cartoon meme with the text “We all have that friend that posts everything they do all day,” with the comment “That’s me!” The post received 42 likes and no comments. Alex was proud that he posted so much “because I make my friends laugh and I give them something to comment on.” So even though Alex realizes that he is sometimes that annoying friend that everyone complains about posting too much information, he sees it as something of a public service, giving his friends pleasure and something to comment upon. “I mean, what’s the point of Facebook if no one ever writes anything!”

    Visibility in the society pages of social media

    By Jolynna Sinanan, on 19 March 2014

    Photo by Jolynna Sinanan

    Photo by Jolynna Sinanan

    I have passed the 10 month point in fieldwork where I am perhaps getting a bit too comfortable with being in Trinidad. Like hundreds of thousands of Trinidadians this month, all my responsibilities and commitments have come second to the greatest show on earth: Carnival. Although Carnival is the height of the Trinidadian calendar year, it is experienced by Trinidadians is different ways. The parades of people you see on the streets in bikinis, beads and feathers (‘pretty mas’, or ‘pretty masquerade’) that resemble Brazilian Carnival, is a transformed version of Carnival that emerged in the 1980s as part of the state strategy to attract more tourism. It’s a strategy that has worked, thousands of tourists come each year paying up to £6000 to ‘play’ mas with the biggest and most popular groups, or as they’re locally known, bands. Prior to the 1980s, playing mas was a uniquely Trinidadian event that resembled the mix of the callalloo* nation. There were elements of theatre, Amerindian ritual and African dancing and drumbeats and costumes were embodiments of political commentary that mocked upper classes or foreign influences such as American seamen who were based in Trinidad in the Second World War. Many people tend to agree that mas had political potential and social commentary. But what of it today?

    February has been a rich month for fieldwork as everybody has an opinion on Carnival. Common discourse and normative values emphasise that contemporary Carnival is vulgar, it’s not really Trinidadian, all the wining (a dance where the main movement is gyrating the hips) and carrying on is indecent. A lot of women agree with this view, but it is undeniable that each year, hundreds of thousands of Trinidadian women play mas. I have been discussing this with Dr Dylan Kerrigan at the University of the West Indies, a fellow anthropologist who has expertise on gender, masculinities and Carnival. We agree that Carnival has retained fractions of its potential for political subversion, perhaps now, not along the lines of race and class, but along the lines of gender. Carnival is the month of the year when a woman of any background, age and race can be extremely scantily clad, dance with whoever she likes and you don’t hear a peep from male onlookers or spectators. Yet, purchasing the space for freedom has an explicit economic dimension, paying for the pre-Carnival parties (fetes) and to play mas with big bands with their own food, drinks, portable bathrooms and security is an investment for a fun (safe) time. The demarcation of expensive fetes and bands makes sure that people of certain levels of society remain in their respective groupings. The one big contradiction to the prestige of going to expensive fetes and playing with big bands is that at this time of year, banks give special loans just for Carnival. People save money over a year (or two) or take out loans to visibly occupy spaces they don’t the rest of the year. Which brings me back to the ongoing theme of visibility.

    I thought that if so much money is being spent on parties and costumes, surely this is the time of year Facebook would be inundated with selfies and mirror shots. Carnival is the pinnacle of the year to be seen by others. With the prestige of fetes and bands, comes with being photographed. Danny Miller is currently doing an in depth study of one such photography company that takes photos in fetes and uploads them to social media and their own website, reminiscent of the society pages in newspapers and magazines. Trinidad is a small society with few print magazine publications. The biggest and most expensive bands publish their own magazines after Carnival, displaying photos of masqueraders on Carnival Monday or Tuesday. Anybody who plays mas with these bands could be potentially snapped for the magazine. The photos I have seen on Facebook of masqueraders have mostly been tagged by others. The extreme few selfies have been ‘before going out’ shots. I saw many people with camera phones on the day, but there is an etiquette of visibility that photos of you are posted by others. What is the point of being the show and being the spectacle for your own gaze, otherwise?

