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  • Object of the Week: A child’s toy pig

    By Alice E Williams, on 3 August 2018

    UC7205: A child’s toy pig

    We have some exciting news about Specimen of the Week! We’re expanding the scope of SOTW to include more UCL Museums and collections. Here’s the first blog from the Petrie Museum of Egyptian Archaeology, and keep your eyes peeled for blogs about specimens and objects from UCL Art Museum, UCL Pathology Museum and more as well as your favourites from the Grant Museum.

    In a display case in the Petrie Museum of Egyptian Archaeology stands a little mud figure of a pig. At least it is thought to be a pig. It is so small, no bigger than a thumb nail, that you would be excused for not noticing it among the dense displays of archaeological objects. This figurine was originally thought to be a toy made by a child, but is that really true? (more…)

    Getting the ‘Researcher Experience’ at the Petrie Museum

    By Anna E Garnett, on 21 May 2018

    Over the last six months, the Petrie Museum has hosted Amanda Ford Spora, an MA Student in Egyptian Archaeology from the Institute of Archaeology, UCL, who has been using the collection for her Masters’ research. In this guest blog, Amanda discusses her project and some of the outcomes so far.

    Archaeologists and museum professionals develop a depth of experience working with objects, right from the trowel edge to the handling desk. It is this experience that is being explored with visitors at the Petrie Museum. One Saturday and two Wednesdays a month, visitors including: families (7 years+), tourists, undergraduate students, ancient Egyptian enthusiasts and the odd archaeologist and professor or two, have the chance to experience a fifteen minute ‘object-based, research-style’ visit at the museum, complete with all the ‘trimmings’, such as gloves, lamp-light, trays, padding and object-supports, in a cordoned-off section of the pottery gallery. (more…)

    Flies, Cats and Rat Traps: the Ordinary Animals of Ancient Egypt

    By Anna E Garnett, on 15 November 2017

    The Grant Museum’s current exhibition – The Museum of Ordinary Animals: The Boring Beasts that Changed the World ­­- explores the mundane creatures in our everyday lives. Here on the blog, we will be delving into some of the stories featured in the exhibition. This week we investigate some of the Ordinary Animals on loan from the Petrie Museum of Egyptian Archaeology.

    Ask anyone about ancient Egypt and standard responses generally include pyramids, mummies, Tutankhamun, and sometimes (if you’re lucky) animals. Ancient Egyptians were keen observers of their natural environment and are well-known for representing all manner of flora and fauna in their artistic works. Gods and goddesses were also associated with particular animals and their behaviour: for example, the jackal god Anubis guarded the cemeteries of the dead, just as real jackals roamed the desert edge. What is perhaps less well-known is how ancient Egyptians considered the ‘ordinary animals’ who lived side-by-side with them in the Nile Valley. Egyptians utilised a wide variety of wild animals and some of these were domesticated, some kept as pets, and others were considered as vermin – just as they are today.

    UC45976

    Mummified cat, currently on show in The Museum of Ordinary Animals exhibition (UC45976)

    (more…)

    There and (eventually) back again: a tale of three papyri

    By Anna E Garnett, on 19 September 2017

    The ‘Gurob Shrine Papyrus’ (UC27934ii)

    It’s been a busy month for us at the Petrie Museum, not only gearing up for the start of the autumn term but also preparing object loans for upcoming exhibitions. Our vast collection offers many opportunities to contribute to varied exhibition narratives: our objects illustrate life in the Nile Valley over thousands of years, from Prehistory through the pharaonic period and right through to the Greco-Roman, Coptic and Islamic periods. We also hold a world-renowned collection of papyrus, which is the focus of our ongoing Papyrus for the People project funded by Arts Council England. We have loaned papyri to three very different exhibitions this September, which each tell fascinating stories of life and death in ancient Egypt. (more…)

    Coptic Christmas: and a Myriad of Calendars (advent or otherwise)

    By Edmund Connolly, on 29 November 2013

    Many of us may be looking forward to Christmas in a few weeks’ time, but for many of our Egyptian (and other Coptic readers) Christmas will not be until January 7th 2014.

    UC75907, Coptic embroidery from the Petrie Museum
    UC75907, Coptic embroidery from the Petrie Museum

    History

    Coptic is a bit of a hydra of a term, with a few meanings that can be used synonymously or separately. The word Coptic derives from the Greek ‘aigyptos’ referring to the people of Egypt, originally this term had nothing to do with religious order or identity. Whilst ‘Egypt’ comes from more of an Ancient Egyptian pronunciation, Copt most probably held an Arabic influence, with the initial ‘ai’ being dropped to produce the plosive ‘K’ sound (Gregorious 1982, Downer).

    (more…)

    ‘African Hair Combs’ – a Conservator’s comment

    By Edmund Connolly, on 28 October 2013

    Guest Blogger: Pia Edqvist

    Has anyone seen the exhibition ’Origins of the Afro Comb, 6,000 years of Culture, Politics and Identity’ currently on display at the Fitzwilliam Museum, Cambridge? If so, what did you think?

