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  • Archive for the 'Petrie Museum of Egyptian Archaeology' Category

    Curating the Petrie Museum: Three Object Stories

    By Anna E Garnett, on 26 July 2017

    I’ve just come to the end of my first month as Curator of the Petrie Museum. While my feet are getting closer to the ground with every day that passes, I am truly struck by this incredible collection every time I walk into the galleries and I’m sure this will continue to be the case for a long time to come!

    For my first blog post as Curator, I wanted to present my ‘favourite object’ from the Petrie Museum collection. However, it’s such a challenge to pinpoint only one object so I’ve chosen three! Each of these objects looks somewhat unassuming amongst the vast collection, but have their own unique stories to tell about how ancient Egyptians and Sudanese people made, used and re-used objects.

    (more…)

    An Introduction to the Papyrus for the People Project

    By Louise Bascombe, on 5 July 2017

    Just a little over six months ago, the Papyrus for the People Project began after being awarded Designation Development Funding by Arts Council England. During this time, we have done a lot of work behind the scenes to grow our project into something amazing. As we’ve just reached this milestone, I thought it would be a great idea to share more about the project, what we’ve been doing and what we plan to do onwards. (more…)

    Curiosities from UCL’s Cabinet

    By Jack Ashby, on 3 May 2017

    Guest post by Rebecca Reynolds

    ‘Curiosities’ seem to be popping up a lot on TV, radio and the web recently – such as in Radio 4’s Museum of Curiosity, where guests donate objects to a vast imaginary museum, and Professor Hutton’s Curiosities, the Discovery Channel’s 2013 series exploring quirky museums from around the UK (including the Grant Museum).

    As many will know, these titles take their cue from cabinets of curiosities, collections kept by physicians, naturalists, explorers and wealthy amateurs throughout Europe in the 16th and 17th centuries. Surviving objects from these cabinets are still on show – one is the Chaucer stone, a piece of flint broken open to show the shape of the poet’s face, in the British Museum’s Enlightenment Gallery; another is Powhatan’s mantle in the Ashmolean Museum in Oxford; yet another is ‘the Vegetable Lamb of Tartary’ in the Natural History Museum, a dried fern which people loved to believe was half animal, half plant.

    Egyptian cat goddess Bastet from the Petrie Museum. UC30384

    Egyptian cat goddess Bastet from the Petrie Museum. UC30384

    Three objects from UCL Museums ended up in my own cabinet of curiosities, a book published in February this year. (more…)

    This Spring at UCL Museums

    By Dean W Veall, on 12 January 2017

    Focus on the Positive eventHello dear reader! Do you want to go behind the scenes at the Print Room at the Slade School of Fine Art? How about sitting in darkness surrounded by dead animals experiencing an audio cinema? Or maybe you fancy celebrating the trowel-blazing (see what I did there) women of archaeology?  Thought so! As luck would have it, here at UCL Museums we have all of that plus much more to keep you entertained over the next few months….

    (more…)

    Dead to me!

    By Pia K Edqvist, on 12 July 2016

    Human remains at the Petrie Museum. It’s time to come out of storage!
    Death is part of life, and for me, death is very much a part of work since I am currently rehousing the human remains at the museum. In February, I attended a seminar at the Institute of Archaeology (IoA), PASSING ENCOUNTERS: The dead body and the public realm, the purpose of this was to stimulate discussion about death in an open and frank manner. I joined to learn more about how human remains are portrayed in social media and to gather people’s opinions on death. But, I learned much more than that; how a body decays, what different stages of decay smells like (See Fig.1.), and how death and the body have been portrayed throughout history

    Image showing presentation slide, do’s and don’ts when ‘smelling death’

    Image showing presentation slide, do’s and don’ts when ‘smelling death’

    . (more…)

    A Honey Pot for Springtime!

    By Susi Pancaldo, on 31 March 2016

    As a Conservator, I often think of how privileged I am to be able to handle and examine museum objects, up close and personal. Not all objects move me, but at the moment I am very pleased to be working on this one:

    UC65361, Ceramic bowl from the Petrie Museum of Egyptian Archaeology, UCL. Height 7cm, diameter 10.5cm.

    UC65361, Ceramic bowl from the Petrie Museum of Egyptian Archaeology, UCL. Height 7cm, diameter 10.5cm.

    (more…)

    Conservation of Public Art in the UCL Wilkins Building

    By Susi Pancaldo, on 11 March 2016

    Have you ever noticed – as you hurry off to class, the library or an event – that UCL’s campus is filled with works of art?

    The Wilkins Building, at the heart of the UCL Bloomsbury campus’ main quad, is particularly rich in sculpture. Outside the building, of course, are the iconic lead athletes on the steps below the dome.