    Contemporary society pages are now the pages of social media. Four major social photography companies regularly post photos of events they have photographed on Facebook and people can tag themselves. The brands of photographers and the brands of fetes and bands is another aspect of how Facebook is made Trinidadian, through emulating the society pages of print magazines.

    *Callalloo: a local dish made of mixed vegetables and cooked together, but also a local idiom for the mixed culture of Trinidad.

    Facebook for children?

    By Elisabetta Costa, on 14 March 2014

    Photo by Elisabetta Costa

    Youth taking photos at a wedding in the Turkey fieldsite (Photo by Elisabetta Costa)

    In common with many of our other fieldsites, here in south-east Turkey the sentiment is that Facebook is also not as ‘cool’ as it was before among teenagers. However, as Amber explained in her blog post, the increasing use of other social networking sites does not necessarily mean that Facebook is used less than before. This is a trend in common with findings in our fieldsites in other countries, as UK and Brazil, but the reasons of the change are specific to each field-site. Here people aged between 16 and 19 are telling me that Facebook is not so cool anymore because it is used more and more by younger children. According to the data emerging from my in-depth interviews Facebook is used by a large majority of students (age 6-10) in primary schools to play games and chat with school friends. And it’s used by almost every student (age 11-13) in middle schools. Also in the streets of the town it’s very common to see groups of  primary school aged children talking about Facebook, and playing games on Facebook using the smartphone of some older brother or cousin. Adults and parents often describe Facebook as a tool more appropriate to children than adults. And assumptions about Facebook as a media appropriate to play games, to have fun, and not to discuss serious topics or to read news are very common here.

    Then, the massive diffusion of Facebook among children is also explained by a positive attitude towards technology in the generation of parents in their twenties and thirties, an attitude that is completely absent among parents in their forties and above. The latter, especially women, are rarely users of social media. Mothers of teenagers are usually ‘digitally illiterate’ housewives with a  low level of education. While parents in their twenties and thirties are more educated, they are users of internet and digital media and they do have a more positive attitude towards new technologies. The significant generational gap between the generation of parents in their twenties and thirties, and those in their forties reflects the big economic boom and  massive growth of public education experienced by Turkey in the last ten and fifteen years. The evidence emerging from my ethnography is confirmed also by some simple quantitative data: according to data from the Turkish Statistical Institute in the province where my fieldsite is situated, the number of women with a university degree in the age of 30-34 is six times higher (1933) than those in the age of 40-44 (337).

    It seems that increased wealth and  familiarity with digital technology causes young parents to support the use of social media by their kids. Not only this: the use of smartphone and computers by children play an important role in the affirmation of middle-class status of their family. In this growing consuming economy, the presence of digital technologies in the family plays a very important role within the new hierarchy of taste, in the sense given by Bourdieu (1984).

    Thus, in front of the increasing usage of Facebook by children, teen-agers are starting to explore new social media platforms such as WhatsApp and Twitter that are seen as more stylish and trendy, and are used mainly by a narrower group of peer-friends. But Facebook still remains the favourite media to have access to a wider audience, to achieve more popularity, to play games and to communicate with strangers.

    Social media and mass media: the CCTV Chinese New Year’s Gala

    By Tom McDonald, on 23 February 2014

    Poetic couplets hung on the door of a village house in preparation for Chinese NewYear (Photo: Tom McDonald)

    Poetic couplets hung on the door of a village house in preparation for Chinese New Year (Photo: Tom McDonald)

    I passed the recent Chinese New Year in my fieldsite in North China with the Wang family in their rented shopfront-cum-home on the small rural town’s commercial street, with Mr Wang, his wife and son, 16 year old Little Wang, who had just finished his term at the high school in the nearby county-town, and was back home for the school holidays.

