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Archive for July, 2010

Announcing the new MA/MSc in Digital Humanities at UCL

By Melissa M Terras, on 30 July 2010

UCL Centre for Digital Humanities are pleased to announce the establishment of our new Masters program in Digital Humanities at UCL, to begin in September 2011. It will be a truly interdisciplinary programme, creating linkages between teaching in the UCL Department of Information Studies and UCL Computer Science, and drawing upon modules offered in different parts of the UCL faculties of Arts and Humanities, Social and Historical Sciences, Engineering Science and the Bartlett Faculty of the Built Environment. The program will also depend on facilities offered by UCL Library Services, notably Special Collections, and of UCL Museums and Collections, whilst liaising closely with a variety of world-class, London based libraries, archives and museum within the vicinity of UCL.

The MA/MSc will provide research-led teaching delivered by leading scholars in these areas, and will include a dissertation/project and placement where students will work on a practical application of digital humanities, either at UCL or in partner institutions. It will allow students who have a background in the humanities to acquire necessarily skills in digital technologies, and will also make it possible for those with a technical background to become for informed about scholarly methods in the humanities.

More information regarding the Masters degree will be available soon. In the meantime, to register your interest contact the Course Director, Dr Melissa Terras, at m.terras@ucl.ac.uk.

Digital Classicist & ICS Seminar: Fragmentary Texts and Digital Collections of Fragmentary Authors

By Simon Mahony, on 27 July 2010

Friday July 30th at 16:30

STB9 (Stewart House), Senate House, Malet Street, London, WC1E 7HU

Monica Berti (Torino) and Marco Büchler (Leipzig)

‘Fragmentary Texts and Digital Collections of Fragmentary Authors’

**All Welcome**

Fragmentary texts are not only material remains of ancient writings, but also quotations of lost texts preserved through other texts: in this seminar the speakers will show how methods of computer scientists and methodologies of classicists can be combined to represent fragmentary sources in a digital library of ancient testimonies. (full abstract)

The seminar will be followed by wine and refreshments.

For the full programme see:
http://www.digitalclassicist.org/wip/wip2010.html

Simon Mahony from UCLDH, co-organises the Digital Classicist, as well as the summer seminar series. We also have a email discussion list and wiki.  All are welcome to seminars so please do attend if you can.

If you have an interest but are unable to come along, the seminars are podcast with the slides at:
http://www.digitalclassicist.org/wip/wip2010.html

Digitised History

By Anne Welsh, on 21 July 2010

Yesterday I attended the British Library / JISC Conference Digitised History: Newspapers and their Impact on Research into 18th and 19th Century Britain. Linked to the launch of the British Library Newspapers 1800-1900, which offers online access to “articles from 49 London, national and regional newspaper (1800 – 1900) titles”, the conference brought together expert speakers who use digital resources in researching and teaching History. Our Director, Claire Warwick, was a panellist in the final plenary discussion.

My own interest was as a researcher in 19th century publishing history, but my motivation for attending was as the tutor on the optional module on Historical Bibliography for the MA in Library and Information Studies here at UCL: it’s vital to keep up-to-date on new research tools that students may need to use, not only in the module itself but also in their final dissertation if they choose a historical topic.

I have to say that all the presentations were extremely useful, and I left with not only enough material for the 15 minute segment I’ll give this year’s class on the new database, but also for a seminar session on the use of digital versions versus the original object. Speakers gave good case studies as well as opinions on both sides of the digital divide – the Institute of Historical Research created an archive of the tweets, which I recommend reading, as this blog post has to be selective on the grounds of space, and there is so much more that could be included.

Professor Miles Taylor (IHR) gave a good opinion piece highlighting some concerns, especially:

  • users’ awareness of the range and depth of material available digitally (around 55,000 newspaper titles from the 19th century remain undigitised)
  • the privileging of ‘typical’ newspapers and newspapers with long runs (most 19th century newspapers were short run and ephemeral)
  • the focus on digitising newspapers is good, but we are not gaining a wider picture of newspapers as businesses and the impact this has on our understanding of news and its creation

Professor Laurel Brake (Birkbeck) also highlighted some issues that should give us pause for thought (in a presentation that otherwise gave a very positive view of the new possibilities opened up tor researchers by digital resources):

  • the remediation of print into digital requires awareness on the part of researchers (the digital literacy that Dr James Mussell (Birmingham) advocated brilliantly)
  • researchers still need some awareness of the physical object – for example, an article’s placement in a newspaper is an editorial decision that tells us important things about its importance, and this can be lost in the egalitarian delivery of a search facility, where an article is an article is an article
  • the physical nature of the screen can itself obfuscate the layout of the newspaper – browse facilities do exist and should be used by researchers to gain an idea of context.
  • different editions of newspapers were published, and it is important for researchers to be aware of this; and the fact that often only one edition is digitised (indeed the BL’s policy at Colindale for the physical newspaper collection, was generally to retain only one edition (usually the latest edition).

