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  • Focus on Slade Women Artists 2017 – 2018

    By Martine Rouleau, on 19 June 2017

     

    Paula Rego, Under Milkwood

    Paula Rego, Under Milkwood, 1954, Oil on canvas,
    UCL Art Museum 5581. © The Artist.
    First Prize Equal for Summer
    Composition, 1954. All UCL Art
    Museum’s paintings can be viewed online at Art UK

    Spotlight on the Slade Collections is a research project supported by the Paul Mellon Centre for Studies in British Art, aimed at increasing access to UCL Art Museum’s Slade Collections through research, cataloguing, digitisation, collaboration and public engagement. Emerging out of this project for 2017 – 2018, UCL Art Museum will focus its research and events programming on a key component of the collection: Slade Women Artists.

    Approximately 45% of works in UCL Art Museum’s collection are by women artists. Typically, permanent collections in Europe and the US contain between 3-5% of works by women. For their recent exhibition at the Whitechapel Art Gallery, art activists the Guerrilla Girls sent questionnaires to 383 European museums and collections to ascertain the gender and nationality balance within their collections. Of the 101 institutions that responded, only 2 collections contained 40% or more works by women.

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    The Edwards Museum

    By Alice E Stevenson, on 4 March 2015

    The Petrie Museum takes its name from famed archaeologist Flinders Petrie. It’s all too easy, therefore, to fall into the habit of always celebrating him – all  ‘Petrie this’ and ‘Petrie that’ – as if he somehow toiled alone, a heroic pioneer. The fact is, he built his career with the support and labour of others. ‘His’ Museum would not be here at all were it not for Amelia Blanford Edwards (1831–1892). So on International Women’s Day this year we celebrate our true founder .

    This Girl Can. Plaster bust of Amelia Edwards in the entrance to the Petrie Museum

    This Girl Can. Plaster cast bust of Amelia Edwards in the entrance to the Petrie Museum

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