UCL Museums & Collections Blog

The Grant Museum, technically, is about 185 years old, but one year ago today we opened the doors to our newest manifestation, in the Rockefeller Building’s former medical library; one of the grandest spaces at UCL. Here are some highlights from our first year.

The year in numbers
12884 visitors during normal opening hours
11010 participants in our events
6901 objects accessioned
3121 university students in museum classes
1719 school and FE students in museum classes
96 blog posts
22 specimens of the week
9 journal articles and book chapters published by staff
11 objects acquired
4 co-curated exhibitions
2 floods
Half a dodo went on display (really several bits of several dodos.) (more…)

Last week, our Science Fiction; Science Futures event – organised by the wonderful UCL Science and Technology Studies was based around the concept of how we look at what’s around the corner. It included a fair bit of conversation about failed futures – those things that previous generations predicted would be here by now, like flying cars and invisibility cloaks (though apparently they’re not far off).

At the end of the event we asked the participants to make their own predictions for the world in fifty years time. This is what they said: (more…)

Sometimes* it feels like I have the best job. You may recall my previous musings on whether or not Planet Dinosaur was a documentary or not. This musing did not come from the blue, in fact I have spent more time than most contemplating digital dinosaurs. Today I’m pleased to announce that a book chapter I wrote a loooong time ago has finally been published.

The full reference is

Carnall, M.A (2012) Walking with Dragons: CGIs in Wildlife Documentaries. In Bentowska-Kafel, A., Denard, H. and Baker, D (eds) Paradata and Transparency in Virtual Heritage, Pages 81-95 ISBN 9780754675839

Getting back to why I think my job is the best job (more…)

The Museum reopened nearly a year ago now and we are still happily experimenting with the different things we can do in our new home. One of the big innovations was the QRator programme on our iPads, developed with the wonderful award-winning people in UCL Digital Humanities and UCL Centre for Advanced Spatial Analysis.

This week Nature blogged about the QRator project for Social Media Week. It begins…

The Museum and the iPad: how the Grant Museum is using social media to make us all curators

15 Feb 2012 | 19:11 GMT | Posted by Joanna Scott
As part of Social Media Week, Nature London talked to Jack Ashby, Manager of the Grant Museum of Zoology at UCL, about QRator, the pioneering project the Grant Museum is working on to allow the public to engage with museum collections by contributing their own interpretations…

…Hello Jack, welcome to the Nature London blog. Can you tell us about the QRator project you’ve introduced to the Grant Museum?

QRator is a project that allows our visitors to get involved in conversations about the way that museums like ours operate and the role of science in society today. In the Museum are ten iPads which each pose a broad question linked to a changing display of specimens. We are really interested in what our visitors think about some of the challenges that managing a natural history collection brings up, and other issues in the life sciences. They change periodically, but at the moment our current questions include “Is it ever acceptable for museums to lie?”, “Is domestication ethical?”, “Should human and animal remains be treated differently in museums like this?” and “What makes an animal British?”

You can read the whole article here: http://blogs.nature.com/london/2012/02/15/the-museum-and-the-ipad-how-the-grant-museum-is-using-social-media-to-make-us-all-curators

The panther chameleon will bob his head
And make his colour intense.
A broody ringtail lemur girl,
Will attract her mate with scents.

Peacocks fan their tail feathers,
Spreading blue and green.
The Asian tortoise follows his girl
With persistance to show he’s keen.

Semaphore, believe it or not,
Attracts girl wolf spider to boy.
A fruit fly has his work cut out,
These girls like acting coy. (more…)

Today the newest exhibition at the Grant Museum opens and it’s probably not something many people will have seen before. Art by Animals is an exhibition of paintings by orang-utans, a chimp, elephants and a gorilla, and to be honest, most of them are better than I could do.

When our co-curators Michael Tuck, a graduate from the UCL Slade School of Fine Art, and artist Will Tuck, first approached me about a year ago I have to admit to being shocked at the elephant painting of a flower pot – it truly displays the incredible dexterity of the elephant’s trunk, but is it art?

