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  • Look Again…UV Been Mistaken: A Case of Collection Mis-labelling

    By Nicholas J Booth, on 4 February 2016

    This is a guest blog by Felicity Winkley, one of the student engagers who work with UCL Museums. To find out more about the student engagers project please visit their website. 

    Last term, the UCL Student Engagers used objects from across the UCL collections to curate a six week exhibition at the North Lodge, called Stress: Approaches to the First World War.

    The project, as we’ve discussed previously on our own blog, was an interdisciplinary, co-curated effort, approaching the topic of the First World War through four interpretive themes: physical stress, mental stress, cultural or societal stress, and stress on the landscape.

    One of the objects we chose to highlight the mental stresses caused by the conflict and, by association, the improvements in the way mental health was approached by the end of the war, was a ‘strobe machine’. As part of the physiology collections, catalogued alongside objects like an auditory acuity tester and a set of keys for tapping multiple-choice responses, it was assumed that this light had similarly been used in psychiatric experiments to test participant responses. From our point of view, it also helped that it looked good.

    Physio-40: labelled ‘Strobe Machine’

    Physio-40: labelled ‘Strobe Machine’

    For several weeks of the exhibition’s run, the object was a successful talking point. (more…)

    UCL students identify mystery specimens in the Grant Museum

    By Jack Ashby, on 2 February 2016

    Mystery specimen displayHave you ever seen something in a museum and suspect that the curators have got it wrong? If so, I hope you haven’t been too shy to let the museum know. Speaking for the Grant Musuem at least, we love it when visitors add to our knowledge of the collection, and we don’t ask for “expert” credentials before hearing an opinion. Indeed, a 11 year boy spotted that a specimen labelled “marine iguana” was in fact a tuatara (a lizard-shaped reptile from New Zealand (that is in fact not a lizard)). And couple of years back, a visitor noticed that our famous anaconda skeleton was in fact an African rock python. Some museums might be embarrassed by the idea that some of their objects have been mis-identified, but not us.

    In fact every year we give our UCL bioscience students the chance to challenge our identification as part of the fantastic “Vertebrate Life and Evolution” module. We have just created a display of “mystery specimens” identified by these students.

    (more…)

    Safe drinking water in Mexico: a project by EWB-UCL

    By Nicholas J Booth, on 28 January 2016

    On Friday 5th February the student society Engineers Without Borders UCL will be hosting a special event in the Rock Room focusing on one of their successful projects. Between 12.30 – 4.30pm members of the society will be on hand to talk to visitors, who will also get the opportunity to inspect museum specimens from the Grant Museum, UCL Art Museum and UCL Geology Collections which relate to the subject of their project – providing safe drinking water to a rural community in Mexico whose drinking water was contaminated with fluoride and arsenic.

    Arsenic Sample. Photo from Wikipedia.

    Arsenic Sample.
    Photo from Wikipedia.

    UCL Engineers Without Borders’ mission is to ‘facilitate human development through sharing engineering and technical expertise in the developing world’. It is open to everyone to join, not just those with an engineering background and in 2014-15 it was involved in nine development projects across the world.

    I met the society’s president, Gabriela May Lagunes, last summer at UCL’s Spark Fest, (more…)

    The Robert Noel Collection of Life and Death Masks – what we know now.

    By Nicholas J Booth, on 15 January 2016

    Cast of a murderer - Noel-34 - Irmscher. Photo courtesy of Alan Taylor.

    Cast of a murderer – Noel Head 34 – Irmscher.

    The Robert Noel Collection of Life and Death Masks consists of 37 plaster casts made in Germany in the 19th Century. As the name suggests the plaster casts were taken of both the living and the dead, and were collected by Robert Noel (a distant relation of Ada Lovelace) to show the ‘truth’ of phrenology, which simply put was the study of the lumps and bumps in people skulls in the belief that this gave insight into a person’s character. In this blog I aim to tell the story of the collection (as we know it now) and gather links to the various blogs, videos, articles that are available online. Enjoy!

    When I started working at UCL 4-ish years ago we knew almost nothing about the Robert Noel Collection of Life and Death Masks. In its life at UCL it had been on display in the Galton Eugenics Laboratory, the Slade School of Fine Art and (reportedly) at one point it’s been fished out of a skip. Now, thanks to the work of a number of UCL students, we know so much more – the names of the people represented in the collection, what Noel thought of them and the background to Noel himself. They have also been properly conserved and looked after, so they will survive for another 150 years or so. (more…)

    New Year, New Resolutions: Museum Conservation Conversations on the UCL PACE Museums and Collections Blog!

    By Susi Pancaldo, on 12 January 2016

    The PACE Conservation Laboratory on UCL’s Bloomsbury Campus serves the needs of UCL’s diverse collections. The objects we have examined and treated in 2015 have ranged from fragile inorganic and organic archaeological materials, small sculpture and other works of art, dry- and fluid-preserved zoological specimens, all manner of scientific teaching models, an array of mechanical and electrical scientific instruments, and much, much more!!