    Lead statues of the Capitoline Antinous and the Discophorus, Wilkings Building

    Lead statues: Capitoline Antinous and Discophorus, Wilkins Building

    These figures have a fascinating history and I will write more about them another time.

    Inside the Wilkins Building, there is an abundance of works on permanent display too. Adjacent to the Jeremy Bentham auto-icon are two large, ancient Egyptian limestone lions in excavated by Sir Wm.M.F. Petrie. There are a number of 19th and early 20th century sculptures on either side of the Octagon Gallery; wall paintings in the Whistler Room (soon to be opened to the public); and upstairs, within the library, a myriad of sculpture in and around the 1st floor Flaxman Gallery. (more…)

    Fashions that are dated but timeless: the Petrie Museum wardrobe

    By Alice E Stevenson, on 7 March 2016

    Fashion month has recently passed, with all eyes on the latest trends, cuts, and colours. Vintage styles are frequently reimagined on the catwalk, but designers could find inspiration elsewhere in London from the most vintage garment of them all: the Tarkhan dress. It has just been confirmed as not only the oldest known from Egypt, but the most ancient complex woven garment in the world. It is more than 5000 years old.

    The Tarkhan dress, showing that the V-neck has been in vogue since at least 3000 BC.

    The Tarkhan Dress, showing that the V-neck has been in vogue since at least 3000 BC (UC28614B1)

    (more…)

    Behind the Scenes of the Cabinet

    By Helen Pike, on 2 February 2016

    In our continuing series to document the process behind the next exhibition in the Octagon, artists Mark Peter Wright and Helena Hunter who were chosen to work with curators and academic researchers from UCL led by Helen Pike, Public Programmer at The Petrie Museum give an update on their methodology. Mark is an artist and researcher working across sound, video, assemblage and performance and Helena’s practice spans performance, text and moving image. The blog offers a chance for ideas to be presented and hopefully engage comment and conversation!

    BDA-UC1-0016

    Over the last couple of months we have been developing a concept and method for material display entitled The Cabinets of Consequence for the forthcoming new Octagon exhibition. This is a reference and adaptation of the ‘Cabinet of Curiosities’. Originating from a 17th century European tradition, cabinets of curiosity were ramshackle rooms furnished with an abundance of objects of artistry, craftsmanship and relics. Wunderkammers as they were called, productively disturb taxonomic conventions of display, however, the emphasis on curiosity detaches objects from their ethical and social-political contexts.

    We want to destabilize hierarchies of display but not at the expense of the entangled geo-political histories of archives and processes of asymmetrical extraction on which objects have been collected.

    We intend therefore, to emphasize the multiple ecologies (Guattari, 2000) around such materials. The central challenge for us is to hold onto the vibrant materiality of objects, whilst simultaneously projecting matter into its ethico-political milieu: an aesthetics of display that not only works backwards through history, but also forwards, through the present and its possible futures.

    ‘A new metaphysics (materialism) is not restricted to a here and now, nor does it merely project an image of the future for us. It announces what we may call a “new tradition,” which simultaneously gives us a past, a present, and a future.’ Dolphijn, R & Van der Tuin, I.

    New Year, New Resolutions: Museum Conservation Conversations on the UCL PACE Museums and Collections Blog!

    By Susi Pancaldo, on 12 January 2016

    The PACE Conservation Laboratory on UCL’s Bloomsbury Campus serves the needs of UCL’s diverse collections. The objects we have examined and treated in 2015 have ranged from fragile inorganic and organic archaeological materials, small sculpture and other works of art, dry- and fluid-preserved zoological specimens, all manner of scientific teaching models, an array of mechanical and electrical scientific instruments, and much, much more!!

    UC40989 faience shabti, during treatment: Petrie Museum of Egyptian Archaeology Museum; UCLAM10026 bronze medal of Prosper Sainton: UCL Art Museum; Z2978 mammoth tusk: Grant Museum of Zoology; Mathematical model: UCL Maths.

    Faience ‘shabti,’ during treatment: Petrie Museum of Egyptian Archaeology (UC20989); Bronze medal: UCL Art Museum (10026); Mammoth tusk: Grant Museum of Zoology (Z2978); Mathematical model: UCL Maths.

    These objects have come to our Conservation Lab from UCL’s collections for a variety of reasons. Some need to be cleaned or repaired ahead of use in teaching, research, loan or display. Some present mysteries which close examination and scientific analysis may help unravel. Others have been selected for treatment as part of ongoing programmes to improve the condition of collections currently in storage.

    Each object has a story to tell, and with the start of this New Year, we have made a resolution to share the work we do with our blog audiences. (more…)