    One of the most interesting elements of the festival is social media’s relationship with the mass media event of the day (and probably the year), which is the CCTV New Year’s Gala programme produced by China Central Television. The programme is basically a variety show. But at the same time it is the most difficult variety show on the planet to get right, because its 700 million–1000 million viewers (53-76% of the country’s population) are comprised of every generation of Chinese families, who watch the show together as they eat they ‘reunion meal’. As such, the programme makers have to attempt to appeal to all these drastically different audiences. No mean feat when we are talking about elderly people who grew up in the Republican-era, witnessed the Sino-Japanese war, and the founding of the People’s Republic; or middle aged people who were children during the hardships of the cultural revolution, and then saw the enormous transformations bought by the reform-and-opening period; or China’s youth, those born in the 80’s, 90s, and 00’s, often single children, many of whom have grown up with a material aspirations on par with western society. So you end up with a variety show that is a bizarre and wizardly mix of revolutionary songs, trapeze artists, dancers performing to happy hardcore music, magicians, ‘hip’ youth TV hosts, recognised family performers and national pop stars. The show traverses the utterly naff and absolutely incredible. One cannot help but feel that the show tries so hard to appeal to everybody that it is perhaps doomed to failure.

    At the Wang’s house we watched and chatted as the show went on, slowly devouring the dinner while Mr Wang and I knocked back baijiu, a fiery Chinese liquour. I soon noticed that Little Wang’s attention had waned, however, and after eating a little food, he left us and moved into the shop area of their house, where the computer is located. Soon after I followed him into the room. I noticed that he was alternating between browsing QZone, and chatting on the QQ Instant Messaging client. He was using the QQ IM client to send New Year’s ‘blessings’ (zhufu) to his classmates, while browsing his QZone. Many of the status updates from his friends were related to the television show. For example, one of the features of the show was a young girl dressed in a flowing white dress who was introduced by the presenters at the start of the programme. The presenters explained that she would spin around on the spot up until midnight (4 hours) to symbolise the changing seasons of the year. Indeed she managed to do this quite successfully. One of Little Wang’s friends had forwarded a meme of a photo of the girl asking ‘spinning girl, have you eaten Xuanmai chewing gum?’. Xuanmai chewing gum recently ran an advertising campaign with the tagline ‘Xuanmai chewing gum, unable to stop’ (xuanmai kouxiangtang, tingbu xialai). The advert featured a young man singing, with powerful sound waves coming out of his mouth, and he was challenged to see how long he could sustain the singing. After eating the chewing gum it seemed to give the man somewhat cosmic powers to continue with his crooning. What is interesting about this case is we can kind of see the spillover from a mass media event onto social media, so while people do not seem to be happy posting about news or other big events, the Spring Festival Evening Party seems to be prime fodder for discussion of QQ, but especially among young people.

    There is precedent for this, as traditionally the show is something people often talk about and critique for days after, even offline. But in addition to young people talking about the New Year’s Gala online, I got a feeling during the evening that young people were having a kind of separate New Year’s Eve party on QQ with all their friends. Chinese New Year is a key moment of reunion for Chinese families, and I get a feeling that even this moment of togetherness is being affected by social media as young people are living a large part of their spring festival online with their classmates.

    Does this mean that the ‘traditional’ Chinese New Year is at risk? I want to get away from the idea that social media’s presence in the spring festival necessarily has to be good or bad, or even assume that social media is ‘transforming’ the Chinese New Year (anymore than the Chinese New Year is transforming social media). It is not that Little Wang’s practices are heralding the decay of the Chinese New Year, but rather I think it is signalling the importance of classmates being part of that reunion. It seems to be an acknowledgement that family ties are not the only thing that matters, and the deliberate decision for classmates to include each other in their spring festival reunion meals suggests a willingness to apply family ideals to educational peers.

    The continuum of visibility

    By Jolynna Sinanan, on 17 February 2014

    Photo by Jolynna Sinanan

    Photo by Jolynna Sinanan

    If Facebook is a visual platform-one where people can show aspects of themselves through words in posts, or what was status updates or comments and in photos that they have taken themselves or photos taken of them in posts, uploads and albums, or share something made by someone else in memes, clips, audio and video-then we also have to think about how people engage with each other through visibility.

    Since returning to field work in Trinidad last week, I have been continuing working with Dr Gabrielle Hosein at the University of the West Indies on spectacular politics, work which started when I documented the hunger strike of Dr Wayne Kublalsingh last year.

