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  • How to make a diamond

    By Jack Ashby, on 28 October 2015

    This is a guest post from our artist in residence Eleanor Morgan. It is part of a series exploring the exhibition Glass Delusions at the Grant Museum of  Zoology.

    Diamonds made from the dead creatures of the River Thames (c) David Dobson

    Diamonds made from the dead creatures of the River Thames (c) David Dobson

    This year, on Thursday the 30th of July, I made a diamond. Only a few weeks before, this diamond had been floating around the River Thames in the form of dead plants and animals. It had taken a few hours, high pressure and temperature and most importantly a lot of help from UCL chemists and geologists to transform the dead creatures of the River Thames into tiny diamonds. These can now be seen at the Grant Museum as part of my exhibition Glass Delusions, along with a booklet ‘How to make a diamond’ which describes the process. (more…)

    Glass Delusions opens today

    By Jack Ashby, on 1 October 2015

    Photogram #2 by Eleanor Morgan

    A photogram created by exposing photo-sensitive paper with the Grant Museum’s glass sponge specimens sat directly on it. (C) Eleanor Morgan

    Glass Delusions is a new exhibition at the Grant Museum featuring works by the Museum’s Artist in Residence, Eleanor Morgan. Using prints, drawings, videos and objects Eleanor explores the slippery boundary between living and non-living materials.

    Over the past year, Eleanor has been drawing inspiration from our collection of glass sponges. These are intricately formed deep-sea animals that naturally build themselves out of glass – the are 90% silica, which they draw out of the sand in their environment.


    Rock Room Slade School Takeover – Part 3

    By Nicholas J Booth, on 5 May 2015

    One of the art works from the  Slade event in the Rock Room.

    One of the works from a previous Rock Room Slade event.

    This Friday (May 8th) between 1 – 5pm the Rock Room will host its annual Slade School takeover. This is the third instalment of the joint UCL Museums and Slade School of Fine Art project (see a blog on the last one here) which has seen staff and students from the Slade install art works that include sculpture, painting and various mixed media (including cheese, fish and other foodstuffs) into the Rock Room.

    As with past years I have no idea what the artists will be bringing to display in the Museum. (more…)

    Specimen of the Week: Week 185

    By Jack Ashby, on 27 April 2015

    Scary-Monkey-Week-NineThis week I’m honouring a mammal that we can link to two significant factors in my life recently. First, it’s an Australian hopping marsupial, as are kangaroos. Our current Strange Creatures exhibition centres around Europe’s first painting of a roo – by George Stubbs. Secondly, I’ve been in Australia for the last few weeks doing fieldwork with the Australian Wildlife Conservancy, and my first task was to help test a mechanism for surveying this Critically Endangered mammal.

    This week’s Specimen of the Week is…. (more…)

    Strange Creatures: The Art of Unknown Animals opens today

    By Jack Ashby, on 16 March 2015

    Imagine that you are in a place no-one from your country has ever been before. You have just set eyes on an animal incomparible to anything you’ve ever encountered – it might as well be an alien. Cameras haven’t been invented. It will take a year for you or anything you send to reach home. Your job is to communicate what you’ve discovered to the people back home.

    The artistic outcomes of scenarios like this are the basis for much of our exhibition Strange Creatures: The Art of Unknown Animals, which opens today.

    The Kongouro from New Holland (Kangaroo), George Stubbs (1772). ZBA5754 (L6685-001). National Maritime Museum, Greenwich, London*

    The Kongouro from New Holland (Kangaroo), George Stubbs (1772). ZBA5754 (L6685-001). National Maritime Museum, Greenwich, London

    The natural history of art; the art history of nature

    By examining the world of animal representations, the exhibition explores how imagery has been used to bring newly discovered animals into the public eye. From the earliest days of exploration, visual depictions in artworks, books, the media and even toys have been essential in representing exotic species that are alien to people at home.

    Strange Creatures investigates what we can learn about art history by researching natural history, and what art history can contribute to natural history.


    Following Captain Cook, and How the Kangaroo Nearly Never Was

    By Jack Ashby, on 24 October 2014

    The Grant Museum is extremely excited to be a partner in the National Maritime Museum’s Travelers’ Tails project, which will involve this painting of a kangaroo by George Stubbs – the first ever western painting of Australian wildlife – coming to the Grant in March.

    The Kongouro from New Holland (Kangaroo), George Stubbs (1772). ZBA5754 (L6685-001). National Maritime Museum, Greenwich, London*

    The Kongouro from New Holland (Kangaroo), George Stubbs (1772). ZBA5754 (L6685-001). National Maritime Museum, Greenwich, London*

    Last month I was in Australia on zoological fieldwork. I decided to visit the places that Cook went on his first voyage of discovery, which resulted in Britain’s first kangaroo encounters and ultimately this painting being made. It very nearly didn’t happen, and Cook’s Australian expedition would have been a zoological disappointment.