The general feeling of the day seemed to be that while we should be cautious, and aware of the limitations of digital resources, the benefits could be immense. Keynote speaker Dr Patrick Leary highlighted that historians of the Victorian era are moving from a scholarly economy of scarcity to one of abundance, and, bearing in mind some of the limitations, it is now possible to look up facts about the daily life of Victorian people in a way that was time-consuming and costly (in terms of travel expenses) to previous generations of scholars, like Richard Altick (author of the seminal English Common Reader). He highlighted Cohen and Gibb’s recently Google-funded project Reframing the Victorians, which will use new digital resources to re-examine Walter Houghton’s influential thesis in The Victorian Frame of Mind that Victorians were largely optimistic, judging by their use of certain language – thanks to the quantity of the corpus that exists online now, and the digital humanities tools that have been devised, it will be possible for them to look at a far wider range of vocabulary than Houghton could manage manually.

As a lecturer, I was really inspired by some of the research exemplified and by some of the teaching that is being undertaken; and by the number of attendees at the conference keen to learn more about using these resources and introducing them to their classroom teacher.As a traditionally qualified librarian and historical bibliographer, I was equally pleased to hear Dr Moira Goff ask us to think about the future role of the original items, and, indeed, the future of the original items themselves. It seemed appropriate that the final remark of the day, from a member of the audience, should be that wonderful and empowering as digitised versions are, there are some things that we can only see and investigate on the book (or newspaper) as object itelf.

Digital Classicist & ICS Seminar: On-demand Virtual Research Environments: a case study from the Humanities

By Simon Mahony, on 19 July 2010

This week’s session in the Digital Classicist ICS summer seminar series is from  Mike Priddy who is based at the Centre for e-Research at King’s College London.

Friday July 23rd at 16:30
STB9 (Stewart House), Senate House, Malet Street, London, WC1E 7HU

Mike Priddy (King’s College London)
‘On-demand Virtual Research Environments: a case study from the Humanities’

**ALL WELCOME**

Virtual Research Environments are often highly specialised concentrating efforts around a single collection. The gMan project aims to demonstrate cross-collection discovery, annotation, reporting & management in an on-demand VRE (using gCube) with three heterogeneous classical collections: The Heidelberger Gesamtverzeichnis (HGV), Projet Volterra & The Inscriptions of Aphrodisias (IAph).
(full abstract)
The seminar will be followed by wine and refreshments.

For the full programme see:
http://www.digitalclassicist.org/wip/wip2010.html

Simon Mahony from UCLDH, co-organises the Digital Classicist, as well as the summer seminar series. We also have a email discussion list and wiki.  All are welcome to seminars so please do attend if you can.

If you have an interest but are unable to come along, the seminars are podcast with the slides at:
http://www.digitalclassicist.org/wip/wip2010.html
with an RSS feed you can subscribe to.

Born Digital: The 21st Century Archive in Practice and Theory – DH2010

By Sarah Davenport, on 18 July 2010

I have recently undertaken the task of student assistant at the Digital Humanities 2010 conference at times being entrusted with helping to video some of the panel and parallel sessions including one of particular interest to my studies Born Digital: The 21st Century Archive in Practice and Theory. Thoughts turned to masses of born digital material created from early word processing up to blogs and tweeting that will become the archives of the future, universities have only recently begun to document not only the digital content but also the hardware used.

I will focus here on a paper delivered by Erika Farr Finding aids and files directories: researching a 21st Century Archive. Delivering a case study of Salman Rushdie’s hybrid archive held by Emory Libraries within the manuscript, archives and rare books library had been presented with a new preservation challenge in the form of three laptop computers, one Mac, one external hard drive and paper materials including doodles, writings all from the popular author Salman Rushdie. In 2006 this was the first time that whole computers had been acquired by the library. A collaborative effort between archivists, digital librarians and software engineers was required, with an emphasis on a responsibility to the researcher when given the opportunity to harvest such unique data, and images. There was a need to respect the hybrid nature of the collection, when dealing with personal, financial and material of a living author. This presented a unique policy development stage and triage where it was agreed for there to be no web access to the collection, and understandably refusal of access to any materials that had been deleted.

The product of this the Salman Rushdie Archives is a fascinating project encompassing 15 years of Salman Rushdie’s life, whereby born digital content can be placed in an emulated environment, ‘as is’, creating a researcher experience demonstrating how he used the computers, folders, labelled the folders and his application choice. Researchers can begin to understand the human interaction with the computer and how this affected the creative process, it is not simply a task to capture the content of the document but also the setting in which it was created. Early user testing is said to have found this influenced the use of keywords and search techniques. It is hoped that further user testing can begin as the collection is used in the future, for now the researcher can begin to create a critical analysis of the emulated environment as introduced here by Erika Farr The Emulated Environment: Exploring Rushdies Desktop whereby ‘efforts to capture the holders images and efforts to create tools to leverage that data’ will be of inspiration to research in the future.