    Now, we are thinking about how people engage with each other though the Facebook tools: Like, Comment, Post and Share. What can these things say about how social life plays out on Facebook? Trinidad is well versed and have a language for degrees of visibility. The most extreme, the spectacle, is played out for four days of the year, culminating on Carnival Tuesday. Playing Mas is about being the spectacle and being the show, ‘playing yourself’, externalising a true self that can’t be enacted the rest of the year, on the festival of disruption and inversion of the usual social order. The literature on Carnival speaks to how people come to exist through visibility, being seen and being in stage, whether or not one is being seen as themselves, or through a mask (Lovelace, 1979, Birth, 2008, Mason, 1998, Franco, 1998).

    As Carnival has specific understandings within Trinidadian culture, the cultural understanding of the usage of Facebook is less about Facebook, than an enactment of a cultural world that is Trinidad (Miller, 2011, Miller and Sinanan, 2014). So what can ‘likes’, ‘comments’, ‘posts’ and ‘shares’ tell us about the degrees of visibility? The first very important factor to note is the research that is informing this pre-theorising is based in a small town. El Mirador has all the ideals and frustrations of small town life. It’s a town that is considered to hold ‘traditional’ family and community values and most people know each other or at least know of each other and each other’s families. El Mirador can be too social, where everybody knows everybody’s business.

    We’re starting to ask people when and how they use ‘likes’, ‘comments’, ‘posts’ and ‘shares’ and we are finding there is a distinct correlation to ‘offline’ social life. ‘Like’ represents the benign sociality of the local idiom of ‘liming’, hanging around, gentle acknowledgement and visible presence, and the other end of the spectrum is ‘post’, which is really putting yourself out there, on show. The majority of posts are sharing of moods, what people are doing, where they have been, holidays, family events, parties etc, there is very little political comment or commentary. When asked when they would not engage with something someone has posted, that is when they ‘do nothing’, the majority respond around ‘TMI: too much information’- when people are too visible. ‘Sharing’ is directed to specific groups or individuals, there is less sharing on an individual’s wall, but more general sharing that would resonate with certain individuals or groups. ‘Commenting’ is more personal, it is one degree down from posting, people comment when they feel strongly about something: ‘if it affect me’.

    If usage of Facebook is embedded in existing social relations and spaces, it is worth unpacking the nuances of what ‘posts’, ‘comments’, ‘shares’ and ‘likes’ connote. The hazards of becoming too visible, even through online engagement on Facebook invites controversy and invites attacks on the self, whereas gentle acknowledgement, hanging around and being present is, in this context, more socially acceptable.

     

    References:

    Birth, Kevin, 2008, Bacchanalian Sentiments: Musical Experiences and Political Counterpoints in Trinidad, Durham and London: Duke University Press

    Franco, Pamela, 1998, ‘Dressing Up and Looking Good: Afro-Creole Female Maskers in Trinidad Carnival’, African Arts, Vol. 31, Iss. 2, pp. 62-67

    Lovelace, Earl (1979), The Dragon Can’t Dance, London: Longman

    Mason, Peter, 1998, Bacchanal! The Carnival Culture of Trinidad, London: Latin America Bureau (Research and Action) Ltd

    Miller, Daniel (2011) Tales From Facebook, Cambridge: Polity

    Miller, Daniel and Sinanan, Jolynna (2014) Webcam, Cambridge: Polity

     

     

    The Future of Facebook: What will we learn from the study of Chinese social media?

    By Xin Yuan Wang, on 29 January 2014

    Image courtesy of emreterok, Creative Commons

    Image courtesy of emreterok, Creative Commons

    China is a dreadful desert to Western social media giants such as Facebook and Twitter, however it is a tropical rainforest to many local species. It is curious to note that even though none of the participants in my field site use, or have even heard of Facebook or Twitter, the way they use Chinese social media such as QQ and WeChat provides an interesting parallel to the way UK teenagers in Danny’s study differentiate a range of social media in their daily life, even though as social media QQ, or WeChat are both significantly different from Facebook.

