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  • Do you need a PhD to be a curator?

    By Nicholas J Booth, on 25 November 2014

    During the ever excellent ‘Ask a Curator Day’ (search #AskACurator on twitter) I noticed a number of questions along the lines of ‘How do I become a curator’ / ‘what qualifications do I need to become a curator’. Many asked about whether a Masters in museum studies is sufficient. This is an ongoing debate on this blog and I suspect the question has no firm answer; however one response to this question from a national museum here in the UK caught my eye…

    ‘Museum Studies graduates do find curator jobs but increasingly employers are looking for PhD training in a speciality area.”

    A photo of a man in a suit and glasses blanacing one legged on a table

    Once upon a time this was
    the first Google Images result for ‘Curator’.

    This is an interesting answer, and I am sure it is correct for national museums (or that one in particular at least), however I do not believe that it is correct for many, or even most, jobs with ‘curator’ in the title. So I thought I would briefly go through my experiences of the word ‘curator’ and what I perceive it to mean in the different areas of the museum world.

    (more…)

    Name our Rhino on the Run

    By Jack Ashby, on 6 November 2014

    The rhino in the Grant Museum - what's his name?

    The rhino in the Grant Museum – what’s his name?

    The largest single specimen in the Museum – our (hornless) Indian one-horned rhino – is about to go on holiday. He is going away for some serious conservation work. You might call it health tourism.

    The rhino entered the Museum as an un-mounted skeleton in 1910-11 when the University of London Loan Collection was disbanded. The Museum then paid £14 to have him, the seal, the bear and “a zebra” (possibly the quagga) mounted onto iron frames. Since then, the rhino has been on open display in the Museum, and the iron is slowly corroding.

    This year, as part of a major project called Bone Idols: Preserving our Iconic Skeletons, 39 of our largest specimens are undergoing conservation treatment. Some need intensive cleaning to remove the damaging pollutants and particulates that have built up over up to 180 years on open display; some also need repairs to certain body parts. Some, like the rhino and quagga, need to be totally disassembled, cleaned, and then repositioned on new skeleton-friendly metal frames, with all his joints correctly matching up.

    All of this work will allow us to safe-guard our irreplaceable collection for the long-term future and continue to use it every day for teaching, research and public engagement.

    There are two exciting opportunities coming up as a result… (more…)

    Squirrels and Earth Resistance

    By Pia K Edqvist, on 17 July 2014

    The past couple of days people have found me in all sorts of random places: popping up from under tables, looking in cupboards and spying behind display cases. Initially we thought we were looking for a squirrel; thinking we would be finding a bionic-like animal with fluorescent eyes (pretty exciting). But in the end we realised that this ‘squirrel’ was actually the environmental monitoring box. This ‘squirrel’ was among many items that had to be located, but why?

    Image of Jo Howcroft PAT testing in the Grant Museum at UCL

    Image of Jo Howcroft PAT testing in the Grant Museum

    Excitingly enough, I have been supervising the Portable Appliance Testing (PAT testing) executed in the Grant Museum and the Petrie Museum. This test is used to check whether a portable/moveable electrical item is safe to use. As we do not have the expertise in-house to execute this kind of testing we had to search for help elsewhere. Fortunately assistance was not far away; this could be found within the department among the staff at the Bloomsbury Theatre. Theatre Technician Jo Howcroft came to the rescue bringing her expertise within the area. She also kindly explained the process of PAT testing (which is more complicated than one would ever imagine):

    (more…)

    Why Twitter is good for museums – making discoveries

    By Jack Ashby, on 9 April 2014

    Using Twitter as a way of building a community of support, engaging people in content and shedding light on life behind the scenes in museums (that we don’t just dust stuff) is too obviously demonstrated by the real world to be spending too much time discussing. Not to mention the power to market events and exhibitions quickly and cheaply – assuming don’t over-use social media as a marketing tool.

    On Monday I conducted two pieces of “research” on our collection which sprung up out of the blue and would have been very difficult to solve without turning to our Twitter followers to tap their collective brain to find a quick answer. Both of them were on specimens that begin with “H” and end with “Bill”. Weird.

    Tweeting Turtles

    Hawksbill turtle showing his interesting eyes LDUCZ-X1177

    Hawksbill turtle showing his interesting eyes LDUCZ-X1177

    (more…)

    11 Museum Blogger Questions for #MuseumWeek round 2

    By Mark Carnall, on 4 April 2014

    best-blogYou may have read my colleague Emma’s answers to 11 Museum Blogger Questions at this link. I’ve been nominated to answer 11 questions as a museum blogger by the formidable Jake McGowan-Lowe, author of Jake’s Bones, and you can read his answers at this link. The idea is to answer 11 questions about writing a museum blog and then like Kevin Spacey, passing it on. Here are my 11 answers to 11 questions.

