UCL Museums & Collections Blog

Last week the Grant Museum hosted Call My Bluffalo, a panel event in the format of the popular game show Call My Bluff albeit with a zoological twist. The panel was made up of Dr Ian Barnes (Royal Holloway Univeristy), Dr Anjali Goswami (UCL), Professor Kate Jones (UCL, Institute of Zoology) and Dr Victoria Herridge (Natural History Museum). The star-studded panel do what they do best had to put in a lot of effort to contrive science lies and to try to dupe each other into believing made up etymologys of a range of zoological names. A task made difficult by the fact that sometimes the truth is far stranger than fiction. The event went very well judging from the audience reception (and of course the evaluation forms) but we ended up not using a round of questions we had planned. Rather than waste the effort putting them together we thought we’d put them up here for our readers to have a go themselves.
(more…)

Two years ago rumours spread quickly around UCL that builders working in the Main Quad on Gower Street had discovered human bones while they were digging an access trench. Lots of human bones. As would be expected, theories abound as to what the story behind such a discovery might be.

The police were immediately involved, and they consulted UCL’s own expert forensic anatomist, Dr Wendy Birch, and established that no foul play had taken place, and the remains were not of police interest. Since then, Dr Birch and her colleagues have been researching the remains and trying to piece together (often literally – many of the bones were highly fragmented) what they are and why they were buried.

This is the topic of the Grant Museum’s new exhibition, Buried on Campus, co-curated by Wendy Birch and forensic anthropologist Christine King, our immediate Rockefeller Building neighbours in the UCL Anatomy Lab. (more…)

Following the success of How to Get a Head: A Hands on History of Skulls, Curator Mark and I put together a second “Hands on History” tackling the evolution of all things at the end of arms – hands, paws, hooves, wings, fins, flippers.

Piling the tables with limbs from koalas, badgers, frogs, turtles, platypuses, rabbits and more we worked through the story of where arms come from, and what we can learn from the strange lumps and bumps that different species have on their limbs. For example, rabbits have a massive projection out of the the back of their ulnas (the olecranon process) – we asked people to work out what it’s for. As with most things sticking out of bones, it’s a very big muscle attachment site for the rabbit tricep – they need strong muscles for bounding. Another leporine (rabbity) characteristic is that the two bones of the lower arm (radius and ulna) are nearly completely fused together. We asked why…
It means that rabbits can’t twist their wrists like we can (pronation and supination) – again because they need strong solid arms for bouncing – they don’t want their hands to face anyway but downwards and forwards.

The ever-wonderful UCL Events Blog did an impartial review of the event. It begins…

The UCL Grant Museum of Zoology is currently running its ‘Humanimals’ series, where it explores the relationships between ourselves and other animals.

The Grant Museum was founded as a teaching collection, and it seems that the current crop of curators are keen to continue this legacy. This is the second night like this that they have run, and for a modern museum it seems to a pretty radical idea; not only can enthusiasts visit and explore the museum after hours, but we are actually given the chance to interact with some of the exhibits.

Read the whole thing here.

Please let us know if you have suggestions for other “Hands on History” event topics.

This is the tale of two non-discoveries. More accurately one non-discovery and one discovery of something not sought.

I often dream of thylacines and I often dream of the Grant Museum, but only once have I dreamt of both together, and that was this week which is apt as it’s Australia Day today. On this occasion in bed I jumped sharply into consciousness as it occurred to me that a specimen labelled as a brushtail possum baby could in fact be a mis-labelled thylacine. Possums, though wonderful creatures in the wild, are the ubiquitous pest of Australian towns, playing a similar role to racoons in the US. Thylacines, on the other hand, are a much celebrated (at least by us) extinct marsupial carnivore – the difference in rarity of the two in museum collections is stark. I developed an image in my mind of the specimen in question and convinced myself that it had been mis-identified. The image in my mind was in fact a mental blurring of the famous pup at the Tasmanian Museum and Art Gallery, and the specimen at the Grant Museum, pictured here. (more…)

The mysterious 'Saxon' pot

Let me introduce you to one of the more unusual pieces in the Institute of Archaeology Collections. I first met it last year, when it was returned to us from the Museum of London from an extended and unintentionally long period of loan. It has a convoluted history with an unexpected punch line. (more…)

Another quick post, many of you may have seen the news coverage about a sequence showing polar bear cubs in the BBC’s excellent Frozen Planet documentary that was filmed in a zoo, not in the wild. The footage has been called out as being misleading and the authenticity of some snow has also been called into question. It’s hard to pick out whether this is grabbing media attention because the Beeb has its fair share of enemies in the press or whether viewers are genuinely outraged. The BBC has posted this video showing BBC bosses defending the sequence. The Telegraph has this to say about it, posted here for balance. (more…)

Number 2 in an occasional series highlighting objects from the stores. The first one is here. Hmmmm, I  may need to rethink the title for these posts as after IT STILL COMES FROM THE STORES and IT DIDN’T NOT COME FROM THE STORES it might be hard to come up with the next title.

Just a quick one today reflecting on the kinds of questions that objects provoke curators to ask of the collections they look after. I’ve been working with our documentation assistant on the spirit collection and  I found this curious unidentified object:

(more…)

Ancient vessels have usually gone through a lot before making their way into a comfortable museum store. First they have to survive the dangerous business of production and come out of the kiln intact and as intended. If they pass muster, they then have to make it through being packed up and shipped off to market, near or far. Then there are the ministrations of their new owners to be borne, with all the risks of having chips come off here and there through rough handling. Sooner or later, every amphora knows some clumsy owner is going to end up knocking its handles off. And then into a pit with it, where its carcass suffers further indignities as rubbish is thrown in on top, or into a tomb where the ceiling might fall in and inflict yet more distress. Only to be in danger once more from the swing of the excavator’s pick. (more…)

Friends of the Grant Museum will know that the last year was a tough year for the museum. Not only did we have to move the museum but our stores were plagued with floods. This has meant that our stored collections have been out of action for over a year. The turmoil hasn’t quite ended but recently the stored material became a little bit more accessible so myself and our new documentation assistant have been working through the stored collection reacquainting ourselves with objects and occasionally discovering material for the first time. The reason why we have material in stores  in the first place is partly because the collection is too large to put on display (currently, only about 5% of the collection is on display) and also because some material isn’t appropriate for display either because it isn’t Hollywood enough or because it is material that is better suited for research use. Being a university museum  a fair proportion of the collection was created for use in research. In this occasional series I hope to highlight some of the objects in our stores starting with these lovely objects I found last week. (more…)

This time last year two of the museum storerooms flooded. A loose pipe meant that when the mains water supply was switched on in the floor above, high pressure water jetted into our space, soaking the cabinets that contained some 40,000 of the museum’s objects.

To add to our frustration, the storerooms had only been built a few months earlier. It had taken us two months to install the collection, carefully replacing the specimens’ old locations with their new ones in our database so that nothing would be lost. It took two hours to evacuate all the specimens, and there was no time to document them in our frantic rush to get them to dry land. In this flood, the animals certainly went in far greater numbers than two by two.

This is the start of my latest New Scientist Big Wide World blog post. It’s about the flood recovery, why no natural history museums know what they have in their collections, and things being misidentified in museums. Read the rest of it here: http://www.newscientist.com/blogs/bigwideworld/2011/10/lost-information-and-misidentified-opossums-recovering-from-the-flood.html