    Among certain groups of Chinese people, like teenagers, QQ seems to be in stasis. For teens with relatively high education and social status that are more willing to try something new and urban middle-class, QQ is not cool at all, just as what Danny reported about Facebook in his previous blog article. It is not rare to find people who have used QQ for more than 10 years in China given QQ started to become popular almost 15 years ago. In fact, QQ could be considered Facebook’s predecessor and to some extent through the study of QQ’s development in China we may ‘foretell’ what will happen in ‘Facebook land’ in the future. Many of my participants have told me that around 10 years ago, QQ represented the coolest thing about urban life because rural migrants who came back to their village during Chinese New Year showed off that they had a QQ account in front of their stunned fellow villagers. After 10 years, when almost half of the Chinese population have QQ accounts, QQ numbers rather than mobile phone numbers are exchanged most frequently as  permanent contact details (it is reported that people change their mobile phone much more frequently than their QQ account). QQ has lost its association with trendy or cool things, especially for urban Chinese people who want to escape from the ‘hustle and bustle’ QQ land which somehow has been associated with rural Chinese. On one hand, some people report that they use QQ less and less in recent years since Wechat’s audio message is more fun and convenient, and WeChat seems to be more in line with urban life. Some report that their closest friends and frequent contacts all moved to WeChat. On the other hand, people admitted that they would always come back to QQ when they wanted to catch up with long-lost relationships, such as old classmates or previous colleagues. As one informant put it, those contacts “didn’t move to other social media,” but remain in the “old home” of QQ. Those contacts may also have started using WeChat or other social media, but from my participants’ perspectives, they ‘belong’ to QQ. These friends may not have updated their social media details because of sparse communication, or are regarded a part of ‘past old days’ in one’s mind and QQ is the PLACE to go.

    That is to say, people didn’t quit QQ because of their engagement with other social media. Rather, QQ survives time and thus obtains a ‘senior’ status, something like an old friend who has witnessed one’s ups-and-downs in life even though they may only meet once a year. QQ may also be regarded like one’s birthplace, which my rural migrant informants only visit during Chinese new year but always remains as one of the most import places in their lives. People don’t dump QQ, but keep it, and use it in a different way.

    So the quick conclusion is QQ seems to be in stasis among certain groups of people not because of ‘being QQ’, but because of the law of ‘nature’ – here let me call this the nature of social media. And it also makes sense if one replaces “QQ” by “Facebook” in this argument.

    And what is the nature of social media? You may need a bit more patience to read through the following academic ‘block’ to get a clearer picture:

    First, stuff becomes more than the material after being used by people. For example the pen from your passed-away grandpa is to you by no means equal to any other pen which was produced on the same factory assembly line. If we have to use jargon, we call the process ‘objectification’ where an object consumed by people is domesticated and becomes part of the person and their relationship to others. That is where material culture starts, and the context in which we study digital technology. Digital technology, as a form of material, is no more sophisticated or mediated than any other object in terms of the relationship between material and human beings. Having said that, however, it is worthwhile to highlight the uniqueness of social media in the way that social media show the relationship between the digital and social relationship in a more visible and obvious way. That is to say, without people’s engagement and usage, social media is next to nothing. In a way, ‘Facebook’ and ‘QQ’ are only half finished goods before being used by people. Social media is produced through the consumption, as the terminology ‘prosumption’ suggested. Thus, it is safe to say social media is highly entangled with the ‘self’ and personal relationship to the degree that it somehow grows with the person and has its own life (Gell’s theory of ‘agency’ also shed light on this argument).

    Furthermore, the concept of ‘polymedia’ describes another feature of social media. Each social media platform finds its niche in specific personal relationships and people take moral responsibility for their choice of different social media. In the case of ‘Facebook’, as Danny suggested, at the moment when people got friend request from their mother, the social medium is transformed into a family-orientated place rather than the place where people share secrets with their close friends. Also the concept ‘remediation’  helps to illustrate the way how certain social media (like QQ and Facebook) become ‘old’ because of the development of other social media. Dialectically, there is no so-called old or new social media without the comparison with others, that is to say people tend to re-define certain social media in the context of polymedia.

