By Martine Rouleau, on 27 May 2016
Blog post for UCL Art Museum, Revolution under a King exhibition by Dr Susannah Walker, UCL Art History Department.
Despite its Enlightenment origins, one of the French Revolution’s legacies is a rich strain of macabre imagery that has entered popular culture: Marie-Antoinette’s hair turning grey at the prospect of the guillotine. The assassinated radical journalist Marat slumped in his bath. The apocryphal tale of the bals des victimes where survivors of the Terror were said to have worn short hair and a red ribbon at the throat in reference to the guillotined head.
The dark humour of popular prints may be at the origin of this cultural response. One bitterly ironic anonymous image of Revolutionary leader Robespierre imagines “having had all the French people guillotined [he] beheads the executioner with his own hand.”