Here’s a video about it. (more…)

This is the tale of two non-discoveries. More accurately one non-discovery and one discovery of something not sought.

I often dream of thylacines and I often dream of the Grant Museum, but only once have I dreamt of both together, and that was this week which is apt as it’s Australia Day today. On this occasion in bed I jumped sharply into consciousness as it occurred to me that a specimen labelled as a brushtail possum baby could in fact be a mis-labelled thylacine. Possums, though wonderful creatures in the wild, are the ubiquitous pest of Australian towns, playing a similar role to racoons in the US. Thylacines, on the other hand, are a much celebrated (at least by us) extinct marsupial carnivore – the difference in rarity of the two in museum collections is stark. I developed an image in my mind of the specimen in question and convinced myself that it had been mis-identified. The image in my mind was in fact a mental blurring of the famous pup at the Tasmanian Museum and Art Gallery, and the specimen at the Grant Museum, pictured here. (more…)

Last week we kicked off the Grant Museum’s Humnanimals Season with one of our ever-popular film nights – Under the Caribbean (1954). Humanimals Season is all about the interactions between the lives of animals and humans, investigating human concepts in the animal world, and animals venturing into the human world. Dr Joe Cain, the stalwart presenter of GMZ film nights (and Head of UCL Science and Technology) had been insisting that we showed this 1950s underwater documentary for years.

I must admit, I hadn’t watched it, but my gut reaction was that our audience relies on us to show classic films, with a link to natural history that they will enjoy watching – many people enjoy the camp, slightly ridiculous productions like Tarzan and The Blob. “An out-dated documentary is surely a bit dry?”, I would say to Joe. He would tell me that it was ground-breaking for the genre and had heaps of never-before seen footage. “Hmmm”, I would say, “it’s just doesn’t sound silly enough”.

Boy, was I wrong. (more…)

Last week we finished off Natural Mystery Season with a screening of what must be the gooiest monster movie of all time: The Blob (1958). These classic film screenings have become one of the highlights of our ever growing public events programme. The masterful Dr Joe Cain has now introduced 21 of these films, from The Lost World (1925) and King Kong (1933) to Inherit the Wind (1960).

It must be admitted that with our two films this term, The Blob and War of the Worlds (1953) we may have strayed a little far from natural history – we hope our visitors don’t mind. It’s definitely science, and mainly life science, so I suspect few people noticed. Next term we’ll be back to our roots with two very different must-sees: Under the Caribbean (1954) which I’ve described as a serious ground-breaking documentary that is very hard to take seriously (the ridiculous 1950s English dubbing, and the pretense that they try and make us believe they can talk to each other underwater reminds me of a cross between Eurotrash and Monty Python); and we finish the Humanimals Season with the Beast from 20,000 Fathoms (1953). These and all of next term’s events can be seen on our what’s on page.

Back to The Blob: the UCL Events blog gave us a jolly review. It begins:

Without a doubt, Film Night at the Grant Museum was the most entertaining event that I’ve attended at UCL. On December 6, they screened the 1958 sci-fi/horror cult classic, The Blob.

Dr Joe Cain holds court. A senior lecturer at UCL by day, he is an avid film fan by night. And possibly by day at weekends.

This is the first ‘On The Big Screen’ event at UCL that I’ve attended, despite this being the 21st showing. However, it’s clear that the event attracts a regular following, and by the time I arrive the large Darwin lecture theatre is almost full. All ages are represented in the crowd, and the mood is both jovial and excited.

Read the rest here.

Another quick post, many of you may have seen the news coverage about a sequence showing polar bear cubs in the BBC’s excellent Frozen Planet documentary that was filmed in a zoo, not in the wild. The footage has been called out as being misleading and the authenticity of some snow has also been called into question. It’s hard to pick out whether this is grabbing media attention because the Beeb has its fair share of enemies in the press or whether viewers are genuinely outraged. The BBC has posted this video showing BBC bosses defending the sequence. The Telegraph has this to say about it, posted here for balance. (more…)