    UC40989 faience shabti, during treatment: Petrie Museum of Egyptian Archaeology Museum; UCLAM10026 bronze medal of Prosper Sainton: UCL Art Museum; Z2978 mammoth tusk: Grant Museum of Zoology; Mathematical model: UCL Maths.

    Faience ‘shabti,’ during treatment: Petrie Museum of Egyptian Archaeology (UC20989); Bronze medal: UCL Art Museum (10026); Mammoth tusk: Grant Museum of Zoology (Z2978); Mathematical model: UCL Maths.

    These objects have come to our Conservation Lab from UCL’s collections for a variety of reasons. Some need to be cleaned or repaired ahead of use in teaching, research, loan or display. Some present mysteries which close examination and scientific analysis may help unravel. Others have been selected for treatment as part of ongoing programmes to improve the condition of collections currently in storage.

    Each object has a story to tell, and with the start of this New Year, we have made a resolution to share the work we do with our blog audiences. (more…)

    Some More Favourite PanoptiCam Views

    By Nicholas J Booth, on 19 November 2015

    My last ‘Favourite PanoptiCam Views‘ blog post was way back in June, so an update is long overdue.

    Summer is usually a quiet time for the auto-icon of Jeremy Bentham. There are less staff and students around and, although he does receive a regular stream of visitors, summer is often a time to pause and take stock of the past academic year. Infact it is very easy to forget just how busy UCL can be when the students return, however when the new academic year starts again…

    'Looking at me, looking at you' - one regular summer visitor to the auto-icon gets into the spirit of the PanoptiCam Project.

    ‘Looking at me, looking at you’ – one regular summer visitor to the auto-icon gets into the spirit of the PanoptiCam Project.

    The start of term witnessed some long queues for registration...

    The start of term witnessed some long queues for registration…

    (more…)

    Specimen of the Week 213: The Enigmatic Gibbon

    By Rachel H Bray, on 9 November 2015

    Hello Grant Museum blog readers and zoology enthusiasts, it’s Rachel Bray here. You may be wondering who I am, unless you saw a Specimen of the Week blog by me back in May when I temporarily joined the Museum for my MA placement. I am very lucky to be back at the Grant until Christmas to work with the Museum’s wonderful learning and events programme. As part of my return I’m pleased to be getting back into the Specimen of the Week swing of things by researching this week’s candidate which is…

    Photograph of the grey gibbon specimen

    LDUCZ-Z475 Hylobates sp.

    (more…)

    Hello! I’m the new Grant Museum Curator

    By Paolo W Viscardi, on 6 November 2015

    My name is Paolo Viscardi and I’m the new Curator of the Grant Museum of Zoology at UCL.

    PV_Case19

    I have a background in biomechanics and comparative anatomy, with a particular fondness for bones, which I’ve been writing about since July 2009 on my personal blog Zygoma. In my spare time I am Chair of the Natural Sciences Collections Association (NatSCA) and I run the science communication event Science in the Pub (or PubSci for short). My passion for communicating science also keeps me busy giving talks and getting involved in all sorts of events and performances, from immersive theatre to providing a scientist’s response to art. (more…)

    Glass Delusions opens today

    By Jack Ashby, on 1 October 2015

    Photogram #2 by Eleanor Morgan

    A photogram created by exposing photo-sensitive paper with the Grant Museum’s glass sponge specimens sat directly on it. (C) Eleanor Morgan

    Glass Delusions is a new exhibition at the Grant Museum featuring works by the Museum’s Artist in Residence, Eleanor Morgan. Using prints, drawings, videos and objects Eleanor explores the slippery boundary between living and non-living materials.

    Over the past year, Eleanor has been drawing inspiration from our collection of glass sponges. These are intricately formed deep-sea animals that naturally build themselves out of glass – the are 90% silica, which they draw out of the sand in their environment.

    (more…)

    Please can I see the Fossil Lady?

    By Celine West, on 19 August 2015

    This is a guest blog written by Alison South, volunteer for UCL Museums.

    The dayroom on Ward 12 at UCH (University College Hospital) is bright and spacious with views west along the busy Euston Road. Here patients at the Teenage Cancer Trust Unit relax with their families and friends, putting aside illness, treatments, sickness and drugs for a while, chatting or enjoying a game or other activity. Over the last year I’ve become a regular visitor, bringing with me a bag of museum objects from the Touching Heritage handling collection at UCL Museums.

    I vary my choice of 8-10 objects each week, but always include some fossils and rocks from the Geology collections, natural history specimens and Ancient Egyptian artefacts. Some on the ward refer to me as the ‘fossil lady’ or the ‘museum lady’ – I prefer to think of myself as a sort of therapeutic ‘bag lady’ holding tight my precious possessions. (more…)