I am grateful to have been selected for a student assistant bursary at DH2010 as this was one of many sessions that have inspired my dissertation looking into the implementation of metadata standards in sound archives.  As part completion of my dissertation I am currently researching the resource discovery mechanisms of the Archival Sound Recordings website. This will involve user testing, and I am looking for volunteers to take part. This will take no longer than 45 minutes involving an observation of how you use the website and a short questionnaire. If you would be interested in helping me with this study please contact stephen.anderson.09@ucl.ac.uk.

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Cosmo Anderson is a guest author on this blog and a student on the MA Library and Information Studies programme here at UCL.

On Harvey Pekar (1939-2010)

By Sarah Davenport, on 16 July 2010

Cover of Best of American Splendor, by Harvey PekarHarvey Pekar, an American writer of nonfiction comics, died on Monday July 12, 2010, aged 70. Pekar achieved fame with his American Splendor comics series, which he started in 1975.

In spite of his faith in the collaborative storytelling power of comic books, Pekar was not afraid of trying out other channels of expression, including television, the opera and the web. He remained critical of American corporate culture until the end.

Here, I offer an appraisal of Pekar’s work at Nieman Storyboard, a Project of the Nieman Foundation for Journalism at Harvard University.

Launch of TEI By Example

By Melissa M Terras, on 15 July 2010

The Centre for Scholarly Editing and Document Studies (CTB) of the Royal Academy of Dutch Language and Literature, the Centre for Computing in the Humanities (CCH) of King’s College London, the Department of Information Studies and UCL Centre for Digital Humanities of University College London, are pleased to announce the launch of the online resource ‘TEI by Example‘. Featuring freely available online tutorials walking individuals through the different stages in marking up a document in TEI (Text Encoding Initiative), these online tutorials provide examples for users of all levels. Examples are provided of different document types, with varying degrees in the granularity of markup, to provide a useful teaching and reference aid for those involved in the marking up of texts.

TEI By Example is a project that has been undertaken by Melissa Terras from UCLDH/DIS, in collaboration with Edward Vanhoutte and Ron Van den Branden from CTB. Comments on the resource are very welcome.

Teaching Fellow in Electronic Communication & Publishing

By Anne Welsh, on 15 July 2010

UCL Department / Division

Department of Information Studies

Grade 7

Hours Part Time

Hours per week (%FTE) 27 hours per week (75% FTE)

Salary (inclusive of London allowance) £35,415 – £38,441 per annum

Salary pro-rata for part time vacancies

Duties and Responsibilities

The Department of Information Studies, the UK’s largest library school, offers postgraduate qualifications and training for all the information professions.

The main purpose of this post, which is a maternity cover, is the provision of learning to students studying for the MA/Diploma/Certificates in Electronic Communication and Publishing, and MA/Diploma/Certificate in Publishing. This includes teaching, assessment and student support. The post holder will also help to design and deliver the new MA/MSc in Digital Humanities.

The post is part-time (75% FTE) and is available from 01 September 2010 to 31 December 2011.

Key Requirements

The successful candidate will have a postgraduate qualification in digital humanities, electronic publishing or information studies. S/he will also have experience of professional education or training in an academic or professional contact, preferably in digital humanities.

Further Details

Full details are available from UCL’s recruitment pages and Mel has some notes on her own blog

UCLDH (and DH) in the news

By Anne Welsh, on 15 July 2010

Times Higher Education today carries a report on UCLDH Deputy Director Dr Melissa Terras’s closing plenary speech at DH2010 on Saturday.

Reporter Sarah Cunnane focuses on Mel’s call for members of the DH community “to sharpen up on the web or lose out” (THE).

This was only one aspect of the 40-minute long plenary, which used the Transcribe Bentham project as a vehicle to highlight achievements and challenges faced by Digital Humanists in the last decade as well as in the future.

The first time the Digital Humanities conference invited a member of its own community to give the closing keynote, the speech received a tremendous response from those present at the time and from those who read Mel’s notes on her blog and / or watched the video on arts-humanities.net You can read the tweets at #dh2010

The issues raised by Mel in her plenary will also be the topic under discussion at the next Decoding Digital Humanities meeting.

Image: Simon Mahony, originally posted to arts-humanities.net

Decoding Digital Humanities #5

By Simon Mahony, on 14 July 2010

The next Decoding Digital Humanities meetup will be held on:

Date: Tuesday, 27 July 2010
Time: 5.30pm – 7.30pm
Location: Jeremy Bentham pub, 31 University Street, London, WC1E 6JL (map)

The Digital Humanities 2010 conference was held at King’s College London and brought to a close on 10 July with a plenary speech by Dr Melissa Terras (UCL). Due to the topical and timely nature of issues raised in the speech, we felt it would make an excellent focus for discussion. The assigned reading for our meetup on the 27th will be:

“Present, Not Voting: Digital Humanities in the Panopticon”. Text available here.

The video recording of this closing plenary is now also available on the arts-humanities.net website.

From our dependence on primary sources and modern technology to digital identity, and the impact of the economic downturn, the speech provoked a tremendous response (some of which can be seen at Twitter #dh2010). Come tell us what you think over a pint!

RSVP is appreciated but not required.