    Even though my research is still unfinished, let me ‘jump to the conclusion’ and put my incomplete version of ‘the nature of social media’ here: First, social media as a social agent grow with the person and own their own lives. Second, social media were applied and valued by people in a context of polymedia.

    Having discussed the nature of social media, then, let’s go back to my argument from the beginning – QQ seems to be in stasis among certain group of people not because of ‘being QQ’, but because of the law of ‘nature’, and so does Facebook. It is important to not treat social media as functional technology like we would computers. In terms of technology, new social media are not more advanced than pre-existing ones. It makes sense to say that today’s computers have taken the place of the early bulky computer, whereas we can’t say that a certain social medium is dead completely because its users turn to new ones and use others more actively. The situation in practice is like the way people treat friendship and the attitude toward one’s birthplace. From time to time, my participants in this Chinese town used “old friend” or “lao jia” (hometown) to describe their QQ profiles. For some of them, the usage of WeChat is more frequent and active than the usage of QQ. They report and I have observed that WeChat is more for recent contacts one meets in face-to-face situations, and generally speaking closer friends in a smaller circle. QQ on the other hand is used to keep up with all kinds of friends, acquaintances, and communities (QQ offers a group function, such as ‘class group’  used in one middle school) that one has accumulated over a relatively long term. In some cases QQ has become some people’s digital legacy where they keep the ‘silly self’ of 10 years ago. As one of my informants said she won’t use QQ to communicate with her new friends anymore since “on QQ you will encounter a little girl of 10 years ago”, however it is always good to view that ‘self’ in the past as it remains alive on QQ. QQ has become the PLACE, the legacy. Each generation, each human being owns their own history, and in the digital age, social media have become the place people store their history, and where old friends and memory dwell. I have witnessed it already in the usage of QQ among Chinese people and I don’t see any reason why Facebook will not follow suit.

    Finally, the findings in China, with the absence of Facebook, actually reinforced our essential argument that the study of digital anthropology and this GSMIS project go beyond specific usage of a certain social medium. Social media usage is the point of entrance which allows our digital anthropologists to look into, understand and interpret the social relationship and the relationship between people and technology in different cultures and societies in the digital age.

    Social media, social distance, and inconsistency

    By Razvan Nicolescu, on 22 January 2014

    Photo by Razvan Nicolescu.

    Photo by Razvan Nicolescu.

    This post is about what people in the Italian fieldsite feel their peers should not do on social media.

    Here is a fragment from an interview with a 18 year old student on an issue that was mentioned in different ways by most of the teenagers I talked to:

    ‘What I don’t like [about Facebook] is… these guys who pretend [on Facebook] they are completely different than how they really are [in realtà]. For example, there are some who [at school] don’t talk to anybody, they are all alone (…) and on Facebook they talk a lot, they talk a lot about themselves, how nice they are, they friend up with many people, they ‘Like’ so many things (…) and in reality they don’t even say ‘hello’… there is this girl, she just passes along without saying anything to you…’

    These teenagers are not necessarily complaining about either of these two contrasting attitudes of the person, but rather the difference between the two attitudes. Most of the teenagers I talked to think that the most annoying issues they are exposed to on social media are related to a sort of inconsistency between online and offline presence. They seem to not mind if some of their peers are distant or not very social offline, and not even if some are ‘over-social’ and extremely creative online; rather, they sense an inadequacy whenever they see contrasting behaviours in each of the two worlds, that are not justified or explained somehow. At the same time, the attitude of some teenagers and young people to refuse joining any social media seems to be accepted and sometimes even appreciated.

    To give this discussion more context, it is important to note that among teenagers and young people in the Italian fieldsite, Facebook is by far the most used social networking site and WhatsApp is by far the most used mobile app. The two platforms rather complete each other: young people think Facebook is a more resilient tool to present oneself and to communicate with a larger set of peers, while WhatsApp is thought as being appropriate for more transient communication within smaller and more intimate peer-groups such as family and close friends. Additionally, there are several other Internet sites and applications which provide these platforms with multimedia content, most notably YouTube and online photo editors such as PicMonkey, iPiccy, or piZap.

