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  • Happily Never After: A Moral Proposition for the Management of Museum Collections

    By Subhadra Das, on 11 February 2016

    This is a provocation I wrote and presented at ‘The Future of Museums’ Conference, held at UCL in 2014. Having attended a few seminars and conferences in the sector recently, I feel the need to share it with a wider audience. The text appears as I presented it at the conference, with added links for your delectation and miniscule adjustments to diction and syntax to make me sound cleverer.

    Hello.

    My provocation was: “In the future, no object should ever enter a museum collection on the assumption that it will be there forever.” Looking back, that’s pretty tame. What I meant to tell you was that, if I ever get round to writing one, my ideal Collections Development Policy would consist of just 5 words:

    “Burn it. Burn it all.”

    (more…)

    Look Again…UV Been Mistaken: A Case of Collection Mis-labelling

    By Nicholas J Booth, on 4 February 2016

    This is a guest blog by Felicity Winkley, one of the student engagers who work with UCL Museums. To find out more about the student engagers project please visit their website. 

    Last term, the UCL Student Engagers used objects from across the UCL collections to curate a six week exhibition at the North Lodge, called Stress: Approaches to the First World War.

    The project, as we’ve discussed previously on our own blog, was an interdisciplinary, co-curated effort, approaching the topic of the First World War through four interpretive themes: physical stress, mental stress, cultural or societal stress, and stress on the landscape.

    One of the objects we chose to highlight the mental stresses caused by the conflict and, by association, the improvements in the way mental health was approached by the end of the war, was a ‘strobe machine’. As part of the physiology collections, catalogued alongside objects like an auditory acuity tester and a set of keys for tapping multiple-choice responses, it was assumed that this light had similarly been used in psychiatric experiments to test participant responses. From our point of view, it also helped that it looked good.

    Physio-40: labelled ‘Strobe Machine’

    Physio-40: labelled ‘Strobe Machine’

    For several weeks of the exhibition’s run, the object was a successful talking point. (more…)

    The Robert Noel Collection of Life and Death Masks – what we know now.

    By Nicholas J Booth, on 15 January 2016

    Cast of a murderer - Noel-34 - Irmscher. Photo courtesy of Alan Taylor.

    Cast of a murderer – Noel Head 34 – Irmscher.

    The Robert Noel Collection of Life and Death Masks consists of 37 plaster casts made in Germany in the 19th Century. As the name suggests the plaster casts were taken of both the living and the dead, and were collected by Robert Noel (a distant relation of Ada Lovelace) to show the ‘truth’ of phrenology, which simply put was the study of the lumps and bumps in people skulls in the belief that this gave insight into a person’s character. In this blog I aim to tell the story of the collection (as we know it now) and gather links to the various blogs, videos, articles that are available online. Enjoy!

    When I started working at UCL 4-ish years ago we knew almost nothing about the Robert Noel Collection of Life and Death Masks. In its life at UCL it had been on display in the Galton Eugenics Laboratory, the Slade School of Fine Art and (reportedly) at one point it’s been fished out of a skip. Now, thanks to the work of a number of UCL students, we know so much more – the names of the people represented in the collection, what Noel thought of them and the background to Noel himself. They have also been properly conserved and looked after, so they will survive for another 150 years or so. (more…)

    New Year, New Resolutions: Museum Conservation Conversations on the UCL PACE Museums and Collections Blog!

    By Susi Pancaldo, on 12 January 2016

    The PACE Conservation Laboratory on UCL’s Bloomsbury Campus serves the needs of UCL’s diverse collections. The objects we have examined and treated in 2015 have ranged from fragile inorganic and organic archaeological materials, small sculpture and other works of art, dry- and fluid-preserved zoological specimens, all manner of scientific teaching models, an array of mechanical and electrical scientific instruments, and much, much more!!

    UC40989 faience shabti, during treatment: Petrie Museum of Egyptian Archaeology Museum; UCLAM10026 bronze medal of Prosper Sainton: UCL Art Museum; Z2978 mammoth tusk: Grant Museum of Zoology; Mathematical model: UCL Maths.

    Faience ‘shabti,’ during treatment: Petrie Museum of Egyptian Archaeology (UC20989); Bronze medal: UCL Art Museum (10026); Mammoth tusk: Grant Museum of Zoology (Z2978); Mathematical model: UCL Maths.

    These objects have come to our Conservation Lab from UCL’s collections for a variety of reasons. Some need to be cleaned or repaired ahead of use in teaching, research, loan or display. Some present mysteries which close examination and scientific analysis may help unravel. Others have been selected for treatment as part of ongoing programmes to improve the condition of collections currently in storage.

