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  • Archive for the 'Engineering Collections' Category

    Some favourite magic lantern slides

    By Nicholas J Booth, on 14 March 2016

    This is a guest blog written by Bethany Gugliemino, a Museum Studies MA Student on a work placement with the UCL Teaching and Research Collections. 

    Hello! My name is Bethany and I’m a museum studies student here at UCL. I’m currently completing my work placement with the UCL Science and Engineering Collections, specifically working on the collection of magic lantern slides held in the Electrical Engineering collection. You may remember reading about these slides before on the blog when a previous intern began cataloguing the collection. Since those posts covered what lantern slides are and how they’re made and an overview of the main contents of the collection, I thought I would give you some examples of my favourite slides I’ve found so far.

    Slide EE1497, Electric Light on Thames Embankment

    Slide EE1497, Electric Light on Thames Embankment

    This slide shows an illustration of spectators marvelling at the installation of electric lighting on Victoria Embankment. (more…)

    Behind the Scenes of the Cabinet

    By Helen Pike, on 2 February 2016

    In our continuing series to document the process behind the next exhibition in the Octagon, artists Mark Peter Wright and Helena Hunter who were chosen to work with curators and academic researchers from UCL led by Helen Pike, Public Programmer at The Petrie Museum give an update on their methodology. Mark is an artist and researcher working across sound, video, assemblage and performance and Helena’s practice spans performance, text and moving image. The blog offers a chance for ideas to be presented and hopefully engage comment and conversation!

    BDA-UC1-0016

    Over the last couple of months we have been developing a concept and method for material display entitled The Cabinets of Consequence for the forthcoming new Octagon exhibition. This is a reference and adaptation of the ‘Cabinet of Curiosities’. Originating from a 17th century European tradition, cabinets of curiosity were ramshackle rooms furnished with an abundance of objects of artistry, craftsmanship and relics. Wunderkammers as they were called, productively disturb taxonomic conventions of display, however, the emphasis on curiosity detaches objects from their ethical and social-political contexts.

    We want to destabilize hierarchies of display but not at the expense of the entangled geo-political histories of archives and processes of asymmetrical extraction on which objects have been collected.

    We intend therefore, to emphasize the multiple ecologies (Guattari, 2000) around such materials. The central challenge for us is to hold onto the vibrant materiality of objects, whilst simultaneously projecting matter into its ethico-political milieu: an aesthetics of display that not only works backwards through history, but also forwards, through the present and its possible futures.

    ‘A new metaphysics (materialism) is not restricted to a here and now, nor does it merely project an image of the future for us. It announces what we may call a “new tradition,” which simultaneously gives us a past, a present, and a future.’ Dolphijn, R & Van der Tuin, I.

    JA Fleming – Discoveries From The Archive.

    By Nicholas J Booth, on 24 July 2015

    This guest blog has been written by Kelsey Svaren, a placement student who has been working with us over the past few months. 

    A few weeks ago I spent some time in UCL Special Collections working my way through the 24 boxes of material that John Ambrose Fleming left to UCL. I was able to look at these boxes in the span of four days, and let me tell you that is not an easy feat! Although I spent more time on certain boxes and documents than others, I feel I got a good overall view of what Fleming wanted UCL to have in its possession and can understand how the University’s history is interwoven with that of Fleming’s. During this time, I have been able to make some generalised conclusions about this man; the one who gave us the technology for so many inventions that people find themselves dependent upon today.

    JA Fleming receiving the Kelvin medal. (Image provided by UCL Special Collections Library).

    JA Fleming receiving the Kelvin medal. (Image provided by UCL Special Collections Library).

    (more…)

    Finding meaning in the Thermionic valve

    By Nicholas J Booth, on 26 May 2015

    This guest blog has been written by Kelsey Svaren, a placement student who has been working with us over the past few months. 

    Hi, my name is Kelsey and I am current MA Museum Studies student here at UCL. As part of my program, I am required to undergo a placement where I work on a museum related project. I have spent the last month working closely with Nick Booth, curator of the Electrical Engineering Collections at UCL. I have spent this time researching the numerous thermionic valves in the collection.

    Before I started my placement, I had a vague idea of what a thermionic valve is. I knew that it could be used in technologies, such as radios and telephones, to receive and amplify radio signals. Other than that, I was pretty clueless. Since I have started my placement, I have learned more about thermionic valves than I ever thought I would!

    One of Flemings original experimental valves.

    One of Flemings original experimental valves.

    The thermionic valve is especially important to UCL, because it’s inventor, John Ambrose Fleming was a professor at UCL and helped to develop the Electrical Engineering Department that we see today.

    (more…)

    The Museum is Where the People Are – vote for us now

    By Jenny M Wedgbury, on 29 April 2015

    PURE EVIL - Roberto Rossellini's Nighmare

    Roberto Rossellini’s Nightmare, Pure Evil

    VOTE NOW http://bit.ly/connectpureevil

    Old master prints, drawings of flayed bodies, mysterious things in glass jars, extinct animal skeletons, glittery minerals and rocks, amulets and charms from ancient Egypt: UCL Museums and Collections are a treasure trove of the awe inspiring and unusual. But we don’t just think of ourselves as being a collection of objects fixed to one space and place, we believe that the Museum is where the people are and we want to take the spirit of our collections off site for the Museums at Night event on 30 and 31 October. (more…)

    Curt Herzstark and a remarkable machine.