     

     

    (more…)

    One of our dinosaurs, birds, crabs…. is missing

    By Mark Carnall, on 19 March 2014

    You may have figured from the title of this blog but I’m going to take a bit of time to talk about when specimens go missing from a museum collection. It can be a difficult thing for museums to talk about as most museums operate to care for the specimens and objects that are given in trust to them often for perpetuity, or more practically until the death of our part of the Universe. Currently a lot of my work here involves relocating our specimens following the move of the stores and museum a couple of years ago and trying to work out what happened to a missing specimen involves a bit of detective work, so I thought I’d offer an insight into the process.

    (more…)

    Away daze – or how to make workshop training work for you

    By Rachael Sparks, on 12 November 2013

    UCL Museums and Collections 2007

    UCL Museums and Collections staff enjoying an Away Day at Kew Gardens. No post-it notes were harmed in the making of this photograph.

    Last week, I attended a Collections Trust training event aimed at developing my managerial skills. It was a slick, well-run affair, which I enjoyed despite being in the throes of a terrible cold.

    Now I’m a bit of a training junkie, and go to a lot of these sorts of things. Past highlights of my training calendar include courses on dealing with contentious subjects, museum mount-making, digital photography, and record and archive management, not to mention away days visiting countless museums I’d never previously heard of.

    Something of a gestalt has developed out of all this, and I think I’m beginning to see a pattern emerging in the culture that is the museum workshop event. So here’s my take on the five key ways in which training works for the museum sector, and makes us better and happier employees. (more…)

    The best natural history specimen in the world (did not get thrown on a fire)

    By Jack Ashby, on 19 September 2013

    Last week I saw something that had never occurred to me might be possible to see. Through the years I have learned a lot about this object – I knew where it was, I knew where it came from and I certainly know its place in the pantheon of the history of natural history. We even have a cast of it in the Grant Museum.

    If you had asked me what the best natural history object in the UK was, most days I would tell you it was this one. I had just assumed that seeing it wasn’t something that ever happened, even for people who run university zoology museums.

    The Grant Museum team an a sperm whale jaw at the OUMNH (they're closed for roof repairs)Last Wednesday the staff of the Grant Museum went on an expedition to the Oxford University Museum of Natural History (OUMNH), which is closed for roof repairs until 2014. On a visit to the zoology section a cupboard was opened before us, it was filled with skulls, dried fish and a couple of boxes. As the history of this cupboard was explained – it was Tradescant’s Museum – the oldest in the country – it suddenly dawned on me what was in those boxes. And that we were going to see it.

    We were going to see the only soft tissue of a dodo anywhere in the world. (more…)

    And 11 months later

    By Dean W Veall, on 8 August 2013

    Dean Veall here, Learning and Access Officer at the Grant Museum of Zoology. As I pack my panniers and get ready to mount my trusted bicycle for an extended August break back in the rolling hills of the valleys of Wales I thought now would be an apt time to present a reflection on my first 11 months here at UCL and share some insight into the working life at the Grant Museum.

    I started in September 2012, and my only real recollection of that first week was sitting in the Museum in the corner with my back to my new colleagues staring at our green main wall, a wall I came to know intimately over those two weeks in the middle of September we were closed for refurbishment.

    The green green wall of the Grant

    The green green wall of the Grant

    (more…)

    Time, Flies and the Origins of Crowdsourcing

    By Mark Carnall, on 12 July 2013

    Aside from jelly beans, the current Octagon Exhibition, Digital Frontiers, is dominated by objects from the Grant Museum of Zoology. Well, at least in terms of numbers because we’ve loaned this entomology drawer containing over 250 fly specimens. My colleague Nick Booth wrote about his experience of installing the objects from the collections he curates (and his experience was far more leg work than moving this single drawer was) and researching this drawer of flies in order to loan it revealed a lot of interesting information about this otherwise niche collection of insects: in natural history museums entomology collections are normally measured in the millions.

    Fly specimens in drawer labelled 'From Small cabinet 3'  from the Grant Museum entomology collections

    Fly specimens in drawer labelled ‘From Small cabinet 3′ from the Grant Museum entomology collections

    (more…)