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  • Human Evolution – The Story Of Us

    By Nicholas J Booth, on 27 February 2014

    Ever wanted to meet your ancestor?

    Ever wanted to meet your ancestor?

    On Friday 7th March the Rock Room (1st Floor Corridor, South Wing, UCL) will host a special pop-up exhibition featuring rarely seen objects from UCL’s Biological Anthropology Collection, and in particular their collection of early hominin fossil casts.

    UCL’s Biological Anthropology Collection is held by (unsurprisingly) the Biological Anthropology Section of the Anthropology Department. Biological anthropology focuses on the study of primate ecology and evolution, including the study of human evolution.

    In order to study and teach these subjects the department has built up a wonderful collection of over 2,000 bones, casts of bones and fossils, ancient tools and other types of objects (which I like to think of as ‘misc’). These are stored in the department and heavily used in teaching, helping students to bring the subject (back) to life.

    (more…)

    Darwin (or) Bust opens today

    By Jack Ashby, on 12 February 2014

    Charles Darwin would be 205 today. Happy birthday to him. To mark the occasion our Darwin (or) Bust exhibition opens today, showing Darwin as you are unlikely to have seen him before. Darwins have been created out of ants, light, crochet, DNA, his own writings, chocolate and other unusual media, all imagined and made by members of UCL’s Institute of Making.

    The Museum’s historic plaster bust of Darwin was moved from UCL’s Darwin Building when our collection was relocated in 2011. The remaining inhabitants of the Darwin Building were sorry to lose him, and so asked the Institute of Making to help them make a new one, from 3D laser scanning. We already had the 3D data as our very own Mona Hess had scanned him for her PhD on scanning in museums, and an idea blossomed…

    3D Scan of the Grant Museum's Darwin bust by Mona Hess (all rights reserved)

    3D Scan of the Grant Museum’s Darwin bust by Mona Hess (all rights reserved)

    Rather than just print off a new Darwin bust for the departments of Structural and Molecular Biology and Genetics, Evolution and Environment in the Darwin Building, we all decided to see what happened if we tapped the minds around us at UCL; asking the members of the Institute of Making how they would reinterpret the 3D data to make a new Darwin for the 21st Century. This multi-venue exhibition is the result. A previous post explains the origins of the exhibition more fully.

    The project somewhat snowballed. (more…)

    The Great Darwin BUST UP

    By Jack Ashby, on 27 November 2013

    There are lots of good things about working in a university museum. The best is that there are thousands of people around us whose job it is to have ideas and then come up with a way of realising these ideas. In the museums we know a lot of academics from different fields who we can put in touch with each other when we spot complementary ideas to combine into exciting cross-disciplinary projects.

    A few weeks ago some of our colleagues from UCL’s Institute of Making arrived with someone from Structural and Molecular Biology saying that they wanted to 3D scan our plaster bust of Charles Darwin to create a copy to go in the Darwin Building where UCL’s biologists live (and where the Grant Museum used to be housed). From there a project spiraled into something very exciting.

    3D Scan of the Grant Museum's Darwin bust by Mona Hess (all rights reserved)

    3D Scan of the Grant Museum’s Darwin bust by Mona Hess (all rights reserved)

    The bust has a bit of history – it is part of the Grant Museum’s collection, and as such when we moved into our current home in 2011 we took him with us (you might have spotted him peeking out a window on Gower Street). The biologists in the Darwin Building were very sorry to see him go. This project will create a new Darwin for them, and will also result in an unusual exhibition, through a competition. (more…)

    Curating the Octagon Exhibition

    By Claire S Ross, on 14 June 2013

    colourfull case object numbers scattered on the floor

    Trying to find the correct object numbers

    Most of the last couple of weeks I have been busy installing the new Octagon Gallery Exhibition, ‘Digital Frontiers: Smart, Connected and Participatory’. It’s been a brilliant experience and I have learnt a lot so I thought I’d talk a bit about the process of creating an exhibition from a first time curator!

    The exhibition opened at the beginning of June 2013.   But it all first started when I applied to exhibit in the new Octagon space.  UCL Museums invited proposals on a theme (in this instance the theme was ‘frontiers’) from across the UCL community.  The proposals were judged by a panel and my application on the theme of ‘Digital Frontiers’ was successful.   The proposal focused on key research areas from UCL Centre for Digital Humanities (UCLDH) and the UCL Centre for Advanced Spatial Analysis (CASA).  It felt quite strange deciding on a theme without being fully aware of all the potential objects, but it paved the way for an exciting challenge to see how I could fit as many of UCL’s 18 disparate collections into my exhibition theme.

    The first full meeting happened in January when I got together with all the curators and collections managers from the different UCL Museums and Collections and I explained my broad themes and plans for the exhibition.  We had an initial brain storm and I was bit overwhelmed with all the information on objects that could potentially fit the exhibition concept.  I then had one to one meetings with all the individual curators to discuss exhibition ideas and view possible objects, before going away and coming up with a really long list of potential objects.
    (more…)

    Sculpture Season opens today

    By Jack Ashby, on 5 June 2013

    Today at the Grant Museum, not only have we flung the doors open to the public (as we do six days a week), but we have opened the doors to the Museum – and the museum cabinets – to thirteen emerging artists, inviting them to rethink our collection. Today, Sculpture Season begins.