    If not, you must go and see it; the display will be closing on the 3rd November and you do not want to miss this exhibition.

     

    Origins of the Afro Comb

    Origins of the Afro Comb

    On display is the iconic Black fist comb which was the symbol of the Black Civil Rights and Power Movement during the 1970’s in the USA. Earlier, the Afro comb was not very visible and for this reason it has been assumed that the afro comb was developed during this time. But this exhibition shows that the afro comb dates back to Ancient Egypt. The oldest comb is an Ancient Egyptian comb 5,500 years old which is displayed side by side with the black fist comb. The parallels between these combs are what inspired this exhibition. The connections made between the past and the present make this exhibition extra fascinating. This is also seen in the presentations of oral histories and testimonies within the exhibition which document attitudes towards hair and grooming in the present day. These contributions will also create an archive for the future.

    (more…)

    Petrie’s Menagerie: The Hippopotamus

    By Edmund Connolly, on 26 July 2013

     

    The link between the Petrie collection and Egypt is pretty obvious, founded in 1892 the collection incorporates roughly 80,000 Egyptian and Sudanese objects ranging from human remains to socks. The collection is still viewed and used by thousands of visitors a year, but I am intrigued by the Victorian audience, what would they have made of this collection? More precisely I am researching[1] the animals on display in the Petrie collection and how they may have been received and the vibrant history they were thrust into when brought to London. This series of 7 blogs will include material from the Petrie collection and archive, as well as some cross-collection references.

    Specimen #1: The Hippopotamus

    The name comes from the Greek (ἱπποπόταμος) meaning river horse, personally I see it more as an oversized pig, but hey who am I to argue with the Greeks, these aquatic equestrians are a common feature of children’s media[2] and the Africa vista. Egypt is the northern-most point that the Hippo is found naturally, gallivanting around in the Nile’s cooling waters.Hippo-3

    (more…)

    Moving Forward: Cultural Heritage Fellowship 2012/13

    By Edmund Connolly, on 9 April 2013

    It is hard to believe we will be playing proud host to our group of 9 Fellows in just a few months’ time. Time has flown and our Fellows have been busy developing their Community Engagement projects using the case studies and skills that were showcased during the weeks spent in the UK at UCL and a group of host museums. Following on from our last post I will now profile out Egyptian Fellows: Sayed Ahmed and Mohamed M. Mokhtar, who both work at the National Museum of Egyptian Civilization (NMEC) in Cairo.

    Sayed Ahmed CHF 2012/13

    Sayed Ahmed CHF 2012/13

    (more…)

    Cleopatra (Κλεοπάτρα Φιλοπάτωρ)

    By Edmund Connolly, on 30 January 2013

    Upcoming event: Caesar and Cleopatra, February 6th 2013

    By Andie Byrnes

    Britain’s first million-pound film, starring Vivien Leigh and Claude Rains, was Caesar and Cleopatra.  Based on George Bernard Shaw’s 1901 play of the same name, with a screenplay written by Shaw, it opened on 12th December 1945 in the Odeon at Marble Arch in London, and was released in the U.S. in September 1946.  It is showing at the Petrie Museum of Egyptian Archaeology (Malet Place, London WC1E 6BT), hosted by John J. Johnston, on February 6th 2013.

    Made during World War II, it was hoped that the investment of over £1,250,000 into the film would help to establish Britain in the American cinematic market.    Filmed in Technicolor, it took two years to complete, most of it set within a custom-built studio in Denham, England. Over 500 pieces of jewellery and 2000 costumes were created for the film and 400 tons of sand were imported into the Denham studio.  The largest scene included more than 1500 actors.  Conceived on an epic scale, it produced an Academy Award Nomination for Best Art Direction for John Bryan.  The main stars of the film, Claude Raines, Vivien Leigh and Stuart Granger, were all household names.  Vivien Leigh was particularly famous for her role as Scarlett O’Hara, six years earlier, in Gone With The Wind, which was one of the highest-grossing films of all-time.
    (more…)

    Specimen of the Week: Week Twenty-Four

    By Emma-Louise Nicholls, on 26 March 2012

    Scary Monkey WeekI am currently in Egypt trying really hard, though probably failing, to see an Egyptian vulture. Why? Look at this, you’ve got to love this face. It’s yellow for starters, and has a mega cool feather hair-do for seconds. Brilliant. I decided of course to write this week’s blog on an Egyptian specimen but it seems we are somewhat sadly lacking in that area so my specimen is a tenuous link at best. In the meantime, this week’s specimen is of a species that was found in Egypt, though is now regionally extinct in northern Africa. It was also found in Europe once upon a time, which may surprise you. This week’s specimen of the week is… (more…)