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  • And 11 months later

    By Dean W Veall, on 8 August 2013

    Dean Veall here, Learning and Access Officer at the Grant Museum of Zoology. As I pack my panniers and get ready to mount my trusted bicycle for an extended August break back in the rolling hills of the valleys of Wales I thought now would be an apt time to present a reflection on my first 11 months here at UCL and share some insight into the working life at the Grant Museum.

    I started in September 2012, and my only real recollection of that first week was sitting in the Museum in the corner with my back to my new colleagues staring at our green main wall, a wall I came to know intimately over those two weeks in the middle of September we were closed for refurbishment.

    The green green wall of the Grant

    The green green wall of the Grant

    (more…)

    Time, Flies and the Origins of Crowdsourcing

    By Mark Carnall, on 12 July 2013

    Aside from jelly beans, the current Octagon Exhibition, Digital Frontiers, is dominated by objects from the Grant Museum of Zoology. Well, at least in terms of numbers because we’ve loaned this entomology drawer containing over 250 fly specimens. My colleague Nick Booth wrote about his experience of installing the objects from the collections he curates (and his experience was far more leg work than moving this single drawer was) and researching this drawer of flies in order to loan it revealed a lot of interesting information about this otherwise niche collection of insects: in natural history museums entomology collections are normally measured in the millions.

    Fly specimens in drawer labelled 'From Small cabinet 3'  from the Grant Museum entomology collections

    Fly specimens in drawer labelled ‘From Small cabinet 3′ from the Grant Museum entomology collections

    (more…)

    Science Research in a Science Museum?

    By Mark Carnall, on 30 May 2013

    As chance would have it at the same time as we received research interest from the Royal College of Art, colleague Dr Zerina Johanson, researcher in the Earth Sciences Department at the Natural History Museum, had also contacted me about our paddlefish specimens. We have less than a dozen paddlefish specimens in the Grant Museum (fish is the family Polyodontidae, represented today by only two species the American paddlefish Polyodon spathula and the possibly-extinct Chinese paddlefish Psephurus gladius) and fortunately, one of these specimens, matched the specifications for research (in this article I wrote about how ‘usable’ specimens dwindle to tens from thousands depending on the type of research).

    So for the second time in May I was on bodyguard duty to escort one of our specimens down to South Kensington for some scanning, this time for SCIENCE!

    (more…)

    Art Research in a Science Museum?

    By Mark Carnall, on 10 May 2013

    It seems to be a week for thinking about Art vs. Science this week. Of course the whole idea or art vs. science is a fallacy but increasingly I meet artists and scientists who want to live up to the stereotype of being in either camp and rejecting outright the other one. As a university museum we work very hard to ensure that our collections support the research of the academic community not just here at UCL and it isn’t just science researchers who are ‘allowed’ in.

    Natural history and art have a shared history and for a long time were the same thing. Trace the origins of an interest in the natural world and biology back to its roots and description, observation, inspiration and illustration are natural history. You couldn’t prise the ‘art’ or the ‘science’ bits out of it without undermining the whole endeavor. This tradition continues today, if we think about the Wildlife photographer of the year, the imagery employed by conservation agencies, the latest Wellcome collection exhibition, the works of Mark Dion or even the plates and graphs from  scientific journal papers they can be considered both art and science. Particularly, with the pervasive use of the Internet, visual media is increasingly how we communicate our ideas, agendas and passions. Be it a powerful image that sums up the plight of Orang Utans, a meme that causes us to chuckle over a tea break or the sheer beauty of what is called ‘data porn’, that is, a nice infographic that shows rather than tells the story.

    So on any given day at the Grant Museum we could have visiting scientific researchers who may be measuring the dimensions of a skull or looking for the differences between fossils. Alternatively we could have an artist creating an installation for our Foyer and we’re excited to see the reactions to the museum for our upcoming sculpture season collaboration with the Slade School of Fine Arts. Rarely is there a day where we don’t have an art group or individual artists sketching or photographing specimens on display. All of the above are equally valid uses of museum collections and this post follows a day out for one of our specimens down to the Royal College of Art. (more…)

    Artist at the Grant Museum

    By Sarah R Cameron, on 18 March 2013

    Viewpoint - Sarah Cameron (2013)

    Viewpoint - Sarah Cameron (2013)

    For the past month I have been working on a large mural for the foyer of the Grant Museum. The artwork, titled Viewpoint officially “opens” today.

    I arrive at the Museum at a strangely early hour of the morning, with my over-flowing bag of art materials and an array of tools. I ensconce myself in the foyer, surrounding myself with tubes of paint, mediums, cloths, sandpaper and sandwiches and then set to work in the quiet time before the museum opens.

    Much of my mural painting has been made in situ, which is a new and exciting way for me to work and through this I have found an energy in the way I handle paint that I have been striving for.