    We’re consistently thinking how to use our collections in different ways, and while the team here is a creative one (otherwise – boast boast – we wouldn’t keep winning awards) we can definitely benefit from completely different eyes and minds looking at our collection.

    Sculpture Season does just that – thirteen sculpture students from the Slade School of Fine Art at UCL were invited to create works in response to the Museum’s spaces, specimens, science and history. The results are fantastic. Alongside the Museum’s historic skeletons, skulls and specimens preserved in jars, the new works engage with animal/human encounters through re-animated flesh, tunnelling rats and mice, giant worms and body bags.

    The artists have created music technologies, phantom occupations of the Museum’s iPad apps, hand-knitted internal organs and explorations of the excessive masculinity of giant deer antlers. Specimens have been re-ordered, re-labelled and re-imagined. (more…)

    Tomb Raiders: Ancient Egypt in Modern Art

    By Edmund Connolly, on 17 May 2013

     Guest blogger: Kholood Al-Fahad

    How can Ancient art be brought to life by contemporary art? Is there a connection between ancient and new?

    Tomb Raiders is the place were such questions should have an answer.

    Florence's temporal balloons

    Florence’s temporal balloons

    (more…)

    Diamonds are Forever

    By Edmund Connolly, on 1 May 2013

    by  Chris Webb

    Although a James Bond reference may be a tenuous link to the Petrie Museum, it is the literal, or rather chronological, duration of the shiny, super-hard compressed allotropes of carbon that had us titillated at the recent timekeeper event. On the evening of the 25th April, we welcomed back our resident Timekeeper Cathy Haynes who was joined by the Creative Director of the Institute of Making, Zoe Laughlin. The Institute is a multidisciplinary research club for those interested in the made world, and incidentally, our neighbours at UCL. The objective: to examine the material world of time and decay, and gain a better understanding of the way the world views time.

    (more…)

    Considering our History – the Good Times

    By Jack Ashby, on 24 March 2013

    Students taught in the Museum by E Ray Lankester in 1887

    Students taught in the Museum by E Ray Lankester in 1887

    Last week we launched six new permanent displays telling the story of the history of the Grant Museum, focusing on the story of how the teaching of zoology has evolved over the past 185 years of our existence. Like the life cycle of many species, there have been times of rapid diversification and broad niche occupancy, as well as population bottle-necks when extinction looms, before adaptations to changing climates result in a new lease of life.

    Today I’ll focus on our first century or so, when times were pretty darn good. The new displays combine some truly beautiful specimens from our stores – in typically Grant Museumy specimen-rich displays – combined with images from our archives and intricate anatomical drawings from early twentieth century student notebooks.

    Why are we here?
    Robert Grant (1793-1874), one of UCL’s founding professors, established the Museum in 1828 as a resource for students taking his Zoology and Comparative Anatomy lectures. Many of these students would have been medics as comparative anatomy was seen as a crucial element of medical theory. (more…)

    Artist at the Grant Museum

    By Sarah R Cameron, on 18 March 2013

    Viewpoint - Sarah Cameron (2013)

    Viewpoint - Sarah Cameron (2013)

    For the past month I have been working on a large mural for the foyer of the Grant Museum. The artwork, titled Viewpoint officially “opens” today.

    I arrive at the Museum at a strangely early hour of the morning, with my over-flowing bag of art materials and an array of tools. I ensconce myself in the foyer, surrounding myself with tubes of paint, mediums, cloths, sandpaper and sandwiches and then set to work in the quiet time before the museum opens.

    Much of my mural painting has been made in situ, which is a new and exciting way for me to work and through this I have found an energy in the way I handle paint that I have been striving for.

    It has been a fantastic privilege to be allowed access to the museum outside it’s normal opening hours and to have a ‘behind the scenes’ insight into a world of scientific investigation and recording that has often been elusive to me. (more…)

    Introducing Culture Vulture… Doctors, Dissection and Resurrection Men: A review

    By Jack Ashby, on 8 March 2013

    Culture Vulture: A vulture skull in UCL Art Museum

    Culture Vulture: A vulture skull in UCL Art Museum

    We’ve been doing a few exhibition reviews on the blog lately, and after the unprecedented success of the new Book Worm series (launched yesterday) we thought to ourselves “what weak animal based cliched pun can we deliver for a new exhibitions review feature?”. I think you’ll agree that “Culture Vulture” was the only option.

    I went along to Doctors, Dissection and Resurrection Men. The exhibition is the outcome of an excavation by museum archaeologists of a burial ground at the Royal London Hospital in 2006, which uncovered remains that had clearly been used in anatomical dissection. My interest was obvious – last year at the Grant Museum we put on Buried on Campus – an exhibition about the discovery and research into c7000 human remains unexpectedly discovered buried at UCL in 2010, also found to be have been used anatomically. I wanted to see how a museum with a budget tackled the same subject.

    The answer is: exceptionally well. (more…)