    Each object has a story to tell, and with the start of this New Year, we have made a resolution to share the work we do with our blog audiences. (more…)

    The Top Ten Grant Museum Blogs of 2015

    By Jack Ashby, on 8 January 2016

    Happy New Year!

    2015 was an absolute cracker for the Grant Museum, with our two exhibitions – Strange Creatures: The Art of Unknown Animals, and our Artist in Residence Eleanor Morgan’s Glass Delusions – as well as the massive Bone Idols conservation project. Together these helped us break all records for visitor numbers, as well as being voted by the public to win Time Out’s Love London award for being Bloomsbury, Fitrovia and Holborn’s most loved cultural attraction (beating some pretty stiff competion [COUGH/britishmuseum/COUGH])

    As a way of looking back over this monster year, on Twitter over the past week we’ve been counting down the best of 2015’s blog – the Top Ten most viewed Grant Museum posts of last year*. Looking back, it’s certain that we’ve had a top year in terms of blogging, with 93 posts from Team Grant. But what were the best posts?

    I’ve announced those ranking at 10 to 2 in the charts, and exclusively revealing here that the most popular post of 2015 is… (more…)

    The Great Grant Knit-a-Thon

    By Dean W Veall, on 18 August 2015

    12 hours in the Museum knitting – why – I hear you ask? Dean Veall here and another installment of Museum Events. As part of the Strange Creatures: The art of unknown animals exhibition events series we decided to run an event that took inspiration from co-curator Sarah Wade’s research, and the display of artist Ruth Marshall’s knitted skin of a Thylacine. We set the knitters of London the challenge of knitting some of the strange creatures from our collection. Visitors could bring their own knitting needles to ‘stitch one purl one’ for an hour over lunch or come after work and join in over a glass of wine.

    (more…)

    Looking at Strange Creatures Seminar Day

    By Dean W Veall, on 4 August 2015

    Dean Veall here. Following on from the first blog in the series, Why do museums bother running events?, I’ thought I would work backward highlighting some of our events from the last year presenting them as case studies in an effort to better understand why we here at Team Grant bother running events. Many of our readers are fellow museum peoplpe and I thought our blog would be perfect space to share some of our practice, the lessons I’ve learnt as a practitioner in museum event programming as well as a more permenant record of the event.

    The seminar day was the penultimate event of the series accompanying our Strange Creatures exhibition. Throughout the series we offered visitors the opportunity to engage with some of the themes of the exhibition through various different event formats from our open mic night Animal Showoff and Skippy the Bush Kangaroo film night, to straight up lecture, DINOSAURS! of Victorian London. The seminar was a foray into a programmed series of talks that offered a more academic take on the world of animal representation. It included perspectives of art from the historical to the contemporary with some zoology thrown in for good measure.

    (more…)

    Why do museums bother running events?

    By Dean W Veall, on 23 July 2015

    UCL Museums Murder Mystery event

    UCL Museums Murder Mystery event

    Dean Veall here. All museums do them and we here at the Grant Museum did A LOT of them over the last year: events. We ran a rich and diverse programme of events that included an improvised opera performance, a games night, film screenings, a queer takeover, talks and much much more. But why? Why do we and other museums bother running events for an adult audience when visits by this group appear to be continuing to climb? [1] (more…)

    Rock Room Slade School Takeover – Part 3

    By Nicholas J Booth, on 5 May 2015

    One of the art works from the  Slade event in the Rock Room.

    One of the works from a previous Rock Room Slade event.

    This Friday (May 8th) between 1 – 5pm the Rock Room will host its annual Slade School takeover. This is the third instalment of the joint UCL Museums and Slade School of Fine Art project (see a blog on the last one here) which has seen staff and students from the Slade install art works that include sculpture, painting and various mixed media (including cheese, fish and other foodstuffs) into the Rock Room.

    As with past years I have no idea what the artists will be bringing to display in the Museum. (more…)

    The Museum is Where the People Are – vote for us now

    By Jenny M Wedgbury, on 29 April 2015

    PURE EVIL - Roberto Rossellini's Nighmare

    Roberto Rossellini’s Nightmare, Pure Evil

    VOTE NOW http://bit.ly/connectpureevil

    Old master prints, drawings of flayed bodies, mysterious things in glass jars, extinct animal skeletons, glittery minerals and rocks, amulets and charms from ancient Egypt: UCL Museums and Collections are a treasure trove of the awe inspiring and unusual. But we don’t just think of ourselves as being a collection of objects fixed to one space and place, we believe that the Museum is where the people are and we want to take the spirit of our collections off site for the Museums at Night event on 30 and 31 October. (more…)