    It has been a fantastic privilege to be allowed access to the museum outside it’s normal opening hours and to have a ‘behind the scenes’ insight into a world of scientific investigation and recording that has often been elusive to me. (more…)

    Happy Second Birthday Grant Museum – A Year in Review

    By Jack Ashby, on 15 March 2013

    Grant Museum version 2.0* opened in the Rockefeller two years ago today. Time sure flies and we are still calling it our “new home” (but then since we’ve been going for about 185 years I guess it’s all relative). I remember telling myself that after the trauma of the relocation things would quieten down, but actually our diaries are ever fuller and we’re proud to look back on another whopping great year in our fabulous little museum. Here are some highlights of the last twelve months…

    The year in numbers
    16151 visitors during normal opening hours
    10148 participants in our events
    6031 school and FE students in museum classes
    3223 university students in museum classes
    578 objects photographed
    357 objects accessioned
    118 objects acquired
    104 blog posts
    52 specimens of the week
    20 loans
    3 two-headed fresh livestock turned down
    1 fewer anaconda than we started with. (more…)

    Heck that’s cool

    By Emma-Louise Nicholls, on 13 February 2013

    Whilst you and I both work as hard as an ant running uphill carrying a dead fly three times its size at our jobs all day every day (right?), sometimes you can’t help but feel a little less Gandalf the Grey and a little more Freena the elf (remember him? Exactly.), than you may otherwise desire.

     

    I get a lot of satisfaction out of a day at work, partly because I am easily amused by… myself, and partly because my job rocks. Not every day of course, some days I want to dart people with porcupine quills from the balcony, but that’s very rare (have no fear). However, more often than not I look at a project or piece of work, or reflect on a school visit, and I think “Yeah, that was super, I’m really pleased”. Getting nice feedback on my Specimen of the Week blog is one of my favourites for example (*cough*hint*cough*). One such moment of self admiration came due to a new project called the Micrarium.

     

    Don’t overestimate my involvement in this project, I have merely spent several (thousand) hours pouring my liquified eyeballs over billions of microscope slides, selecting the sexiest ones and accessioning more thin sections than I have had individual days in my 31 years of life. I did not conceive the idea nor design, sadly did not carry out the building work (I like DIY), thankfully did not insert every slide into the nails-on-a-blackboard-infuriatingly-fiddly grooves on the walls, nor (even more thankfully) did I gain as many grey hairs as the curator. I did however, upon first looking at the completed Micrarium, like an actor seeing a completed film they’d spent months working on in disarticulated portions for the first time, subconsciously breathe aloud “Heck that’s cool.”

    A Review, of sorts, of Treasures at the Natural History Museum

    By Jack Ashby, on 24 January 2013

    Treasures is the new permanent exhibition at the Natural History Museum (NHM) which “displays 22 of the most extraordinary specimens that have ever been on show at the Museum”. I’d been excited about it since I first heard about it a couple of years ago.

    As we all know, the best side of most museums isn’t the one that faces the public, and that is definitely true of the NHM, which for obvious reasons can’t display all 70 million objects in its care, or indeed all of the brilliant scientific research it undertakes. I’ve been critical before of the NHM missing opportunities to display real objects in its exhibitions, and so a gallery dedicated to showing what everyone actually comes to museums to see is exactly what I want them to be doing.

    Being lucky enough to do the job I do means that I’m privileged in knowing quite a lot about what the NHM has behind the scenes. Before visiting, I made a list of what I thought the NHM’s treasures are, and ticked it off as I went around: (more…)

    The Saddest Microscope Slide Ever(?)

    By Mark Carnall, on 23 January 2013

    We’ve been sifting through slides like a slick slide sifter for an exciting project the Grant Museum team have been working on and I discovered this leech slide which caused me to pause for a moment of deep reflection and sadness. I think it’s the word ‘clinging’ that adds some poetic tragedy to this scene.

    Grant Museum Helobdella  microscope slide labelled Helobdella stagnalis with young, which were in life carried clinging to the Underside. When I saw this my allergies kicked in and I started to cry. My fake allergies.

    Why does this get to me more than the Africa Elephant sequence?


    (more…)

    When Ain’t An Anaconda An Anaconda?

    By Mark Carnall, on 3 January 2013

    Image of the Grant Museum 'Anaconda skeleton'Apologies for the use of the awful contraction ‘ain’t’ but the International Standards for Science Communication (ISSC) demand awful alliteration at almost all opportunities.

    If you are reading this post then it is possible that you know of the Grant Museum and if you’ve visited then you’ve no doubt been impressed by our rather lovely articulated anaconda skeleton pictured here on the left. It’s a beautiful skeleton that grabs the attention and brings to mind questions like “How many ribs?” and “Who had the job of putting together what is surely one of the world’s most difficult jigsaws?”. It’s one of the specimens we list in our top ten objects you must see on a fleeting visit, it features in Kingdom in A Cabinet our guide to the Grant Museum and an image of this specimen was chosen for our postcard selection (available now from the Grant Museum).

    Also, it umm, isn’t actually an anaconda… (more…)