    The quote above expresses the common thought that people should be true to their peers on social media, or at least not confuse them too much. But it is also true that teenagers expect confusion and excitement on social media. But they feel that this kind of confusion should come from people who also adopt these attitudes in the classroom or on the streets. Most of the users of social media explore the myriad of options available online and their own creativity in order to strengthen various parts of their personalities. Very often social media is not an extension, but an enabler, or a way of promoting the self that is considered acceptable in each particular community. This is the reason why, for example, when a couple breaks up the most violent manifestations are happening online rather than offline. By removing an ex-lover from the list of online friends and thoroughly reconsidering each of their mutual friends one has to objectify the split in ways that in the offline world are considered either unnecessary or ‘natural’. In another post I will write about the effort people put in translating the ‘natural’, and what this means, into the online environment. For now, my point is simply that while on one hand this process is admired in different ways, on the other, people who appear online in ways that seem to have no equivalent or justification in the offline word are highly sanctioned.

    This also represents a critique to the sort of literature and public discourses that judge changes brought by social media in terms of fundamental shifts from a pre-existing cultural logic. This kind of discourse was repeated in different ways for the advent of mobile telephony, the Internet, web-based applications and services, and indeed for describing other similar ‘revolutions’ such as the invention of the printing press, modern public transportation, or television. At least from this ethnography it seems that people just do not fit too easy into this model.

    Honor, fame and networked photography

    By Elisabetta Costa, on 14 January 2014

    Photo by Elisabetta Costa

    Photo by Elisabetta Costa

    Social media photography in my field site in south-east Turkey is extremely self-oriented. I have recently been asking friends and informants why people post specific images, and the answer has always been the same: “They want to become popular!” For example food is a very common image on Facebook and it is always represented in similar ways: in special occasions during dinner with friends or family, as soon as the wonderful food is ready and put on the table or on the floor someone takes the picture and posts it on Facebook. In few cases I had to wait up to twenty minutes before eating because everybody wanted to take a picture and upload it on Facebook, or keep it on their phones to show it to friends. When people organise dinner with friends or extended family and the food is particularly good-looking, taking a picture and making it public is a must. As everybody told me, the main goal is to appear awesome and become popular. On Facebook there are not pictures of ordinary food during ordinary dinner, or pictures with amazing food eaten with ordinary family members. It’s always a combination of good food and good people, the best way to impress the public. Even when the picture portrays a group of friends or family members, the picture is more oriented toward increasing the popularity of the person than to strengthening social ties with others.

    In Dry Rock Town people spend hours looking at the Facebook walls of acquaintances and gossiping about them. This activity is socially accepted, and usually done together with friends or relatives. Women especially enjoy their time together in front of a smartphone or preferably a laptop, commenting about other people’s life as based on what they see on their Facebook walls: “She became fat…He got married to that beautiful woman…He is still single…She always wears beautiful clothes…He has a good job…He became rich…She always goes to the hairdresser…etc, etc, etc.” People gossip in particular about acquaintances or distant family members with whom they don’t have daily interactions, and that are Facebook friends of friends. In a town of 80,000 inhabitants where everybody knows all of the families in the town (and consequently everybody recognizes everybody as a member of a family), Facebook is the best way to get updates and have fresh information about other people’s lives. Because of gossiping, chats, and rumors, the content Facebook walls often ends up being what people know about a certain person. For this reason Facebook visual material is accurately chosen and updated in order to improve self-images, increase respectability and honor. Facebook is used as an identity card to present the self to friends of friends, and friends of friends of friends, and eventually the whole town and the extended family.

    People are continuously involved in the practice of updating new pictures that can increase their social reputation. Thus the very practice of posting photos of amazing dinners and holiday trips is one of the main pleasures derived from these activities. It surely increases the their social fame within the town, and with friends and relatives.