By Edmund Connolly, on 2 October 2014
By Edmund Connolly, on 2 October 2014
By Edmund Connolly, on 18 September 2014
Given their morbid tone why are they so popular? With modern attention spans dwindling perhaps their short punchy nature appeals over epic 3 hour long Shakespeares. Over in 90 minutes and loads of action, it’s an easy sell to people working late or in need of entertainment.
By Meg J Dobson, on 16 September 2014
On Wednesday 17th September UCL Museums will be taking part in the Ask A Curator Day event on twitter. This event is growing year on year, and at the time of writing, this week’s event has 520 museums taking part from 36 countries. We know that asking a question in a museum can sometimes feel intimidating, and that we curators can sometimes be hard to track down. There’s so much to do that we aren’t always the most available group of people (though we really do try). We are taking part in the day as part of our commitment to make our collections as accessible as possible.
Ask A Curator works like this. Anyone in the world with a twitter account can tweet a question with the #AskACurator hashtag, and it will be answered by any of the institutions taking part. If you have a specific question for us you can tweet it directly to us @UCLMuseums and one of our staff will do their best to answer you. The Grant Museum of Zoology is taking part using @GrantMuseum, as is the Petrie Museum of Egyptian Archaeology on @PetrieMuseEgypt.
In preparation for this I thought I would introduce you to our members of staff taking part…
Jack Ashby – Jack is the Manager of the Grant Museum of Zoology. He is responsible for the strategic direction of the Museum, as well as managing the Museum’s resources. Much of his time is spent on creating opportunities for the public to engage with research going on at UCL. A zoologist by training with a particular interest in Australian mammals, he still spends as much time as he can in the field. He’ll be taking questions via @GrantMuseum throughout the day and from the @UCLMuseums account from 12 – 1 pm. (more…)
By Edmund Connolly, on 8 September 2014
The premise of the exhibition was that a group of fresh and energetic Central Saint Martin students would create a piece that was to be an interpretation of each artists understanding of the museum objects and the theme of historic representation, as I hurriedly power walked to the museum ( I am perpetually late to events) my mind began to wonder about the infinite ways that this repository of ancient Egyptian objects ranging from art to every day things could generate creative pieces in the next generation of artists.
By Debbie J Challis, on 5 August 2014
Next week the Petrie Museum of Egyptian Archaeology is exhibiting at LonCon3 – the largest science fiction (SF) convention in the world. We’ll be there alongside exhibits on Doctor Who, Iain M Banks, academic posters on SF and English Heritage. But why is a museum of Egyptian Archaeology going to this mahosive SF convention? (more…)
By Alice E Stevenson, on 24 July 2014
I’ve recently returned from holiday in Cascais, near Lisbon in Portugal, which was for the most part a fairly relaxing break. For the most part. There was the small matter of a rather lengthy complaint furiously scribbled into a comments book at one particular museum we visited and my husband being subjected to an in-depth critique of ethical museum display practice – for several hours. So what got me so agitated? The display of three mummies: two Peruvian and one Egyptian in the Museu Aqueológico do Carmo, Lisbon.
By Edmund Connolly, on 17 July 2014
The Petrie regularly plays host to 80+ Primary School students a week who arrive at the museum armed with worksheets and pencils in various stages of consumption. During the closing Q&A’s I often worry for my teaching prowess as I endure the same question again and again from 5 or more little upturned faces, wondering what have I done wrong, why aren’t they remembering anything?
By Pia K Edqvist, on 17 July 2014
The past couple of days people have found me in all sorts of random places: popping up from under tables, looking in cupboards and spying behind display cases. Initially we thought we were looking for a squirrel; thinking we would be finding a bionic-like animal with fluorescent eyes (pretty exciting). But in the end we realised that this ‘squirrel’ was actually the environmental monitoring box. This ‘squirrel’ was among many items that had to be located, but why?
Excitingly enough, I have been supervising the Portable Appliance Testing (PAT testing) executed in the Grant Museum and the Petrie Museum. This test is used to check whether a portable/moveable electrical item is safe to use. As we do not have the expertise in-house to execute this kind of testing we had to search for help elsewhere. Fortunately assistance was not far away; this could be found within the department among the staff at the Bloomsbury Theatre. Theatre Technician Jo Howcroft came to the rescue bringing her expertise within the area. She also kindly explained the process of PAT testing (which is more complicated than one would ever imagine):
By Alice E Stevenson, on 10 June 2014
Guest blog by Sarah Doherty
In the seventh in our series of thoughts about the Petrie pottery collction, Dr. Sarah K. Doherty, Ceramicist & Archaeologist for the Gurob Harem Palace Project, Fayoum and Gebel el Silsila Epigraphic Project, near Kom Ombo, Egypt, discusses some dinky little pots dating to the time of the earliest true Egyptian pyramids.
After you step through the doorway from the UCL’s Science Library into the Petrie Museum you would be forgiven for missing the little pots that I am going to tell you about in this blog. However, bear with me, pots UC17625, 17630, 17632, and 17631 in pottery case P16 may not look like much, but they hold the secret for a new technological revolution that was going on during Egypt’s Old Kingdom (c.2600 B.C.). Each of these miniature vessels is made of Nile Silt, they date to the 4th dynasty (2600-2450 B.C.) and come from the Old Kingdom pyramid site of Meydum (c. 100km south of Cairo). In fact, some of these vessels were part of the foundation deposit of the pyramid temple of Sneferu at Meydum; others are from similar deposits in the mastabas of his courtiers.
By Alice E Stevenson, on 4 June 2014
Predynastic Egyptian figurine UC9601 is very much in demand right now. She has just finished a stint as the poster girl for the Petrie Museum’s A Fusion of Worlds exhibition. Now this petite, 6.6 cm-high pottery statuette is on her way to the Centre Pompidou-Metz, France where she will feature in the international exhibition Simple Shapes, alongside works by Barbara Hepworth, Pablo Picasso and Henry Moore.