    I wrote this post for the National Maritime Museum’s blog. It begins…

    The kangaroo painting that might never have been – following in Cook’s footsteps

    The painting of the kangaroo by George Stubbs would never have existed if it weren’t for an extraordinary bit of bad luck in a very dangerous situation. (more…)

    Human Evolution – The Story Of Us

    By Nicholas J Booth, on 27 February 2014

    Ever wanted to meet your ancestor?

    Ever wanted to meet your ancestor?

    On Friday 7th March the Rock Room (1st Floor Corridor, South Wing, UCL) will host a special pop-up exhibition featuring rarely seen objects from UCL’s Biological Anthropology Collection, and in particular their collection of early hominin fossil casts.

    UCL’s Biological Anthropology Collection is held by (unsurprisingly) the Biological Anthropology Section of the Anthropology Department. Biological anthropology focuses on the study of primate ecology and evolution, including the study of human evolution.

    In order to study and teach these subjects the department has built up a wonderful collection of over 2,000 bones, casts of bones and fossils, ancient tools and other types of objects (which I like to think of as ‘misc’). These are stored in the department and heavily used in teaching, helping students to bring the subject (back) to life.


    Darwin (or) Bust opens today

    By Jack Ashby, on 12 February 2014

    Charles Darwin would be 205 today. Happy birthday to him. To mark the occasion our Darwin (or) Bust exhibition opens today, showing Darwin as you are unlikely to have seen him before. Darwins have been created out of ants, light, crochet, DNA, his own writings, chocolate and other unusual media, all imagined and made by members of UCL’s Institute of Making.

    The Museum’s historic plaster bust of Darwin was moved from UCL’s Darwin Building when our collection was relocated in 2011. The remaining inhabitants of the Darwin Building were sorry to lose him, and so asked the Institute of Making to help them make a new one, from 3D laser scanning. We already had the 3D data as our very own Mona Hess had scanned him for her PhD on scanning in museums, and an idea blossomed…

    3D Scan of the Grant Museum's Darwin bust by Mona Hess (all rights reserved)

    3D Scan of the Grant Museum’s Darwin bust by Mona Hess (all rights reserved)

    Rather than just print off a new Darwin bust for the departments of Structural and Molecular Biology and Genetics, Evolution and Environment in the Darwin Building, we all decided to see what happened if we tapped the minds around us at UCL; asking the members of the Institute of Making how they would reinterpret the 3D data to make a new Darwin for the 21st Century. This multi-venue exhibition is the result. A previous post explains the origins of the exhibition more fully.

    The project somewhat snowballed. (more…)

    The Great Darwin BUST UP

    By Jack Ashby, on 27 November 2013

    There are lots of good things about working in a university museum. The best is that there are thousands of people around us whose job it is to have ideas and then come up with a way of realising these ideas. In the museums we know a lot of academics from different fields who we can put in touch with each other when we spot complementary ideas to combine into exciting cross-disciplinary projects.

    A few weeks ago some of our colleagues from UCL’s Institute of Making arrived with someone from Structural and Molecular Biology saying that they wanted to 3D scan our plaster bust of Charles Darwin to create a copy to go in the Darwin Building where UCL’s biologists live (and where the Grant Museum used to be housed). From there a project spiraled into something very exciting.

    3D Scan of the Grant Museum's Darwin bust by Mona Hess (all rights reserved)

    3D Scan of the Grant Museum’s Darwin bust by Mona Hess (all rights reserved)

    The bust has a bit of history – it is part of the Grant Museum’s collection, and as such when we moved into our current home in 2011 we took him with us (you might have spotted him peeking out a window on Gower Street). The biologists in the Darwin Building were very sorry to see him go. This project will create a new Darwin for them, and will also result in an unusual exhibition, through a competition. (more…)

    Curating the Octagon Exhibition

    By Claire S Ross, on 14 June 2013

    colourfull case object numbers scattered on the floor

    Trying to find the correct object numbers

    Most of the last couple of weeks I have been busy installing the new Octagon Gallery Exhibition, ‘Digital Frontiers: Smart, Connected and Participatory’. It’s been a brilliant experience and I have learnt a lot so I thought I’d talk a bit about the process of creating an exhibition from a first time curator!

    The exhibition opened at the beginning of June 2013.   But it all first started when I applied to exhibit in the new Octagon space.  UCL Museums invited proposals on a theme (in this instance the theme was ‘frontiers’) from across the UCL community.  The proposals were judged by a panel and my application on the theme of ‘Digital Frontiers’ was successful.   The proposal focused on key research areas from UCL Centre for Digital Humanities (UCLDH) and the UCL Centre for Advanced Spatial Analysis (CASA).  It felt quite strange deciding on a theme without being fully aware of all the potential objects, but it paved the way for an exciting challenge to see how I could fit as many of UCL’s 18 disparate collections into my exhibition theme.

    The first full meeting happened in January when I got together with all the curators and collections managers from the different UCL Museums and Collections and I explained my broad themes and plans for the exhibition.  We had an initial brain storm and I was bit overwhelmed with all the information on objects that could potentially fit the exhibition concept.  I then had one to one meetings with all the individual curators to discuss exhibition ideas and view possible objects, before going away and coming up with a really long list of potential objects.