    By Nicholas J Booth, on 27 January 2015

    Today is International Holocaust Remembrance Day, and the 70th anniversary of the liberation of Auschwitz-Birkenau by Soviet soldiers. To mark this I thought I would discuss an object from UCL’s collections with a pretty remarkable story. This object not only saved the life of its inventor, but also allowed him to save the lives of others at Buchenwald Concentration Camp.

    Curt Herzstark with one of his calculators. Image taken from http://www.vcalc.net/cu.htm.

    Curt Herzstark with one of his calculators.
    Image from http://curta.li/03_bilder/01_herzstark_1952.html

    The Curta calculator is a wonderful machine. It’s was the world’s first handheld mechanical calculator and was used extensively from its invention until the digital calculator took over in the 1960s / 70s. Scientific American called it “the most ingenious calculating machine ever to grace an engineer’s hand” (£ link).

    The Curta calculator was invented by Curt Herzstark, born 1904 in Austria, whose family owned a company that made calculating machines and other precision instruments. (more…)

    Re-packing UCL´s Magic Lantern Slides

    By Margaux Bricteux, on 29 July 2014

    As my time working with UCL’s lantern slides draws to a close, I thought I’d reflect on some of the things I’ve discovered over the past few weeks. (To learn what lantern slides are, and why UCL has accumulated thousands of them, click here).

    Scan of slide EE703, showing a diagram of a Vreeland oscillator

    Slide EE703 – A Vreeland oscillator, 
    or just another electric circuit
    to the unaccustomed eye.

    The majority of  the slides in the UCL Science and Engineering collection are, unsurprisingly enough, about Engineering. Electrical Engineering to be precise. I must say that, having not had a single Physics lesson in the past six years, the prospect of cataloguing slide after slide of what looked like identical electric circuits was not exactly my cup of academic tea. But I soon learnt that there is a lot more to ElecEng (as it is apparently abbreviated) than alternators, resonators, oscillators and commutators. In particular, I became interested in UCL’s very own Sir John  Ambrose Fleming, founder of England’s first University Department of Electrical Technology, inventor of the thermionic valve and Pender Professor at UCL for three decades.

    (more…)

    Unpacking UCL’s Magic Lantern Slide Collections

    By Margaux Bricteux, on 9 July 2014

    Grant Museum magic lantern slide LDUCZ 299 showing craters on the lunar surface

    Grant Museum magic lantern slide LDUCZ-299 showing craters on the lunar surface

    The UCL Grant Museum and the Science and Engineering Collections currently have several thousand magic lantern slides that relate to subjects as diverse as telegraphy, astronomy or Australian coral reefs; but which for the most part have been consigned to gathering dust in splintering wooden boxes. I, however, have spent the last few weeks sorting, auditing and cleaning hundreds of these slides, and I am now rather well acquainted with these little glass squares.

    Example of a 19th century magic lantern slide projector from the UCL physics collection. This example was used as a sort of overhead projector but others were designed to project across a lecture theatre or hall

    Example of a 19th century magic lantern slide projector from the UCL physics collection. This example was used as a sort of overhead projector but others were designed to project across a lecture theatre or hall

    Magic lanterns were first developed in the 17th century as one of the earliest image projectors. While the device itself has evolved, the concept has remained the same: A combination of lenses and a light source are used to enlarge the images found on glass slides (each about the size of a Post-it) and project them onto a wall or screen. Magic lantern slides, hence, can be described as a kind of ancestor to the Kodachrome slides used in slide projectors, or even present-day PowerPoint slides. (more…)

    Museum Training for the World

    By Edmund Connolly, on 7 March 2014

    UCL is launching a new project with the British Council to help develop and teach new methods of Museum management. The Museum Training School opened this week and is aimed at mid-career professionals who are aspiring to be emerging leaders in the museum sector.

    bc-ucl-mts-logo-black

    (more…)

    The Mullard Space Science Laboratory

    By Nicholas J Booth, on 17 December 2013

     

     

    The Mullard at night with teh comet Hale-Bopp in the sky.

    The MSSL with comet Hale-Bopp

    One of the things I enjoy most about my job is that I get to work with many different departments from across UCL. I meet people from a wide range of backgrounds and get to do some pretty interesting stuff with them. And of course being a curator I get to work with collections as well, which is in my opinion the best thing about working in museums.

    In the last few months I have had the good fortune to visit the Mullard Space Science Laboratory (MSSL). A part of UCL that very few people get to see, staffed by people who are extremely passionate about their jobs, and housing a whole new collection of objects that I didn’t know existed.

    The MSSL was opened in 1967, and is the largest university space research group in the UK. Not only that but its early date marks it as one of the earliest such centres in the world, and makes it an important part of the early history of the British Space Programme, now known as the UK Space Agency (yes we really do have one of those). The lab is located near (more…)